After being introduced to electronic music back in the early 90's in Los Angeles, a teenage David Flores was hooked. He started DJing across Southern California on the DIY warehouse, backyard, desert, and rave circuit. His style then was as varied as the local scene - a myriad of sounds ranging from house to acid to techno to hardcore. After a few years solely DJing, he began releasing original music under the monikers David F & Audio Injection, which landed him on labels such as Monoid, Stimulus, 4 Track & LA label Droid Recordings. His association with Droid Behavior began in 2003 as resident at the now defunct yet infamous and internationally acclaimed Interface event series alongside Drumcell and Raiz. He currently runs a new event series together with Drumcell and Oktaform named “Observe”.

In early 2011, he started the project Truncate to focus on the deeper, raw side of techno. His Truncate releases early on gained critical acclaim from world class underground talent such as Modeselektor, Ben Klock, Marcel Dettmann, Chris Liebing, Speedy J, DVS1, Luke Slater, Ben Sims, Josh Wink, Eats Everything, Joris Voorn, and many more. Since then, he has provided remixes for artists across the musical spectrum including Kink, Slam, Loco Dice, Ben Sims, Josh Wink, Ellen Alien, Miss Kittin, Carl Cox & Nicole Moudaber. He has also released original works on 50 Weapons, Ultramajic, Blueprint, Ei8ht, Figure and of course his own imprint Truncate. He has also collaborated with Jimmy Edgar, Chambray and most recently started a new project with Ben Sims as ‘Assailants’ which they’ve released on their own imprint ‘Obscurity Is Infinite’.

A rigorous international tour schedule has since followed, including stops and regular appearances at the most prestigious venues and events, including Berghain in Berlin, Fabric in London, Concrete in Paris, The Movement Festival in Detroit, Womb in Tokyo, Dimensions Festival in Croatia, Awakenings in Amsterdam, Output in New York, and many more.

With his heavy remix, production and touring schedule there is still no slowing down for David. He continues to shape an evolving sound and to champion the Los Angeles underground.

find all my info @ https://www.heikolaux.com

𝘗𝘭𝘦𝘢𝘴𝘦 𝘯𝘰 𝘋𝘔𝘴 𝘰𝘯 𝘩𝘦𝘳𝘦, 𝘵𝘩𝘦𝘺 𝘥𝘰𝘯'𝘵 𝘨𝘦𝘵 𝘳𝘦𝘢𝘥.




Mentioning releases, remixes, or labels on which Steve Rachmad has shown his craftsmanship is pointless and time-consuming. So is boasting about the clubs and festivals on which he has left his mark. It would just make for another list of names, places, and brands…. Let’s not do that. Feel free to visit the usual channels (Discogs, Soundcloud, Beatport) and take your pick from numerous productions and DJ sets. They all come from three decades of dedication, sweat, and polishing a one of a kind talent.

Because as Miles had his horn and Pablo took to canvas, Steve has an unequalled gift for (almost physically) connecting with every thinkable drum machine and synthesizer out there. If the man had kids, boys would listen to Roland or Robert (Moog), and a girl would surely be named Linn, after the machine made famous by Prince and others in the 80’s. Some claim it’s analogue machine telepathy, others say he was born with all the right connectors and inputs hidden somewhere underneath his trademark curly hairdo.

This ability has established Steve as one of those artists that simply last because of quality. New generations of artists from different genres recognizes his signature and therefore play his work.

As a DJ he is constantly reinventing himself. Set firmly in the best that techno and house have to offer at the moment, Rachmad draws inspiration from his love for high quality disco and electro from the past. As words can never truly describe music, we’ll end with advising you to go check him out and hear for yourself what Steve is all about.

Oscar Mulero's DJ career has been as prolific and long lasting as the evolution of dance music. As a key figure in its development, Oscar has always absorbed new trends and kept his finger on the pulse of electronic dance music, from the end of the 80’s right up to the present day. It is impossible to understand his genius without taking into account the tireless work he has carried out behind the decks for over two decades. Production-wise he's been releasing records since the late 90’s, with countless 12" vinyls and several studio albums, as well as many remixes for the best players in the scene.

