great job on this. Bass is walkin. Guitar is slayin, and drums are staying in their corner.  WOnderful

Wonderful work, everyone but exceptional Mathieu!

The directions are like animated firepower penciling the sky

Excellent, et c'est un Carcassonnais qui habite à Saint-Lô qui te le dit

Wonderful dexterity and brilliant dynamic shifts. stunning work

Great! Brings to mind the great Pat Metheny. Great work!

Étrangers - Mathieu Torres

This song is written by Jim Barrett from Cork, Ireland, who sings and plays guitar, his brother Noel plays the bass. Roger Whittelsey from Boston produced it and added keyboards, drums and some vocals, and after that, I was lucky to have the opportunity the add some saxophone.
And there's a nice video: https://www.youtube.com/watch?v=D6u7AOf6vFM

Solving the riddle

Nouveau Titre - Nouveau Projet -
Téléchargement gratos sur mon bandcamp
Donnez de la force 😉 
https://matzizrecords.bandcamp.com/album/jane

Vidéo (version live) : youtu.be/eI8yArJpvxc

Jane - Vidéo live version in description

J'ai le plaisir de partager avec vous mon morceau - Parcmètre

Vidéo : https://youtu.be/XB7ExqJ2uG8
Et ici sur toutes les plateformes numériques :
https://music.imusician.pro/a/979VpasW/

Issu de mon nouveau set solo  
Projet intimiste jazzy/rock/blues/funk/hiphop, qui jongle entre old school et modernité, 
porté par un son de guitare rond, vivant, chaud, organique
Ici l'objectif est d'arpenter des terrains cosys, calmes et poétiques.

Parcmètre - Vidéo en description

Saturnian Song

Version live à la Barraque auprès du feu ^^
youtu.be/fP69ovvmteU

Saturnian song - Live version video in description

Rejet pyramidal

https://soundcloud.com/33per , my dear donkey fellow sent me this wonderful instrumental, a Big Thank You for that, it was a great pleasure to write and sing along.

The image shows Gregory Peck as captain Ahab in John Houston's film adaptation of Melville's “Moby Dick” from 1956, having just nailed a Spanish dubloon on the main mast.

AHAB (All Hypocrates Are Basterds)

O-o-ohh, o-o-ohh…
Tell me please…
Is that really happening-ä-ä-ä-äppening ?
Do you feel that too ?

Noone is getting out here
Oh no-no-no-no-noo, o-o-o-o-o-ooh
Noone is getting out here alive

Ohh no
Not even the feckin’ basterds
No, no
Not even those feckin’ basterds

Will survive
Whatever may be the strive

See, because 
Noone is getting out here alive
Not the president
Nor his wife

Whatever may be the strive
That won’t work

Ohh oh 
All hypocrates are basterds 			(AHAB)
Ohh, oh
All autocrates are feckin’ basterds 			

They can fool the people 
For some time,

But,
But,
But,

They can’t fool all the people all the time
Not really …
That’s beyond the line

It’s possible to continuate
To self-determinate
To not participate…

So to say:
I would - and - i would…

And i-i-i-i-i-i-i- would 
And I would… 
I-I-I would…
And i would and I would…
I-I-I would…
I would prefer not to…

AHAB (wt 33per, raw edit)

Ideal voices and much beloved
Of those who died, of those who are
Now lost for us like the very dead;
Sometimes within a dream they speak
Or in the ticking brain a thought revives them.

I am thinking back to the time when for the four of us, the known world hardly existed; days became simply the spaces between dreams, spaces between the shifting floors of time, of acting, of living out the topical… a tide of meaningless affairs nosing along the dead level of things, entering no climate, leading us nowhere, demanding of us nothing save the impossible— that we should be. 

Justine would say that we had been trapped in the projection of a will too powerful and too deliberate to be human— the gravitational field which Alexandria threw down about those it had chosen...

from Justine in the Alexandria Quartet, Lawrence Durrell

written & produced by naldo & guillaume
orchestration by guillaume

hear more of guillaume's music here: soundcloud.com/guillaumelecompositeur/tracks
.....

Justine In Alexandria

MELOMANIAC

Composed in 2017.

Remastered in April 2025.

The people I follow know that sooner or later I'll visit their SC page to listen to their compositions. It's a ritual I do 4-5 times a year. And when I say listen... I mean really listen.

I do it because I like certain styles. Other times it's the technique. Other times it's the composition. Other times... simply to learn.
The truth is that music, as an element of communication, tells me a lot about the creator's intention, how it interprets certain themes, and even conveys a certain profile of the composer himself.

