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Forgotten Realms

method: layering; akai miniak, boss vo-1,  ehx grand canyon and walrus audio ages
narration: things do change, don't they .... aiming for that 'eno feel', I allowed too much dirt in - and liked it ;-)  
image: my photo based on a mask, gimped

poem / copyright jo richter:

he holds out a hand
watches the light change

a voice clings to him
as he walks past the building

THIS IS THE DAY
THE FUTURE WILL VANISH

trajectory minds
a dime a dozen

unidentified objects
of thought and delusion

THIS IS THE DAY
ELECTROMAGNETIC

all over the suburbs
giant birds roosting

spreading their wings
across minute houses

THIS IS THE DAY
THAT LASTS FOREVER

he feels vibration
life under his feet

atmospheric dilations
sentinence seeds

THIS THE DAY
EVERYTHING FLOATS

EVERYTHING FLOATS

the day everything

K G G - Digital Worlds (Complete)

Electroaoustic music 2023

The composition consists exclusively of edited and unedited vocal samples, which the mezzo-soprano Jannie Pranger provided to me.

Legoo Hangigomaasse

Space Chase

お聴きくださり、ありがとうございます。
トランスは難しいので、１年に１回は作らないと出来なくなります。今年は夏が忙しかったので、今の時期になってしまいました。去年よりはミックスが上達したのと思いますが、自分の納得のいくサウンドではないので、これからも研究していきたいです。

★使用機材
Drums：CT-310/HT-3500/FANTOM-6/DDD-5/DR-110
Synth：FANTOM-6/JP-8000/Virus TI/HT-3500
Effect：Lexicon MX-200/Plugins Effect
Vox：FL Studio Slicex&Pitcher

Wishing your special happiness...

Kleines absurdes Hörstück, Dezember 2023

Kleines absurdes Hörstück

Gatling

This week's podcast features music made by Naviar's community inspired by
Takahama Kyoshi’s poem “A distant mountain / Seen in the sunlight: / A desolate field”

Tracklist:

Adrian Lane - Seen In The Sunlight
Stan Magendanz - A distant mountain
LazenbeeIndustries - desolate field
mikey_a - Distant Mountain Seen
noble-earths – Distance
Night Note - A Distant Mountain

https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/ 

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Alessio Soggetti
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #309 – A distant mountain – Wednesday 6th March 2024

Text by Ghérasim Luca 
13/07/2023, Maison du Japon - Cité internationale universitaire de Paris
Kanae MIZOBUCHI, Soprano
Kiichi SUGANUMA, Recorders

Vinh Thien NGUYEN, Recording
Miyuki OKUMURA, Special thanks
*****
Video : https://www.youtube.com/watch?v=0d3BMIxkaak
*****
Image : Ghérasim Luca, Cubomanie – Portrait de M. Wallon

Prendre corps II (2023) for soprano and recorders

Masahiro Aogaki (b.1991) is a Japanese composer based in Paris. He studied composition at Tokyo University of the Arts, where he received his Master’s degree in 2017 in the class of Ichiro Nodaira, and at the Paris Conservatory (CNSMDP) with Stefano Gervasoni, Luis Naón, Yan Maresz, Grégoire Lorieux, Yann Geslin and Oriol Saladrigues, where he received his Master’s degree with the top of the class unanimously by the jury in 2022.
In his recent compositional process, he is interested both in redefining instrumental, vocal or textual identities and in recontextualising pre-existing musical languages. In addition, the poems of the Romanian surrealist poet Ghérasim Luca and the phenomenon of “stuttering”, which is one of the features of Luca’s works, have inspired some of his musical works.
His works have been performed by various ensembles, such as: Orchestre de Picardie, Orchestre de Caen, Geidai Philharmonic Orchestra, Ensemble Intercontemporain, Ensemble Court-Circuit, Ensemble Muromachi, Ensemble Next, Collettivo_21, and Duo Jeux d’Anches, among others.
He participated in various master classes and received teachings from Tristan Murail, Allain Gaussin, Philippe Manoury, Jean-Luc Hervé, Marco Momi, Jaime Reis, Joji Yuasa, Hiroyuki Ito et Misato Mochizuki.
He has received scholarships from the Meiji Yasuda Cultural Fondation, the Nomura Fondation, the Overseas Study Program for Upcoming Artists provided by the Agency for Cultural Affairs of Japan, the Kakehashi Fondation and the Centre International Nadia et Lili Boulanger.
In 2022-23, he participate in the Cursus Program on Composition and Computer music at IRCAM where he studies mainly with Pierre Jodlowski and Simone Conforti. The first portrait concert with his solo and duo works took place in Paris in July 2023. In 2023-25, he is a composer in residence at the Conservatory “Claude Debussy” in the 17th arrondissement of Paris, in partnership with the Ensemble Court-circuit.
His pieces are published from BabelScores (Paris).

Prendre corps II (2023) for soprano and recorders

Masahiro Aogaki

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