Taken from the compilation "Footprints" on Jazz & Milk: www.jazzandmilk.com

12" Vinyl - March 17th 2014 
CD / digital - April 28th 2014

Bad Jazz Troupe - Afro Hop (Dusty Remix)

next release by Dj Moar on a limited 7" !! Forthcoming alum in September !!

Dj Moar "Cumbia's Beat" (TV009-A)

Martin Hallmark (p), Jon Halton (b), Mike Anscombe (d). Yanagisawa straight soprano, Soprano Planet Missing Link

Black Orpheus 24_8_25

#1 Destiny

Exclusive track - info : http://starwaxmag.com/bosq/

Star Wax Vol.4 - Afro Disco Dub // SonVideo.Com

Bosq & LaFlamme " Brand New Day "

ARTIST: JOSEPH MALIK
TITLE: ‘TAKE A LEFT’ EP: LP Version/ Jo Wallace ‘North Street’ Remix/ ‘North Street’ Instrumental
RRR003 – RAMROCK RED RECORDS
RELEASE DATE: DIGITAL – July 20th 2018 / 7” VINYL – August 2018

Ramrock Red Records are so proud to present the first single release ‘Take A Left’ unleashed from internationally acclaimed vocalist/producer/DJ Joseph Malik’s forthcoming album, ‘Diverse Part 2’. Co-written and produced with Joseph’s long-term friend + DJ partner since the 80’s, Saleem Andrew McGroarty aka Sound Signals, ‘Take A Left’ is a stomping RnB monster of epic proportions that would be at home in a 1950’s juke joint from across the tracks to a present day shebeen in a dingy basement club. Drawing their inspiration from the darkest recesses of the musical repertoire of Dr. John, Muddy Waters, Allen Toussaint and a generation of blues artists who travelled alone with their guitars in a gunny sack along lonely back roads in the pale Delta moonlight, Joseph and Saleem, along with a stellar line up of Scottish musicians, have created something akin to musical redemption. Ramrock Red Records boss, Jo Wallace gives ‘Take A Left’ an additional remix by taking Joseph’s impromptu jam from the front porch of a wooden cabin, along an echoing corridor and into the confines of a compact Bayou studio….you will sense the darkness but surely see the light.

Joseph Malik has always had a great ear for finding artists to work with on his projects and on ‘Take a Left’, he has teamed up with Scotland’s finest soul brothers and sisters to provide the soul power to help him complete his mission to record the best in Soul, Jazz and Blues music. With Joseph on lead vocals, backing vocals are provided by Polish vocalist/ Malik Orchestra violinist, Dominika Czerniga, now based in the South Side of Edinburgh and renowned for her powerful vocal delivery with an impressive operatic range. Malik says of Australian jazz trombonist Chris Greive, ‘we would never dare sample a horn from a record when the world’s best lives just around the corner!’ and along with the harp man from Edinburgh’s premier blues band, ‘Black Diamond Express’ and musical enigma, Tom McClelland, they create a relentless melody that drives the track as they let the notes interweave, cemented by Kris Howden, one of the South Side’s soul brothers + a major player on Edinburgh’s live music scene, with his big, fat, nasty bass line. Recorded at Rusty’s Yard in Edinburgh’s Easter Road by ex-drummer & founding member of Edinburgh’s punk band ‘The Fire Engines’, Rusty Burn on the recording desk, and mixed down by Saleem Andrew McGroarty for Sound Signals at The Sound Still, Leith, the end result feels more like a session straight out of the Stax or Atlantic studios – ‘Take A Left’ will lead you straight onto the talced dance floor.

‘Yes, indeed now’ - Joseph Malik ain’t no false pretender now…..

Follow here:
Joseph Malik: twitter.com/TheOfficialJos4
Sound Signals: twitter.com/sound_signals
Ramrock Records: twitter.com/RamrockRecords

Buy Digital

1. Joseph Malik - Take A Left (Album Version - A Sound Signal Production)

Capoeira Mata Um

Capoeira Mata Um ft Aleh

"Matasuna Records" has found another musical treat from the African continent for its latest release - a song by the Ghanaian musician "Mawuli Decker". It was released in 1983 on the rare and sought-after album "Ayo Special" and is available for the first time as a 7inch vinyl single, which is supplemented by an edit from "Renegades Of Jazz". The esteemed London label "Kalita Records" was able to provide the audio material for new masters and is also acting as music publisher with the new "Kalita Music Publishing".

