The Great Wilderness is a dream rock band from San José, Costa Rica influenced by British post punk, alternative rock and inspired by bands such as B.R.M.C., The Big Pink, M83, Joy Division and Sonic Youth. The group is formed by Paola Rogue (vox, guitar), Jimena Torres (guitars), Andrea San Gil (drums, vox) and Monserrat Vargas (bass, vox). 

In June 2010, they self-released their first EP titled Afterimages of Glowing Visions, a 5 song semi-conceptual work based on a post-apocalyptic dream that evoques an exploration of one’s inner world. The album is available as a free download at: thegreatwilderness.bandcamp.com


The Preatures are a rock and roll band from Sydney, Australia. 

Folly and The Hunter is an indie folk band from Montreal. Catchy melodies, multiple harmonies and a subtly crafted mix of instruments blend to create warm and full compositions. The Montréal band are comprised of Nick Vallee, Laurie Torres, and Phil Creamer – 3 people from different backgrounds who met through the chance of a Craigslist ad. Their recorded output traces the arc of an intimate relationship: if 2011′s debut Residents represents the meet-cute; and the emotional gravity of Tragic Care (2013) is the inevitability of settling into commitment; recording their newest album Awake represents their experiences cumulating with celebratory optimism for the future.

‘Dutch outfit Mozes and the Firstborn are unpredictable and that’s a complement. They dip their toes into the numerous sub-genres of pop and rock. They can create boisterous, uplifting pop-rock anthems to intense, hair-raising rockers. Whatever approach they opt, they always write dynamic and relatable stories.’ ~ The Revue



Playing a potent mix of sleazy grunge and power pop perfection Mozes and the Firstborn hail from Eindhoven, The Netherlands. The band’s inspirations vary from Guided by Voices and Beck to Weezer and Nirvana. The past year Mozes and the Firstborn have been recording new tunes for their third full-length album Dadcore, due for release on January 25th 2019.  With ‘Dadcore’, Mozes and the Firstborn embrace this sentiment of looking back to what their dads listened to exploring their favourite styles within the paternal genre. The band present the record as a mixtape, a colourful collection of eclectic songs that they’ve hand chosen and want you to fall in love with and pick out your favourites, like any other mixtape. The band worked with a number of producers for this album, including producer/mixer Chris Coady (Beach House, Slowdive) and Roland Cosio (together PANGEA, Fuzz). In 2018 they have already released four singles: 'Baldy', ‘Sad Supermarket Song’, ‘Hello’ and ‘If I’. 

Clash Magazine on their latest single: ‘'If I' is a righteous guitar melter, a sort of fuzzed out Di-nosaur Jr. riff attached to a sunshine pop song, driven by helpless adolescent fantasies.’ 

The Revue: ‘While ‘If I’ will make you wonder about the skeletons that exist in your closet, it will also make you feel alive and renewed. It’ll make you believe that rock music can still move you in ways that no other genre can.’ 

The band started out in 2010 with Melle Dielesen on vocals, guitar and songwriting, Corto Blommaert on bass and Raven Aartsen on drums. Guitar player Ernst-Jan van Doorn joined them later. In 2011 they released their first EP I Got Skills, which title track rather fast became the fan’s favorite. The Californian label Burger Records released their self-titled debut album in 2014. Since then the band has embarked on international tours with The Growlers, Unknown Mortal Orchestra and together PANGEA, crisscrossing the United States and Europe. In 2016 the band released Great Pile of Nothing, a more introvert and mellow album. 

Mozes and the Firstborn released their third EP Marianne in 2017, followed by the Cassette Club EP a year later. This EP was released as a preparation of the Mozes Cassette Club. This is a ‘club’ for a limited number of members who get premium access on new tracks, demo’s and stories in the shape of a cassette. The latest singles of the new album Dadcore were also released on cassette for the Cassette Club.

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"Rainbow-tinged indie pop" – NYLON 

"Bright colorful and relatively analog, with leanings toward The Ramones or '60s girl groups if Brian Eno had taken up the production. Good fun!" 
– NPR

“Like a grungier and more layered Best Coast”
– Brooklyn Vegan

"For fans of Sleigh Bells — but sub in post-grunge jangle for noisecore."
– Entertainment Weekly

“Grimy meets shiny in Sleepy Kitty’s music. The duo’s chugging drums and crunchy guitars are sweetened by catchy melodies and vocal harmonies that summon memories of 1960s-era girl groups.” 
– Boston Globe

We are a band from Orlando, FL that likes to drink beer, make friends and eat pizza.

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