Support&Buy :
https://pulsromania.bandcamp.com/album/space-time-va

@paul_coman
@pulsromania

Premiere : Paul Coman - Arrival (OFFWAX005)

a1: Les 3 Petits Cochons
b1: Loco
b2: Turtle is Back

Buy on BANDCAMP

Les Trois Petits Cochons

The ice is thawing and the club scene hibernation is drawing to a close. As a warm welcome we present Nesstor’s second entry to YION: ‘Salt’, which included not only his finely crafted original heavy organic tracks, but also re-imaginations by Pinewood. Be excited for an excellent EP full of fresh ideas.

Salt Ep

Nesstor - Salt (Pynewood Remix)

JAF - Juuz And Friends – a fresh collaboration project uniting Juuz with other labels. The first station partners with Phonoda (HU), a digital and vinyl record label. They are serving as a lighthouse in the Hungarian underground music scene. This Various Artist Long Playlist Album (LP) contains 8 different yet same rooted songs composed by Hungarian artists. Mastered by : Silat Beksi

Knoll - The Plot Thickens

Steve Bug has been back in the bunker, tweaking the dials and flirting with the faders on two new cuts for Rejected.

Having previously brought us Together with his Flying Keys and Raving Butterflies, the Poker flat mastermind serves up a double dose of House magic, with both cuts exhibiting the signature warmth and analogue depth that define Bug's productions.

Lead track, 'Tweak It (Like This)', pulsates with a solid groove that is driven by its fidgety acid line and lively piano punctuation. Whereas 'The Red Panda,' on the flip, charts amore uplifting course, propelled by emotive basslines and shimmering keys. Both tracks, whilst distinctly different, exhibit Steve's infectious rhythms and timeless grooves. Making them essentials for the dancefloor.

Steve Bug - The Red Panda

Bonjour cher Monsieur Satie

Support: https://djdanielmeister.bandcamp.com/track/the-white-lotus-daniel-meister-remix

The White Lotus (Daniel Meister Remix) SNIP

Archie Shepp - Blase - Traumer Vision

Martin Buttrich - Hunter

Martin Buttrich - Fireball

The Sushi Club - Flunauticus (Johnny D Remix)

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.