Love the feel on this tune and percussions!!

beautiful song, love the melody and the beat, lovely vocals and superb guitar playing !

Cover 

Robert Willeke (dr)
Jonas Müller (bs)
Christian Schieblich (git)
isa Schieblich (voc)

www.behle-music.de

Nature Boy

Some months ago a friend of mine read me the lyrics he had written for a song he wanted me to compose and sing: this is what came out.

Artwork by Chiara Zaccagnino

LYRICS by Vito Grieco:
A cosa servirebbe raccontarvi di stasera qua
della strada muta e della vita

A cosa servirebbe raccontarvi di questa sigaretta che ho tra le mani
della vita e di tutti voi cani

A cosa servirebbe ridere di una stazione, 
delle mie incapacità e di un treno
che non conta più le ore

A cosa servirebbe restare fermo qui
per mia madre e mio padre forse sì

A cosa servirebbe restare sveglio di notte
se non per il suo profumo e le sue note

A cosa servirebbe vedermi cambiare e non sentirti parlare più
e ascoltare una donna per dovermi
riaddormentare

A cosa servirebbe piangere ancora se il pullman non parte
il legno scolora e lei, la storia, di te
se ne sbatte

A cosa servirebbe imparare un libro a memoria
se non sai fingere e capirne
ogni traiettoria

A cosa servirebbe vivere
se non a vivere

Dipingerti un' aurora
cantare
cantarti ancora

Senza Titolo (A Cosa Servirebbe?)

Here on multiple request the song text for the listeners, who do not understand German, in English:

Emotional Superstar

First day of primary school
You were about to wonder

What do they want with me?
A letter-number ulcer

You were born to feel,
Feels with your ears 
You can see with your hands`
walk in the dark


You can touch the suffering
Warm Solitude 

Emotional Superstar

The special school then took you in
You didn't have that kind of thinking

It was all too fast for you
That just wasn't your world

you knew otherwise
In the heart wide
In touching near
forebodingly there

Under the radar
Immediately

Emotional Superstar

You're a mature woman now
And now you know exactly

Who You Are 
Being kissed from the felt

Emotional Superstar



I dedicated this song to my youngest sister. In our family, she's always been the one who felt the most. For a long time, however, she was taught that she was stupid and unintelligent. She was deported to special school and classified as slightly mentally handicapped. Only now at the beginning of her 50s has she gradually found a tender inner peace after many years of experience of stigmatisation and exclusion.
In the lyrics and sound, I try to convey my deepest sympathy for her and all people who may not think so quickly, but who have a great intuition and enormous heart intelligence.

Den Song habe ich meiner jüngsten Schwester gewidmet. In unserer Familie war sie schon immer die, die am meisten gespürt hat. Lange Zeit wurde ihr aber vermittelt, dass Sie dumm und unintelligent sei. Sie wurde in die Sonderschule abgeschoben und als leicht geistig behindert eingestuft. Erst jetzt mit Anfang 50 hat Sie allmählich nach den langjährigen Stigmatisierungs- und Ausgrenzungserfahrungen einen zarten inneren Frieden gefunden.
In dem Text und dem Sound versuche mein tiefes Mitgefühl für Sie und alle Menschen rüberzubringen, die vielleicht nicht so schnell im Denken sind, aber eine große Intuition und eine enorme Herzensintelligenz haben.

I dedicated this song to my youngest sister. In our family, she's always been the one who felt the most. For a long time, however, she was taught that she was stupid and unintelligent. She was deported to special school and classified as slightly mentally handicapped. Only now at the beginning of her 50s has she gradually found a tender inner peace after many years of experience of stigmatisation and exclusion.
In the lyrics and sound, I try to convey my deepest sympathy for her and all people who may not think so quickly, but who have a great intuition and enormous heart intelligence.

