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Track from Legend of Zelda: Twilight Princess. Dark Lord Ganondorf - Swordfight. OST by Kōji Kondō.

The Legend Of Zelda Twilight Princess - Dark Lord Ganondorf - Final Battle - Swordfight

Darknut - The Legend Of Zelda- Twilight Princess

Gerudo Desert - The Legend Of Zelda- Twilight Princess

Transformers Devastation OST - Final Boss Theme (Extended)

ALL CONTENT BELONGS TO THEIR RESPECTIVE OWNERS!

Soundwave - Transformers Devastation Soundtrack

Blitzwing - Transformers Devastation Soundtrack

The straight in-game version of the captain haunt boss fight. I do plan on creating an extended mix of just Phase 02!

Borderlands 3 - BloodyHarvest - Captain Haunt

Mouthpiece soundtrack from the boss fight

Borderlands 3 Mouthpiece

Digby Vermouth's Universe Hit - Supernova Dreamsicle. 

Gettin you in the mood.

Featuring Julian Peterson on Sax. Julian is one of our audio coders and is also a composer in our audio department at Gearbox.

Borderlands 3 - Digby Vermouth - Supernova Dreamsicle

Borderlands 3 Troy Theme

Part 2 of the Eden 6 "Floating Tomb" End Boss Music

Borderlands 3 - The Floating Tomb Part 2 - Tranquility Achieved

Soundtrack mix of the General Traunt fight in Desolation's Edge.

Borderlands 3 - In Case It Wasn't Clear... TRAUNT!

The Ruiner

The boss theme for fighting Rose inside the crater.

Confronting Rose

The boss cue for the end of Obsidian Forest.

The Belik Primis

The second suite of several combat segments that would randomize in-game.

More Conflict in Obsidian Forest

First "Suite" of parts that would randomize during combat in Obsidian Forest.

Conflict in Obsidian Forest

This mix of ambient layers tells the story of a train coming towards you from within a pretty and mysterious system of caves. Strange mix of tension and beauty.

Obsidian Forest Suite 3

The distorted tones are a mix of distorted Morin Khuur and serum patches. The brightest element is the Morin Khuur during the intro section of this. 

We wanted boss battles to maintain some of the electronic / aggressive personality of the main game fights. But for how dark we went with the score, something about Burial influenced garage felt like an appropriate direction so I tried to work some of that influence into this encounter.

Kormash

This is the one track I was able to actually use more of the tuvan throat singing I learned for this project. I started learning the Morin Khuur from youtube videos about 3 months before this as well. 

This cue represents the alienness of the Borderlands universe and using ethnic instrumentation and techniques in different contexts to emphasize the wildness and harshness of the environments.

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matthewjoachimm