Read the Q&A here: carpetandsnares.com/mix-series-eli-verveine

Our next contributor, Eli Verveine (@eli-verveine), has been DJing for over 20 years, first establishing herself at local Zurich venues like Dachkantine and later on international stages.

Verveine’s DJing is patient, and it rewards that same patience in the listener. In this Q&A we dive into this concept and how it applies more generally to learning the art of DJing over time. Anecdotes from parties over the years – including an earlier epic set at Renate – help illustrate how Verveine has navigated the dilemmas of expressing creativity from the DJ booth.

The accompanying mix is a live recording of a recent gig in Gothenburg, and after a measured opening you can soon hear the crowd roar their appreciation during the breaks in Lil Louis’s ‘Blackout’ – patience, as ever, bringing its just rewards.

Carpet Music: Mix Series 009 w/ Eli Verveine

https://www.facebook.com/DotanBibiakaDot
https://soundcloud.com/dotanb
https://www.instagram.com/dot_dotan
https://www.discogs.com/artist/573421

B2 Dot - Stolen Moments

Interesting mix here, the 1st 50 minutes is Donato, then after Mathew. Does anyone know who Brancaphonic (maybe Andrea Filosa & Filippo R. Travaglio) were at the Brancaleone club in Rome, Italy around 2004 or 2005? If so, contact us. See also our comment on https://www.discogs.com/label/553629-Brancaleone.

Original mix location: https://www.mixcloud.com/B_bootlegs/dozzy-mathew-jonson-dj-set-microhouse-space-edition-20-nov-2004/

Mix description text on that webpage: 

‘1 of the microhouse events, that took the name Space Edition, and hosted the Canadian Mathew Jonson, a member of Cobblestone Jazz, and 1 of the founders of Wagon Repair record label. That evening, Mathew divided the music area with Donato Dozzy, a resident DJ and famous today in the international electronic scene. In this recording, Dozzy is playing at the opening, while the set of Jonson, is in the central part. There are 3 or 4 jumps in the track, because that night the recorder had some problems’.

Donato Dozzy
• Discogs: https://www.discogs.com/artist/202097-Donato-Dozzy
• Bandcamp 1: https://donaotodozzysm.bandcamp.com
• Bandcamp 2: https://dozz.bandcamp.com
• Resident Advisor: https://ra.co/dj/donatodozzy
• Instagram: https://www.instagram.com/donato_dozzy/
• SoundCloud: https://soundcloud.com/donato-dozzy
• MixesDB: https://www.mixesdb.com/w/Category:Donato_Dozzy

Mathew Jonson
• 2000 Underground Music: https://2000undergroundmusic.com/mathewjonson/
• Bandcamp 1: https://mathewjonson.bandcamp.com
• SoundCloud: https://soundcloud.com/mathew-jonson
• Facebook: https://www.facebook.com/pages/Mathew-Jonson/30624791775
• MixesDB: https://www.mixesdb.com/w/Category:Mathew_Jonson

Donato Dozzy (Elettronica Romana) and Mathew Jonson (Wagon Repair) at Brancaleone club, Rome, Italy, microhouse.org Space Edition, 20 November 2004

0 hour–1 hour
01. ?
02. ?
03. ?
04. ?
05. Kyrkogaard by Johan Skugge. Mitek, Sweden 2003.
06. Destination Eskimo Pt. 2 by Donato Dozzy & Brando Lupi. Elettronica Romana, Italy 2005.
07. ?
08. ?
09. ?
10. ?
11. ?
12. ?
13. Accidentally Brilliant by Crackhaus. Mutek_Rec, Canada 2004.
14. Contact by Claro Intelecto. Ai Records, UK 2003.
15. Strange Attractor by Alex Smoke. Vakant, Germany 2004.

1 hour–2 hours
16. Joana by Bogger. digital gadget, Germany 2004.
17. ?
18. ?
19. ?
20. ?
21. ?
22. ?
23. ?
24. ?
25. ?
26. ?
27. ?
28. ?
29. ?
30. ?