Mawuli Decker was born in 1949 in Ghana, where he also grew up. His musicality has been given to him from an early age, so that he not only attracts attention as a singer, but also plays drums, percussion and bongo. He played in various dance bands, which were very popular in Ghana especially from the middle of the last century onwards and made the Ghanaian highlife known beyond the borders. He has played in various dance bands such as New Planets, Sawaaba Sounds, The Tops, Caprice 73, The Volta Pioneers and others, which have performed in Ghana and other West African countries.
His first release was in 1975 with the band "Dzobi Soundz" on the Polydor label. Further releases of projects with his participation followed, until 1983 when he recorded his album "Ayo Special" at "Otodi Studio" in Lome (Togo) with an illustrious group of musicians.
He is still deeply rooted in music and performs in West Africa and is still very active in recording.

On the A-side is the original version of the song "Lololi-Lomko", sung in the "EWE" language, which is spoken in the south of Ghana as well as the southern parts of Togo. "Lololi" means "There's Still More Love" and "Lomko" stands for "Please love me" - classical themes that have appeared in countless songs in music history. Although a certain catchiness of the track cannot be denied, it doesn't seem cheesy at any point. Mawuli, who also contributes the vocals, creates perfectly formed harmonies through his compositions and arrangements, which are especially apparent in the bassline, guitars & brass and of course the vocals.

This was certainly also the idea behind the edit of "Renegades of Jazz" on the B-side, which did not want to break up and alienate the organic composition. Listening closely reveals the approach: a steady tempo, a more powerful bassline and additional drums and percussions bring the song back directly to where it belongs: to the dancefloors of this world!

Mawuli Decker - Lololi-Lomko (Original)

For its latest release, "Matasuna Records" goes back to Latin-influenced realms and presents two songs by US musician "Fred Ramirez", which are available for the first time as official reissue on 7inch vinyl. These are instrumental cover versions of well-known soul and jazz hits, which take a completely new direction under Fred Ramirez' killer Latin jazz-funk influence. The songs were transferred from the master tapes and got a new mastering to sound as good as never before.

Born in Los Angeles, Fred Ramirez began his classical piano training at the age of six. At the age of 16 he bought a Musser Vibraphone and taught himself how to play by listening to the likes of Cal Tjader, Tito Puente and Milt Jackson. He started playing in nightclubs and his talent as a young pianist & vibraphonist quickly spread throughout the L.A. jazz scene. In the 60s and 70s he played in various bands and was on many tours across the states. In his extensive career he has worked with many greats of jazz and Latin America. With his own Latin jazz ensemble he was a welcome guest at numerous festivals and jazz clubs until the beginning of the new century.

In 1967 Fred released two singles with cover versions of well-known soul & jazz songs on Warner Bros. records, on which his unmistakable and extraordinary piano style and talent is evident.
He was also a member of the nine-piece band "Macondo", which was signed directly in the recording studio by "Ahmet Ertegün", one of the founders of Atlantic Records. In the same year 1972 the LP was released on Atlantic.
In 1995, he released an album on CD with a multi-piece orchestra entitled "A Tribute to Legends of Latin Jazz" as a homage to to musicians who had an influence on him. A live CD followed in 2002, which was recorded at the Steamers Jazz Club (California).

"Hold On I'm A Comin" on side A is a cover version of the 1966 soul hit by the duo "Sam & Dave", written by Isaac Hayes and David Porter. A killer drum break and a deep bass line is the basis for Ramirez' virtuoso piano playing, which is complemented by brass and drums. Ramirez thus creates an independent, extraordinary Latin jazz version that is in no way inferior to the original and is brilliant due to its musical expansion and independence.

Side B contains another exceptional cover version of the instrumental jazz song "Comin' Home Baby" written in 1961 by "Ben Tucker" and "Robert Dorough", which became a jazz hit in 1962 with the vocal version of "Mel Tormé'". Ramirez' cover radiates a very special vibe through his sheer piano playing, which is especially evident in the twist in the middle of the song, where it increases in intensity and creates a lot of pressure and dynamics. Outstanding!

Fred Ramirez - Comin' Home Baby

Fred Ramirez - Hold On I'm A Comin'

It's been a while since the last Fajita joint, but here is a rolling track that will sit nicely in any funk/soul/hiphop/downtempo set.

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Treasures from all over the world: contemporary productions as well as edits | reworks of rare & forgotten music. Available here: https://mata.re/shop