This track is a preview. To listen to the whole piece and buy the record please visit martaforsberg.bandcamp.com.

Swedish composer and sound artist Marta Forsberg debut album "To All Frequencies I Can Not Sense for Quartet" on Havtorn Records.

"To All Frequencies I Can Not Sense for Quartet" is composed for electric guitar (Ellen Arkbro), electric bass (Emil Skogh), drums (Konrad Agnas), trumpet (Niklas Barnö) and electronics. It is a minimalist piece which deals with lingering spatiality - a meditation on the subtle frequencies which exist outside human perception, but nevertheless surround us, ever-present.

Together, the four musicians create a detailed timbral environment encompassing both complexity and simplicity, a contemplative evolution of a dynamic sound-world that is characterised by a shifting emphasis between tones, chords and noise.

Coming from the minimalist tradition of drone music, Marta Forsberg moves between composing for instrumental ensembles (Serenus Zeitblom Oktett, Berlin), creating sound and light installations (Konserthuset, Stockholm) and an ongoing solo practice (3HD festival - Berlin, Unconscious Archives festival - London). As the initiator of the feminist network Konstmusiksystrar, she also actively works for gender equality within the Contemporary Music scene.

Each digital copy of ”To All Frequencies I Can Not Sense for Quartet” includes a limited-edition large pattern print by Swedish artist and illustrator Elvira Varghans.

Release date: November 3rd 2017
Form: Digital release + Limited edition A2 poster by Elvira Varghans
Mix: David Granström.
Master: Saintpid Mastering

To All Frequencies I Can Not Sense for Quartet (Preview)

Ora ora! 

Hello,  I'm Adrian.  

I make music under the guises Legendary Taunt, Eggy Mule and Exit No Sentry among others.  

Fresh music coming soon. 

Peace.

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/

Jack Langdon (b. 1994, Sault Ste. Marie Tribe of Chippewa Indians) is a musician, filmmaker, and writer with concentrations in experimental music, minimalist documentary, and cultural politics. 

Across mediums, Jack’s work stages elusive, complex encounters with commonplace subjects, scenes, and sounds. As a musician, he has created extensive work for pipe organs, and regularly performs on a variety of keyboard instruments as well as the Ojibwe wooden flute (bibigwan). His films focus on landscape, the built environment, memory, and their transmission through people. He writes on the political economy of cultural production and the workplace politics of American independent music making.

Jack has composed works for Yarn/Wire, Schallfeld Ensemble, Ensemble Dal Niente, Talea Ensemble, Prague Quiet Music Collective, Southland Ensemble, Left Coast Chamber Ensemble, Trio SÆITENWIND, Yoshi Weinberg, Jack Yarbrough, Miroslav Beinhauer, Sara Constant, Jonathan Hannau, and Graeme Shields. His work has been supported by the Foundation for Contemporary Arts, Darmstädter Ferienkurse, the Fromm Foundation, The Awesome Foundation, MISE-EN_PLACE, and the Prague City Gallery. 

As an improviser, he has projects with Jeff Kimmel, Hunter Brown, Olivia Shortt, Taylor Ho Bynum, Adam Shead, Webb Crawford, Anthony Vine, Erica Miller, Sam Scranton, Kelley Sheehan, Ishmael Ali, and Weston Olencki.

His recordings have been released by IMPREC, Sawyer Editions, Dinzu Artefacts, and Lobby Art Records. His written work has been published by Sound American, Cacophony, and Shred Magazine. Jack is a founding editor for Culture as Care Journal with Eli Namay and John Pippen. He runs an independent record label and music journal based in Chicago called Empty Stage.

He is currently studying for his PhD in Composition and Music Technology at Northwestern University, and holds degrees from Dartmouth College and Saint Olaf College. He is a Graduate Practicum Fellow at the Alice Kaplan Center for the Public Humanities in 2024 and 2025. 

Jack grew up in Keyeser, Wisconsin.

improviser - composer - sound artist

he does solo projects, collaborations and participates in international online improv sessions. his main instruments are piano, guitar and electronics.

inquiries for new collaborations are welcome.

you can contact him at contact@stefanstrassermusician.de

Dutch sound artist with long standing interests in transcending conventional instrument approaches and the use of non-instrumental organic and homemade sounds. If you would like to stay informed about new releases please subscribe to the Martin Hoogeboom newsletter mailing list on my website
www.martinhoogeboom.com

If you have questions regarding my work or you want to collaborate on future projects, please use the following email-address: m.hoogeboom@wxs.nl.

modular synthesis / serge modular
experimental composition
live performance
sound installation