New Weird America
Discography: https://heidiharris.bandcamp.com/music
Booking & info: sukisound@yahoo.com 

Heidi's creative practice is based on an exploration and intermingling of traditional and non-traditional sound sources. Repertoire of instruments include: piano, clarinet, harmonica, guitar, melodica, synthesizer, theremin, and various sound makers. 

Heidi contributed many of these sounds including songwriting as a former member of the chamber folk trio http://soundcloud.com/cutleri, later in http://soundcloud.com/knife-throwers-assistance,  an eclectic musical collective based in NYC and continues to collaborate in her band: https://soundcloud.com/heidiandthe9feathers But Heidi's first “instrument” was her own voice. From a young age she performed lead roles in operettas and musicals, and although stylistically she has moved on to more avant-garde territories, the quality and range of her voice still hinges on her theatrical roots.

Heidi attended the Institute of Audio Research in New York City, focusing on the process of recording and producing, and went on to record several self-released albums in her home studio, Suki Sound. Her work has been reviewed by labels and blogs all over the globe, applauding her as a unique and exceptionally prolific songwriter and recording artist.


contact email: sukisound@yahoo.com

Self-produced British composer and recording artist for 25 years, Imogen Heap has released five solo albums, another as one half of Frou Frou and collaborated with countless and varied artists including Taylor Swift, Nitin Sawhney, Deadmau5, Eric Whitacre, Jeff Beck and Jon Hopkins. Her compositions and songs pop up in blockbuster and indie films as well as countless TV shows, are featured in underground rap and dance music and covered by the likes of Ariana Grande. As composer and arranger for one of the biggest hits in theatrical history, Harry Potter and The Cursed Child, Imogen won the Drama Desk Outstanding Music in a Play award. As a sought-after speaker and performer, Heap hosted 2020’s Grammys Premiere Ceremony. Heap’s collaborative and multi-dimensional workflow attracts companies for commissioned works, leading to songs such as Tiny Human, the first song to distribute payments via a Smart Contract, and The Happy Song, a highly successful song for children in their early-years. Heap, recognised as an artist's artist, has won two Grammys and an Ivor Novello award. In recognition of her pioneering work at the intersection of music and tech, Heap has a hat trick of three honorary doctorates for the gestural music-ware 'MI.MU gloves' system and recently for ’The Creative Passport’, an integrated digital ID solution, empowering music makers to be the change toward a fair and flourishing music ecosystem. Between projects a constant for the past year is every Thursday afternoon, Imogen Q&A chats with her fans via The Listening Chair with those who subscribe to Imogenheap.app to collaborate together on Augmented Imogen, Imogen's in dev AI.

Cantora is a music company that invests in and develops artists, startup technologies and live entertainment experiences. Cantora is known for signing bands like MGMT and Bear Hands, investing in and executing the music industry strategy for startups like Sonic Notify and BioBeats, and for creating live event properties like Smartwater’s Music Tech Smartlounge and the immersive events brain trust Mainframe Group.

My name is Becky Rose, I'm 28, and I'm a songwriter based in sunny old Worcester, UK.

I write music spanning across multiple genres, my favourites being pop and alt-pop. I produce my music on GarageBand from the comfort of my box room. In the live arena (pre-lockdown, that is) I would perform with just me and my piano, though I have been known to bring out pop backing tracks during live sets from time to time.

Between 2008 and 2013 I performed around 300 gigs across the UK, including London (Troubador Club, Edinburgh Cellars, Soho Comedy Club, The Camden Head), Manchester (Jackson's Pit, Taurus), Birmingham (The Island Bar, Actress & Bishop, The Yardbird) and numerous local hot spots (Nozstock, Leamington Peace Festival, The Robin 2, The Marrs Bar).

In addition to being carted around various venues (cheers Mum and Dad!), I landed myself a bunch of radio spots. I featured on BBC Hereford & Worcester a number of times, was played by Tom Robinson on BBC 6 Music, featured on BBC Radio 1, and had airplay on a handful of underground digital radio stations.

I had a number of amazing experiences during my stint at a music career, the most notable of which I am listing here:

2009: I performed at Amnesty International Headquarters as part of the AGM for the feminist organisation OBJECT.

2010: I was spotted by Air Management (Katie Melua, Jamie Cullum) and they mentored me for the couple of years that followed.

2011: I was selected out of 37,000 applicants to join just 40 other artists at the BBC Intro Musicians Masterclass, where I met the likes of Mark Ronson, Calvin Harris, Kissy Sellout and Pete Tong.

2012: I performed a song of mine for Her Majesty The Queen on her visit to the newly opened Hive Library. This garnered a lot of local press and radio attention.

Deviating from the conventional songwriter route in 2013, I co-wrote Theatre In Education piece which included comedy musical skits. The interactive play toured 50 high schools across the UK and won the HELOA 2014 Best Innovation & Practice Award.

From this point onwards, life stuff got in the way. I made a living in a demanding events management role, married, separated, and lived with severe depression. However, this was by no means a waste of time. I indulged my interest in gender non-conformity and female sexuality, started up a Staff Mental Health Network, ran a menstrual and menopausal health workshop at my workplace, and undertook a Masters in Psychology.

Right now, I am privileged to be working full-time at Liaison (a payroll provider for the NHS), and using the spare time that I have to reignite my music career.

I am looking to develop a songwriting career, though I am totally into live performances too. Essentially, knowing that my songwriting could be seen as kind of "eclectic" (I'm a mixed bag, I know), I have an open mind as to where this could take me.

FatCat Records is a British independent record label founded in 1997.

https://www.eml-recordings.com Electronic Music Lovers s a dynamic collective at the forefront of underground dance music, uniting three powerhouse labels—EML Recordings, Sub Generation Records, and EDM Addicts—under one electrifying banner. 

Since its inception, we’ve championed cutting-edge producers and vocalists, delivering everything from rolling Drum & Bass and pulsating Techno to euphoric Trance and infectious House.

Fueled by a true passion for melody, rhythm, and innovation, our roster spans established pioneers and tomorrow’s breakout stars. We craft every release with meticulous attention to sound design and emotional impact—whether it’s a jaw-dropping bass weapon, a lush atmospheric journey, or a dancefloor anthem guaranteed to ignite any crowd.

Beyond records, Electronic Music Lovers runs a non-stop internet radio station, hosts remix contests with thousands of global entries, and operates a publishing arm to secure sync, broadcast, and performance opportunities. We live by one motto: unlocking the trip—because when great music meets heart and hustle, the possibilities are limitless.


Specializing in all styles and sub genres of #Trance #Psytrance #Techno #electro #house #breaks #dubstep and #DrumandBass
Consisting of EML, Sub Generation Records, EDM Addicts and LayZee Records. 

We have something for everyone, so feel free to have a look around, and enjoy the music.    
 

Sub Generation Records, which focuses solely on Drum N Bass, Dubstep, and Breaks.

LayZee Records, which focuses on Deep House, Down Tempo, Chill, and Electronica.

******You will find tracks from all 3 labels posted on this profile*****

Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

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