Sinister Serenade begins with a haunting minor feel, immediately setting a tone of melancholy and quiet despair. The track features a combination of electric guitar, ukulele, subbass, claps, choral pads, Rhodes piano, and additional piano layers, creating a rich but sorrowful soundscape.

At a tempo of 105.63 BPM and in 4/4 time, the track moves steadily, evoking the image of walking through cold, rain-soaked streets of New York on an autumn night. The third section of the piece introduces a cool arpeggiated guitar figure, panned to create a sense of movement and depth. Although the track maintains a single, melancholy emotion throughout, a shift in the middle introduces a hint of something more sinister, with subtle magical harmonies lifting the mood before returning to the somber melody.

The longing melody, which bookends the track, reinforces the feeling of solitude and contemplation, making Sinister Serenade an ideal choice for cinematic scenes that require a blend of sadness, quiet tension, and a touch of the supernatural.

Sinister Serenade

Recording was made in 1992, have been to shy to show it to people, but just dumped off the 8 track and thought I'd put it 

Anna Marie

This is planned to be a three-piece suite, let´s see...

SECRET PASSAGE BY THE SEA PT 1

Original composition by Neno J.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

New Flamenco Improvisation III (For two guitar)

Rejet pyramidal

Catching a ride on the bus
Strangest people sitting way too close to me
Ride is free, I can’t complain
Air conditioned going where I need to be

Don’t get to decide who’s sitting next to me
Don’t get to decide if they’re gonna talk to me
But I have no doubt I’ll smell them

Scheduled stop on 22nd street
Corner where I wait to see what’s gonna be
Transfer to Speedway Boulevard
Closer to the median where I hold my own

Don’t get to decide who’s sitting next to me
Don’t get to decide if they’re gonna talk to me
But I have no doubt I’ll smell them

Watch I pull a fast one
No one knows more than me

Whole day worth of sun and heat
Take a ride and cool it off ’til I get my fix
Someone always contribute
Some voluntarily and others not so much

Don’t get to decide who’s sitting next to me
Don’t get to decide if they’re gonna talk to me
But I have no doubt I’ll smell them

Watch I pull a fast one
No one knows more than me


No One Knows More Than Me

Writer : Gerry Goffin \ Composer : Michael Masser \ ISWC : T-802.082.764-0 
Publisher : Prince Street Music - Lauren Wesey Music - Universal Music Publishing
Released : August 13 1985
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While waiting for my next cover... I found this cover from 30 years ago at the bottom of my drawers... I had the voice and the breath!...😊 But that was before! 😄 Now you have to lower it at least a tone or even two.
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I love this song (I'm a Whitney Houston fan); it's thanks to this song that made her famous worldwide. She had a unique tone, a crystal clear voice.
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Arrangement : Phong
Vocal : Anh
Album : 1995
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Saving All My Love For You - Cover (Whitney Houston)

Gather Town

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — VST orchestration, vocals, lyrics, and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums, percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Fender Precion four-string fretted bass, and Roland Phantom synthesizer

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson Custom T model electric guitar

Mistermark-- @user-432503709 -- Mark – VST string arrangement

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar, mix, and production

 This song began as a musical letter written, composed, and sung by Carl to Eclectic Collective. Carl and Josh had been sniffing around each other's pages, admiring each other's work and collaborators. So Carl reached out with this friendly, uplifting song, as a gift to the band. 
  Ken was first in line, adding his awesome, driving drums to give us a heartbeat to build upon. Josh came along next and completed the rhythm section with his trusty four-string fretless bass. Stephen was next up to bat, adding his dynamic raspy guitar, which almost sounds like an electrified fiddle. Next up, Mark followed with his trippy synth and powerful strings to add to Carl's original composition. 

  We had it pretty much done sounding, but wanted to spice it up a bit, so we came up with the idea for a coda. Josh added his bass and synth for it, and Tez came up with the thrilling guitar part of it, as well. Tez also added the thrilling guitar intro, too. 
  Once it was in the can, we asked Tez to mix and produce it for us, which he did in his always expert fashion.

  This is the first song EC has done with Carl, but we know it won't be the last. We all admire him for his creativity, proficiency, and prolificacy. His page is worth a stroll, too, as it contains a lot of gems.

  We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark: 

Hey Collective Seeds,

Let's work things out across that water
There's a cable under sea,
We can send all sorts of...
Music/Words/Sounds - It's insane!
Look Lads,
That's life in the fastlane!

So it's ones and zeros
Mine and yours and theres
We are all heroes...

Watching the fire,
From a distance we're warm
But not from their mire,
From this musical charm.
It's a bonfire,
An inferno.
Earth got plenty to turn off...

So we can sing to love
And we can play for more dove.
Let's combine our powers. Collective!
A Paddy/Yankee toasted sandwich

Tex festival streak
Psyched for more free
K2 to peak
Mistermark chimes ' found life fought
Give, You Entheogenic Psychonaught
Collective lands
Psyched for more free

Dear Collective - (Eclectic Collective and The Beautiful Dark)

Pierre and JC Bordetti productions (c) 05/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.
Many thanks to Anne-Lise for this beautiful photo of the island of Lanzarote.

Instrumental Jazz Fusion

Luminous cave

Luminous Cave

Cast of Characters:
Steve's Planet -- @steve-vervaet — acoustic guitar, vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistrermark -- @user-432503709 — Mark — organ 
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string fretless Warwick bass, Roland electric piano, organ
TexMex Shaman–@texmex-shaman –Stephen– mix, mastering, and production
  
This song began with Steve, who wrote it, and recorded his guitar and singing parts on the same track, before sharing it with Eclectic Collective about half a year ago, back in the fall. Always grateful to Steve for sharing his amazing music with us, we kept it alive even though it had stalled out on us for whatever reason. 
  We had a decent skeleton from our original go at it, but decided to scrap it, and start fresh. After Stephen pulled some production wizardry to isolate Steve's vocal & guitar parts into two separate tracks, Ken, being the one who actually revived it, added his solid drums first, providing for a groovy foundation. Tez came next, surprisingly, adding his hooky guitar fills throughout. Mark hopped on shortly after, adding the organ you hear coming in around the 2:00 mark. Josh took his turn after that, by adding his fretless bass to complete the rhythm section. He also, in the same recording session, added the electric piano you hear throughout, as well as the backing organ in the first half. 
  Once it was in the can, we asked Stephen to mix it for us, in his always professional manner. 
  We all love working on Steve's songs, and admire him as a musician, singer, and songwriter. This makes almost a half dozen songs on which the EC has collaborated with Steve, and we're sure to add many more. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Steve's Planet

Please Come Home (The Eclectic Collective / Steve's Planet)

Je me nomme Mathieu Torres et je suis par ailleurs guitariste et compositeur dans différents projets artistiques
(La théorie des cordes / M'Z / Matziz / Zhorhann/ The Diogenes  ...)

Ici l'objectif est d'arpenter des terrains plus cosys, calmes et poétiques, jonglant entre old school et modernité, porté par un son de guitare rond, vivant, chaud, organique...