Emotional Superstar

No vocals yet, but they'll hopefully be in the box soon with Mrs Moag and myself.
Pour mes amis Francophones, c'est une reprise d'un "classique des variétés françaises", années 70,
le reconnaissez-vous ?
https://soundcloud.com/the-acoustic-grill/tracks

mOag - cOming "sOme day" tO the acOustic grill

Ramones cover inspired by The Killdares, not nice but loud and fast (236 bpm), this is made just for fun !!!
https://www.youtube.com/watch?v=3gCWOb7V-b0

Whole Lotta Shit Of Rock

Blitzkr. Bop

Ce sont des chansons rituelles qui accompagnent les différentes étapes d'un mariage traditionnel. Elles forment le plus grand sous-groupe de chansons lyriques folkloriques sur la vie de famille. La première référence aux chansons de mariage dans les sources écrites remonte à 1096, et les premiers extraits publiés de chansons de mariage ont paru en 1820. 

Bien que toutes les chansons rituelles aient progressivement perdu leur signification magique, les chansons de mariage ont conservé une telle signification plus longtemps que les autres. Elles peuvent être divisés en quatre groupes en fonction de leur rôle dans le mariage: des chansons qui sont étroitement liées à un seul événement du mariage, par exemple les rituels du pain, des branches ou des guirlandes du mariage; des chansons qui accompagnent plusieurs étapes du mariage; des chansons qui peuvent être chantées pendant diverses parties du mariage; et des chansons dont la relation avec le mariage a été oubliée. Les chansons du premier groupe sont les plus anciennes. 

Les chansons de mariage peuvent également être divisées en fonction des différentes étapes du mariage. En fait, il n'y a pas de rituel de mariage sans chanson d'accompagnement.  Les thèmes de base sont les difficultés qui attendent le jeune couple, en particulier la mariée dans sa nouvelle maison avec les parents du marié; séparation d'avec son aimé; le mariage forcé avec un homme répugnant; la mère compréhensive; la belle-mère cruelle; et les sentiments tendres du jeune couple. 

Aujourd'hui, les chansons de mariage ont presque complètement disparu des cérémonies de mariage. Ils sont joués uniquement sur scène sous une forme stylisée et dramatisée par des ensembles folkloriques.

English translation 

Ritual songs that accompany the different stages of a traditional wedding. They form the largest subgroup of lyrical folk songs on family life. The earliest reference to wedding songs in the written sources dates back to 1096, and the first published samples of wedding songs appeared in 1820.  

Although all ritual songs have gradually lost their magical meaning, wedding songs retained such a meaning longer than other songs. They can be divided into four groups according to their role in the wedding: songs that are closely tied to only one event in the wedding, for example, the wedding bread, branch, or wreath rituals; songs that accompany several stages of the wedding; songs that may be sung during various parts of the wedding; and songs whose relation to the wedding has been forgotten. Songs of the first group are the oldest. 

Wedding songs can also be divided according to the various stages of the wedding. In fact there is no wedding ritual without an accompanying song. The basic themes are the hardships awaiting the young couple, particularly the bride in her new home with the groom's parents; separation from one's beloved; the forced marriage to a repugnant man; the understanding mother; the cruel mother-in-law; and the tender feelings of the young couple. 

Today wedding songs have disappeared almost completely from the wedding ceremonies. They are performed only on stage in a stylized and dramatized form by folk ensembles.

Wedding Song 1

The Slow Movers debut track

Alex Low - Lead Vocal and Guitar
Hamish Low - Drums and Vocal
Fred Greenslade - Bass and Lead Guitar

Unknown Album (2/10/2018 9:30:06 p.m.)

Short Skirt

Buy https://guitarbeard.bandcamp.com/track/spanish-sketch

Spanish Sketch

Easy A

Jeden erinnert etwas anderes an die eigene Kindheit: 
ob Gerüche, bestimmte Gegenstände oder lila Lichter in Fenstern...
Robert Willeke (dr)
Jonas Müller (b)
Christian Schieblich (git)
isa Schieblich (voc)

Lilac Light

Missing Parts

Matteo Zaccagnino is a multi-instrumentalist singer-songwriter based in Italy. He started his musical journey as a beatmaker, then slowly turned to the drums; later he switched to bass and played in local ethnic-folk bands. In the meanwhile, he practiced his guitar and singing skills influenced by artists such as Jeff Buckley, Joni Mitchell and Alt-j. As natural as it could be, original music started to flow out of this filled-to-the-brim melting pot, resulting in his 12-track album Motel Room, out in 2019.

Follow me on Facebook! 
https://www.facebook.com/matteozaccagninomusic

Senza Titolo (A Cosa Servirebbe?)

Matteo Zaccagnino

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