Acclaimed international electronic music producer Riki Inocente is a pure self-taught producer, re-mixer and DJ.  This has been crucial to his creative process, organically evolving honing his skills.   His music moves dance floors all over the world.  Riki's releases include a respectful salute with remixes from Chicago house legend DJ Sneak, underground label boss Hector Moralez and Grammy nominee, and house legend DJ Todd Terry.

His Discography includes a rich blend of deep, jacking house tracks with tough bass lines with subliminal vocal messages drawing from influences of his past, growing up in ‘little Chicago’ Sheffield where Northern Soul was a staple part of his childhood memories and his current life living in London.  
World releases on I’m a House Gangster, Magnetic, Robsoul, Inhouse Records, Great Lakes Audio, Beagle Traxx, Gangstarz label, Odour Recordings, King Street Recordings, Mr Jack Recordings, rEJEKTS and re-mixes for Cajmere’s track 'Brighter Days’, Doin' Work Records, Treasured Grooves and Kid Enigma on Blue Town Records.   
Live sets played for ‘Chicago House FM’, ‘House Salad Crew’, ‘Ugly House’, ‘Heaven Music Club’, ‘HAWT’, ‘L*ghtworks’, ‘Corona Sunsets’, ‘Gangstercast Series’, featured in the I.A.H.G ADE 2014 Mix, LIVE03 IAHG, Baut, Amsterdam, ADE, BBC Radio 1, NYC House Radio, Data Transmission, Ibiza Voice, Corona Sunsets Festivals, Ibiza, India, Ldn, Fire Club, London, Gigalum Sunday Sessions, London and Duvet Vous? Bristol, UK.  
Phonox, Ldn, and is a regular player at ADE, Amsterdam including events at, Yokiyo, NL, JD Williams Whisky Bar, NL, and The Bulldog. NL  
Riki headlined for rEJEKTS party at Pacha Ibiza and Sankey’s Soap, Manchester.

Broadcasting from the heart of Amsterdam since 2012, DHA has evolved from the deeper side of the musical spectrum into a platform for all things electronic. We convert new audiences and reinforce old ones through carefully curated music and editorial selections, remaining one of the most engaging and informative platforms today. DHA is internationally known, but locally felt, offering content meant to inform, discover, and highlight.

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I'M A HOUSE GANGSTER presents THE GANGSTERCAST

The GANGSTERCAST DJ mix series comes from the I'M A HOUSE GANGSTER movement. A HOUSE GANGSTER has the undying commitment and passion for House music, they know that this music is not a trend, it's a culture. The mixes all come from the DJs that follow this culture and love and respect the sound - some are established names on the worldwide scene, some are the future stars of tomorrow, and they all represent the raw, underground essence of real House music.  Each mix in the GANGSTERCAST series allows the DJ to present their own take on House music and what it means to them. Featured DJs will include DJ Sneak, Tripmastaz, Ramon Tapia, Doc Martin, The Martinez Brothers, Phil Weeks, Hector Moralez, DJ W!LD, Andrea Oliva, Arturo Garces and many others. 

Established in London, 1999.

#HouseMusicAllLifeLong

Cadenza is a space for music to grow, rise and blossom. It is an accessible platform created to receive new people, projects and their influences. By continously searching and progressing, we are a part of the evolution.

We are all spiritual people, free as our music, and we live for that reason.

My tracks played and supported by : Jamie Jones, Lee Foss, Loco Dice , Dj Sneak , Marco Carola , Richy Ahmed , Richie Hawtin, Maceo Plex, Carlo Lio, and many more. 

Records : 
- HOT CREATIONS
- ELROW MUSIC
- I'M A HOUSE GANGSTER
- TOOLROOM
- BROCK WILD
- TOO MANY RULES
- SUARA
- SNATCH!
- SANITY
- WOW!
- INMOTION MUSIC
- RAWTHENTIC
- NERVOUS

Contact/booking : jossmoog@gmail.com
Bandcamp Joss Moog / Cobra Edits : https://jossmoog.bandcamp.com/
Spotify : https://open.spotify.com/intl-fr/artist/0H4BQjtU2ChZdr48fgZALZ

BIO:

Co-founder of the French label Ondulé Recordings, Joss is also known as one of the most active artists on Robsoul recordings on which he has released top notch releases as his well-known series of "Rooms".

His musical experiments brought him to elaborate a particular sound and atmosphere that can be perceived in each and every set and production he does: funky enough to make it into Jackin’ house sets, hard enough to wrap around some tech, and groovy enough for those soulful types to grab on for dear life.
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Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Martin Schuh is following