It's hard to explain, but it's as I say.

This composition is introspective and brings together some of my favorite styles, such as melodic, rock, and electronic.

I named it this because it corresponds to a period when my listening became more pronounced and I didn't have anyone to listen to me at the time.

It's certainly a strange composition, especially because of certain percussion sections (understood as self-criticism).

I will be grateful for your comments, as always.

Thank you for your time.

Paco

MELOMANIAC

21 tracks, MS2 native instruments and Forun Xewton
4 tracks, KV331 Synthmaster
DAW
Music Studio 2
Hardware
iPad
Mixer
My car perfectly parked.
Photo: My current complete music creation setup: iPad 7 and Sennheiser HD569 headphones

Next composition: flowers

Melomaniac

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

In The Game feat. SteelCityRed
Vocals and Lyrics SteelCityRed:
https://www.looperman.com/acapellas/detail/23517/in-the-game-hook-acapella-by-steelcityred-120bpm-rap-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

In The Game feat. SteelCityRed

I think I saw one in my garden the other day... ;)

Don't Be A Fred

This was my third time working with the Eclectic Collective on a track. Unlike the other couple of times that were based around ideas that I came up with, this time I was just along for the ride! I was happy that Ken reached out and invited me, figuring I could help add some 80s style synth nostalgia to this fun piece. 

Cast of characters:
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition
Joseph Shenton -- @joseph-shenton -- lyrics
Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics
one man verity show – @one-man-verity-show – Scotty – electric guitar intro
TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, production, and mastering
Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar
Tea R. Sea @tea_are_sea -- Terry – low synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer

This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 

When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 

Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 

This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Joseph Stenton:

Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Generation X - with Eclectic Collective ft. Gaz Brownie

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

Bonjour,
J'ai le plaisir de vous présenter la version Trio enregistrée en live lors de la session du 08 mai 2025 à La Barraque Mirepoix (09) du morceau :
"La nuit, la colline a du Spleen " :
https://youtu.be/J55nNfEKvFM

Mathieu Torres Trio est un projet intimiste jazz - rock - blues - funk hip hop - qui jongle entre old school et modernité, porté par un son rond, vivant, chaud, organique dont l'objectif est d'arpenter des terrains cosys, calmes et poétiques.

Contrebasse et arrangements :  Jean-Baptiste Azanza
Batterie et arrangements : Guy Ould Yahoui
Guitare et composition : Mathieu Torres

Issu c'est une reprise d'un morceau joué initialement avec M'Z un side project.

Plus de musique ici :
https://soundcloud.com/mathieutorresworks/sets/set-list-mt

et ici les anciennes vidéos (en solos) :  
https://youtu.be/XB7ExqJ2uG8
https://youtu.be/eI8yArJpvxc
https://www.youtube.com/watch?v=fP69ovvmteU

Mathieu TORRES Trio - Matziz records
https://matzizrecords.bandcamp.com/
https://soundcloud.com/mathieutorresworks
https://www.instagram.com/torresp2b/
https://mastodon.social/@Matziz
https://www.facebook.com/Matzizrecords
https://x.com/EtcAux
https://www.youtube.com/@torresmathieu6027

La nuit, la colline a du Spleen - Mathieu Torres Trio - Video in description

Simple track, music made in GarageBand :)

Lyrics:

Love can be such a beautiful thing, if you just let it out
Don't hold back your love
You can't expect others to know
If you can't show what you feel inside, no one can see the real you
So don't hold back your love
Just let it out
Let it flow..

If you dare to give a piece of your heart
You can get so much in return
Give as much as you can
Even if you risk getting burned

Love can be such a beautiful thing if you just let it out
Don't hold back your love
You can't expect others to know
If you can't show what you feel inside, no one can see the real you
So don't hold back your love
just let it out
Let it flow...

No one can do it for you
But someone can do it to you...

No One Can Do It For You  (Original)

Je me nomme Mathieu Torres et je suis par ailleurs guitariste et compositeur dans différents projets artistiques
(La théorie des cordes / M'Z / Matziz / Zhorhann/ The Diogenes  ...)

Ici l'objectif est d'arpenter des terrains plus cosys, calmes et poétiques, jonglant entre old school et modernité, porté par un son de guitare rond, vivant, chaud, organique...

La nuit, la colline a du Spleen - Mathieu Torres Trio - Video in description

Mathieu Torres

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