SebastiAn - Love In Motion feat. Mayer Hawthrone (Mathanmatics Tachyon Rework)

QPLOis a duo active in Tokyo's club and live scene.The duo produces tracks in the Disco/House genre, and their performances are known to be energetic and leave audiences feeling very uplifted.  

Based on their own point of views, the two produce “sound travel music” that collages diverse music across eras and borders.

QPLO (読:キュプロ)

ギタリスト&アジテーターの Someyaと、プログラミング＆マニピュレーターRio によるダンスミュージックデュオ。

ダンスクラシックスをはじめ、Daft Punk，Purple Disco Machine，Yuksekなどから影響を受け，ディスコ・ハウスへの意識を全面に向けた楽曲やパフォーマンスを主体とする。
2022年夏に自主レーベル"NOQ Records"を立ち上げ精力的にリリースを行なう他、都内クラブ・ライブハウスなど幅広いシーンでライブ活動を行なっている。


IG: @qplo_jpn
X : @qplo_jpn

Le seul choix est d’être heureux.

SheLostControl is a self-designed LA Based Artist and DJ. 

Multi Platform and Multi Genre Taste

Music for vampires.

Mathan's path into electronic music began behind the doors of Home Club (2013) through to White Label Records (2019), where exposure to subcultures and sound systems shaped his foundation. During his time at Singapore Community Radio (2019), he expanded his curatorial practice, broadcasting across genres while deepening his research into music history and contemporary sound. Mathan's approach to music discovery remains research-driven, often finding records through literature, film and other mediums. Drawing inspiration from film scores and carrying forward the technological philosophies of Kraftwerk, Dopplereffekt, and Drexciya, he continues to develop his distinct musical voice through careful study and experimentation.

Operating across visual and sonic territories, his practice encompasses art direction, copywriting, design communication, and strategic thinking—disciplines that inform his approach to musical curation and world-building.

Mathan’s sound delivers cold, minimal dystopian electro with sleek robotic grooves and cinematic tension—sci-fi atmosphere that draws from classic Detroit rhythms through new wave influences. The palette spans electro, electroclash, dark techno, EBM and industrial, creating ultra-stylised sonic narratives heavy with noir atmosphere. You could say it’s perfectly suited for a scene in a Nicolas Winding Refn film. His mixing style features original flow and loop-based blending that reacts to the floor while maintaining the stark, cinematic tension that defines his sets.

Having emerged from the dark to play at various occasions—the Projector (2019), the Mason Pop up (2023), Shutter Rhythms (2024), The Backroom (2024), Santai (2025) and most recently at the inimitable Headquarters (2025)—he remains immersed in deep research and exploration to produce his originals while seeking new venues to deliver his sonic worlds.