INDUSTRY CHILDREN ⚖️ OUT NOW!

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LILEN - CRUDE

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TL Premiere #1528 (2024.02.26) : Marceas - Secuencias Que Vivimos En La Calle [PERLAS]

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For this 58th Premiere of 2024, we have the title track by by Argentinian DJ/Producer Marceas of his forthcoming EP "Secuencias Que Vivimos En La Calle" on his own label : PERLAS.

▶︎ The EP will be available from March 8, 2024 in digital on Bandcamp : https://perlaslabel.bandcamp.com

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Release Info :

Marceas - Secuencias que vivimos en la calle [PERLAS]

From the underworld to the world, Marceas, DJ and producer from the local scene of Buenos Aires, Argentina, approaches.Leading the Elektro and EBM label called PERLAS, with more than 11 releases, releasing great artists.He presents his first own EP called : Secuencias que vivimos en la calle ··"Sequences that we live on the street".Encompassing the street sound of the city with phonk noises and assembling the bass frequencies of electro.The album will be free and you can download it on the Bandcamp and Soundcloud platforms.

Tracklist :
0. Marceas - Escucha interna ( intro )
1. Marceas - Dificil pero no imposible
2. Marceas - Con la mente positiva en el juego
3. Marceas - Secuencias que vivimos en la calle
4. Marceas - Solo contra el mundo

Release: March 8, 2023

✅Edit: Perlas Label
✅Artwork: Aelita
✅Produced by: Marceas
✅Master: Frontmanmanagemen

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Follow Marceas :
Instagram : www.instagram.com/nico_birras
SoundCloud : @marceaswaves

Follow PERLAS :
Bandcamp : www.perlaslabel.bandcamp.com
Facebook : www.facebook.com/perlaslabel
Instagram : www.instagram.com/perlas.label
SoundCloud : www.soundcloud.com/perlaslabel

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▶︎ If you enjoy Tracklistings and feel comfortable donating to keep it going please donate via https://paypal.me/tracklistings

Secuencias que vivimos en la calle

TL PREMIERE : Marceas - Secuencias Que Vivimos En La Calle [PERLAS]

https://soundcloud.com/phoebephoebephoebe
https://soundcloud.com/jensen-interceptor
https://soundcloud.com/discos_extendes
🛒 https://discosextendes.bandcamp.com/album/de008-phoebe-homo-hustle
🔊 https://youtu.be/OreOXDtEPEk

If “Sempre a Correr” was the warm-up, then “Homo Hustle” is the final sprint to cross the finish line in style. “Homo Hustle” lands on Discos Extendes to confirm what we all already knew: the future of Portuguese dance music passes through Phoebe, aka Bruno Gonçalves. If his central role as founder of collectives such as “mina” and “Troublemaker Records” were not enough, or his role as programmer in festivals such as “Rama em Flor” or “Ano Zero”, or even as a central figure of the essential non-club “Planeta Manas”... or even as an agent at his own “Myth Agency”! Bruno Gonçalves still manages to find time to dj and produce! And he doesn't do it carelessly. Homo Hustle is a tight and muscular record that reveals his attention to the state of the art of dance music, without ever forgetting the original legacy of house. These were the tracks that he has shown us somewhere in 2021 and that we were so willing to release! A straightforward dance record made to shake your booty. A record that fits Extended Records like a glove!

In “Sempre a Correr” it was the “unstoppable urgency” that distinguishes Phoebe that was spoken about. A very raw, almost naked record, anchored in the 4/4 rhythm and the strength of the kick. Almost a year later, arrives “Homo Hustle”; a direct, muscular album, also aimed at the dance floor, but here with another type of nuances, more musical, which reveals the maturation of Phoebe as a producer. “Afternoon Blaze” is still a transitional track. Anchored in 4/4 with an offbeat bass, reminiscent of some songs by Detroit techno legend Robert Hood, develops into a crescendo where multiple rhythmic patterns and stabs are added to the track over 5 minutes until finally everything explodes! “Go” abandons 4/4, moving towards an aesthetic closer to electro but with great emphasis on claps instead of the traditional snare drums, and with a strong insistence on the repetition and manipulation of the vocal “Give You More” in what seems to be a promise of total delivery on the dancefloor. Side B opens with the hedonism of “Estou Perdido” tied to a drum break and with a somewhat nostalgic and highly emotional soundscape. Without ever abandoning a somewhat dirty and saturated aesthetic, the succession of ravy stabs and a long and continuous horn, here applied as a pad that adds tension to the environment, transport us directly to the middle of the rave and to this profusion of sweaty half-naked bodies who, induced by various consumptions, on any dark, dirty and damp dancefloor, are just looking for pleasure and a moment of collective catharsis. The climax of the album finally comes with “My Friends” which, as the name suggests, is a hymn to the friendship celebrated in the club. Broken beat, with a “in your face” sampled break, the track is guided by a vocal of which at the start immediately asks us: “Have you ever met those type of people that don’t quite get it?”. We have. But we do understand! Epic and celebratory, “My Friends” uses elements that are already common in Phoebe's production: a staby and distorted bass, repeated and manipulated voice samples, wide variations in rhythmic patterns, outlining a strong musical identity. A sure-fire recipe that promises to hit with a bang on any dance floor. The record ends with a remix by Jensen Interceptor (with whom Bruno has a special bond as they had worked together during his time at Outer Agency), who takes “Afternoon Blaze” and transforms it into a bassy madness, full of percussion and distorted 808s to finish the album in a smash! “Homo Hustle” by Phoebe, a record, and certainly a career, to be taken into account.