2 hour–3 hours
31. ?
32. ?
33. ?
34. ?
35. ?
36. ?
37. Mono On Mono by John Tejada. Palette Recordings, US 2004.
38. ?
39 ?
40. ?
41. ?
42. ?
43. ?
44. ?
45. ?

If you know any of the tracks, send me a message through SoundCloud and I will add them to the list, thanks.

Donato Dozzy and Mathew Jonson at Brancaleone club, Rome, microhouse.org Space Edition, 20 Nov 2004

Hailing from Vinica, a small town in East Macedonia, Mihail P (@mihailpetrovski) is part of a new generation of artists re-forging a vision of classical techno in their own mould. A student of Architecture and Design in his mid twenties, he grew up with sounds of Vangelis, Kraftwerk, Jean Michael Jarre, Pink Floyd emanating from the home stereo – which has no doubt played a part in shaping the resonance of his musical taste.

After discovering the sounds of UK and Detroit Techno courtesy of Timeline Radio and the Estimuloshow, over the last couple of years he’s struck solid links and friendships with Paul Rimbaud from Distant Worlds, Domenic Cappello and Verdant boss Andy Green who have all played a part in giving him a platform to develop his sound. In turn, exposing him to ever increasing circles and genres of music that he likes to immerse himself in. Between his studies and making music, Mihail likes to draw, especially using black and white ink – having found his way with the technique from quite a young age – it’s a hobby he also likes to indulge as much as he can.

Alongside the drawing, he does a lot of graphic design as a freelancer. As he puts it: “I’m a sucker for a good conceptual design, and am really into beautifully crafter records with sleeve art”.

VHS Podcast #066 Mihail P

Recording of my set on new years day 2025 at Horst Club. Playing from 9.30 until 12.30 in the garage. 

This was a gig which was very dear to my heart. Playing while the first light of the new year hit the outside world, we celebrated in a small corner of the Horst club called the garage. A stripped down stage with a focus on quality sound. When I came in at eight in the morning energies were still very high and the atmosphere was very open. My aim was to maintain this energy for a while then to easy everyone into the afternoon.

Fabio Fontanelli at Horst Club

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @rogergerressen & @kaapofficial

RRFM • Tune In Zone Out w/ Roger Gerressen & Kaap • 17-04-2025

closing small steps at bis.club 15022025

Flowerclub 005 / Rev Lon

St. Andrew - Time flies

2025年8月13日 21:00-22:30 JST 

Ben Kaczor 
https://instagram.com/ben__kaczor

#house

三○三

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

Ben Kaczor ｜2025年8月13日｜#house

Come il canto delle sirene, cullato dagli abissi, emerge per stregare le anime di marinai e naufraghi. Qualcosa di simile accadde, quando Jane Fitz domò natura e corpi sottomettendoli al ritmo  mistico, sciamanico, del proprio set. Il suono che si ribellò alla pioggia sommessa di quel pomeriggio di luglio, per rendere anche noi danzanti infallibili, eravamo un un unico movimento stregato e soggiogato dalla magia di quei vinili.
Senza bisogno di ulteriori presentazioni futili, tronfi d'orgoglio e con un fondo di malinconia: la poliedrica Jane Fitz, e ciò che fu in grado di regalarci al Komorebi Music Festival.
Buon ascolto.

ENG

Like a siren song, lulled by the abyss, emerging to bewitch the souls of sailors and shipwrecked Jane Fitz tamed nature and our bodies gave in to the mystical and shamanic rhythm of the set.
The sound rebelled against the drizzle of that July afternoon making us dancers infallible and united in movement, spellbound and beholden to the magic of her records. The multi-talented Jane Fitz needs no further introduction, we proudly present with a touch of melancholy the gift she gave us at Komorebi Music Festival.  
Happy listening!

Jane Fitz@Komorebi 2019

House | Techno | Dub Techno dj, owner of Outlaw Records.

B2 Dot - Stolen Moments

Matthew Oh

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