He runs Warm Up, his very own imprint, since 2000 as well as the label PoleGroup Records since 2004, both of which have reached the 50 releases mark. On 2013 he started a series of live A/V performances under several project names like Light and Dark, Biolive and Monochrome AV.

In 2019 he will celebrate his thirty-year career with a very special secret lineup party in Madrid that will be much talked about because of its concept and the quality of the guests.

Vinyl Dj since 1993
Booking : mail to Lorenz   -  contact@lmnt-agency.com
for private mails : djron_albrecht@yahoo.com

www.dasharush.org
www.fullpanda.com
bookings: daniela@triangleagency.com
www.traingleagency.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Berghain and Khidi resident
@bitelabel head
Ostgut Ton | BITE | Jealous God
Booking: chris@elitemm.co.uk

Emerging as Phase Fatale in 2014, Berlin-based DJ, producer and label owner, Hayden Payne is rewriting the discourse of Techno with his cross-pollination of gnarly basslines, sensual narratives and mind-control mechanics. Demonstrating his vision through an authentic, highly curated sonic-lens of techno, the New York native’s rhythmic excursions draw on his roots in the underground scenes of his respective cities as well as his reputable experience performing to dancefloors globally. Exemplified by long-standing tenures as a resident for esteemed institutions such as Berlin’s Berghain as well as KHIDI in Georgia's capital Tbilisi, Payne demonstrates a resolute understanding of harnessing club synergy across his productions and DJ sets.

With three full length albums under his belt, including the 2020 sophomore release ‘Scanning Backwards’ on Berghain’s imprint Ostgut Ton, Payne’s sonic signature pushes the boundaries of techno sensibilities and reflects the zeitgeist whilst staying true to his own vision. Wasting no time since his solo project’s inception to showcase his expert sonic ability, Payne has toured throughout Europe performing at renowned clubs and festivals worldwide, releasing numerous records on labels including Jealous God, Ostgut Ton, and his own label BITE.

Payne launched the BITE imprint in 2018 as a means to platform cutting-edge sound production across a diverse roster of international artists. Along with fellow Soft Crash protagonist Pablo Bozzi pioneering ‘Italo Body Music’, BITE’s seminal synthesis of curated techno solidifies the label as a tour de force taste-maker within electronic music with showcases worldwide including Berghain and their 5 year anniversary compilation ‘Shedding Skin’ in 2023.

Hailing from post-punk roots, Payne draws on his depth of musical knowledge and multitude of influences. His merging of nuanced references and high concept narratives remain geared towards the dancefloor at its core, subtleties of his multifarious sonic palette act as the foundations for his layered wall of sound.

*DJ and producer from Stockholm, Sweden.
Joel Mull's career spans over three decades. With a background studying classical music, singing in choirs and playing in bands, Joel found electronic music at a young age as a source of freedom. His first experience came from DJ’ing in the chill-out areas of rave parties in his native Stockholm during the early 90’s.
With his roots from Germany, Hamburg, he moved to the city in 1994, and worked as a resident DJ for 3 years at one of the biggest techno clubs in Germany, Unit Club. This was an important period for him and as a DJ; It taught him how to control the energy of the night on the dance floor, from warm up sets to 10h marathon sets.

With releases on music labels worldwide along with Cari Lekebusch, Robert Leiner, Adam Beyer and Jesper Dahlbäck he counts to the first wave of Swedish techno producer who became known around the world as the "Swedish techno sound".
He has produced over 100 releases and under various names such as Icarus, Gotzkowsky and most recent under his alias Damm.
He often refers to himself and his craft as a sound architect, and if you’ve ever experienced his club sets, you’ll understand why.
Under his ambient and electronica alias Damm, Joel revives one of his earliest aliases and expands upon this discipline even further.

*Part of the label team of the swedish label Parabel.
*Also knows as "Damm" with his latest ambient release on A Strangely Isolated place.

Matthias Mann is following