MATIÈRE MÉMOIRE (extracts)

Music composed and produced by Caterina Barbieri between September 2015 and January 2016. Mixed at Elektronmusikstudion in
Stockholm (SE). Composed with an ER-101 Indexed Quad 
Sequencer and a Verbos Harmonic Oscillator. 
Images by Giovanni Brunetto 
Photography by Angelo Jaroszuk Bogasz 
Mastered by Giuseppe Ielasi 
First edition pressing of 500 double LPs packaged in a gatefold jacket. An edition of 200 sets on transparent blue vinyl is available for Important mailorder customers: http://importantrecords.com/imprec/imprec449
Bandcamp: https://caterinabarbieri.bandcamp.com/album/patterns-of-consciousness
"...has an imperial, exacting beauty." (The Wire)
“…few albums have hit us as hard as Caterina Barbieri’s 70-minute opus, Patterns Of Consciousness. On her debut full-length, Barbieri commands tsunami-height waves of arpeggiated analog synths." (Fact Mag)
"Patterns Of Consciousness finds Caterina Barbieri at her best, elegantly moving between melodically pleasant yet twisted sequences and comforting, reassuring sonic spaces. Every piece, while given a singular identity, is part of the bigger picture: a work of art that will push you, pull you, and then eventually leave you with your back against the wall once you get to the last track. " Alessandro Cortini (Nine Inch Nails)

TCCTF

"While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captured during the filming in Sri Lanka; the deep jungles and magical places that helped me undertake that journey. When I finally finished editing the film itself, I decided to rework those sessions, to create an album that would recap that entire imaginary world I had created. The album is a way of inviting audiences to undertake that journey."
Carlos Casas, 2019

44-24

[MATME002] - 03 - Carlos Casas - Mutia -  " Stupa "

[MATME002] - 01 - Carlos Casas - Mutia - " Hornspell "

Singing songs while playing ding dongs, Charlemagne Palestine’s solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

[MATME001] - 04 - Charlemagne Palestine - " KKLLANGGING Ffalssettto SSLLANGGING Ssonggg "

[MATME001] - 02 - Charlemagne Palestine - " YahhYahh MMANN YohhYohh IN ZINNTERVALLSZLANDD "

[MATME001] - 01 - Charlemagne Palestine - " TRRERRIIBBLE TWOOZZZ THREEZZZ FOURRZZZ "

all music by 
G. Di Domenico (SIAE/SABAM)
E. Ishibashi (Jasrac/Space Shower Network)
J. O’Rourke (Field Code Music/BMI)
J. TaliA (APRA)
T. Yamamoto

recorded in studio W (Brussels)
Atelier Eiko, Steamroom
Completamente TAZ (Tokyo) 
Good Mixture (Berlin)

mixed by 
Jim O’Rourke at Steamroom (side A & B)
Joe Talia at Good Mixture (side C) 
Tatsuhisa Yamamoto at Completamente TAZ (side D)

mastering & cut by Frédéric Alstadt 
AT Ångström MASTERING, Brussels

Cover photo by François moret
«Between Deauville and La Rochelle»
Courtesy Of Spazio Nobile Gallery, Brussels

Graphics & layout by Cedric D’hondt

©Matière mémoire éditions 2021
art sonore sprl
Matme007lp

[MATME 007] - 03 - Giovanni Di Domenico - Treatments - " Manyfold " (with Joe Talia)

matière-mémoire

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