Tracklist: 

A1 - Afternoon Blaze 
A2 - Go
B1 - Estou Perdido
B2 - My Friends
B3 - Afternoon Blaze - Jensen Interceptor Remix

PREMIERE: Phoebe - Afternoon Blaze (Jensen Interceptor Remix) [Discos Extendes]

UNA CANCIÓN VIEJITA QUE HICIMOS CON MUAKK EN COLABORTACION CON JOHNSON Y JEISSON POARA UNA EXPOSICION RE LINDA EN EL MAMU BOGOTÁ, SINCRETIZANDO EL VALLENATO Y LOS SONIDOS DEL NORTE COLOMBIANO CON SEA LO QUE SEA ESTA ABERRASION DE MÚSIK Q HEMOS IDO ESTILIZANDO Y LLAMANDO COMO UWUARACHA XDDDDDDDDDDDDDDDDD

Olvídala UnU (Binomio De Oro Uwuaracha Edit)

For this 29th release of the Acid Avengers series, we invited two cult electro projects well-known by all braindance lovers. On the A-Side, the italian duo D'Arcangelo, who released some beautiful electronica cuts on Analogical Force, Further Electronix and the legendary Rephlex Records. On the B-Side, the danish artist Karsten Pflum, known for his strong releases on Hymen Records, Ad Noiseam, CPU or Further Electronix. Prepare your brain, these 5 tunes will take you on a groovy mental trip - from shiny IDM to melancholic acid! 

Karsten Pflum
Soundcloud: https://soundcloud.com/karsten-von-pflum
Instagram: https://www.instagram.com/karsten_pflum/

Acid Avengers
Soundcloud: https://soundcloud.com/acidavengers
Facebook: https://www.facebook.com/acidavengers
Instagram: https://www.instagram.com/tripaliumcorp/

Acid Avengers 029

PREMIERE: Karsten Pflum - Hornfish Acid (Acid Avengers)

Guest spot for the @earfulofwax show on @rinsefm

1 hour of bass and techno bliss, taking things right through from the dubbed-out depths to the heat of the dancefloor.

Watch the live recording here: https://youtu.be/s9r4IWNjf5s

Earful of Wax Presents Silent Era // Rinse FM // March 2024

The Time Has Come is an ode to hardcore in all its rich sub-genres, but also a hybrid manifesto full of contrasts, both sonic and emotional.

In this first EP, the producer and DJ KimberlaID plays with polarities, manipulating multiple references to the hardcore scene as she goes along. The chimerical voices of fictitious characters carry us along as we listen to and traverse her universe - or rather, her universes, for they are so multiple. In this EP full of mental images, contemplative melodies gradually clash with synthetic rave textures and meticulously selected kicks to plunge listeners into an ecstatic state conducive to dance. Sometimes gabber, sometimes terror, broken or unclassifiable, each track on the project is a journey where fragments of a shrewd blend of melancholy, sensitive saturation and solitary reveries nestle. It's this delicate alliance that makes this a project that abounds both on and off the dancefloor. 

Music credits
Written and Produced by KimberlaID
Mixed and Mastered by Ukk0o0
Ditributed by Integral

Artwork credits 
Photo by Victoria Hespel 
AD KimberlaID & Esteban Gonzalez 
Graphic Design Esteban Gonzalez 
Light Assistant, Louise Desnos  
Hair Kevyn Charo 
Set Design Kevyn Charo & Esteban Gonzalez

KimberlaID - Mechanism

https://aggromance.bandcamp.com/album/overdose-toolkit

ARTIST: @aggromance
LABEL: @aggromance
ARTWORK:https://www.instagram.com/ffreedancer/
nuevo premiere bbs !! Aggromance unx de nuestros productores favoritoss desde Argentina nos trae este estalle parte de su overdose toolkit

COMPRA

💋 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘: AGGROMANCE - BIEN DURA

SHXCXCHCXSH are the 384th guests of our original Hate Podcast series.

Download available after 10.000 listens.

Follow #SHXCXCHCXSH here:
https://soundcloud.com/shxcxchcxsh
https://www.instagram.com/hsxchcxcxhs/
https://www.facebook.com/shxcxchcxsh
https://shxcxchcxsh.bandcamp.com/

HATE Podcast

HATE Podcast 384

Follow SHXCXCHCXSH

SHXCXCHCXSH - HATE Podcast 384

From 1976 to 1983, the military dictatorship that ruled Argentina killed nearly 30,000 political opponents, most of them murdered. Among them are young pregnant women whose babies were pulled off at birth. Since 1977, the mothers of these women have searched for these 500 stolen babies. They defied the regime and created their movement. Since then, the Grandmothers of the Place de Mai parade every week in downtown Buenos Aires to demand the return of their grandchildren. By their persistence, they allowed the return of more than 140 children in their real family. Their struggle continues ...
Your fight inspired me.

Tango of Astor Piazzolla - Ausencias.

Piece composed in the class of electroacoustic composition, at Pantin's conservatory, Paris, 06/18. 

Thank you very much to Marco, Jonathan and  my classmates.

It was selected:
* MUSLAB International Electroacoustic Music Show, 2018. Brazil

* Experimental electronic music sound art presented by the Department of Creative Arts, Media and Music in Dundalk Ireland 2019.

* Festival internacional de Música, at UNQ National University of Quilmes. Argentina.

http://madres.org/

Persistance A-normale

electroacoustic, experimental music project - Mar composes with samples, micros,  field recordings and electronics. Buenos Aires _Argentina / Paris based.
http://maffezzini8@gmail.com

Persistance A-normale

Mar - Rodriguez

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