The Fever (feat. Quivver)

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Multi-platinum selling producer, composer, musician, and DJ, Matt Lange challenges categorization; equipped with an instinctual ear for creating music and an insatiable drive to explore the aural spectrum.

Lange’s career began working alongside multi-instrumentalist and producer Brian Transeau (BT), co-producing the album "These Hopeful Machines," earning him a Grammy Award-nomination in 2011. Matt then went on to co-write and produce Glenn Morrison’s "Goodbye (feat. Islove)" which was nominated as Dance Recording of the Year at the 2015 Juno Awards and later hit double platinum. Most recently, Lange was a producer on the Thirty Seconds To Mars album "AMERICA," which debuted #2 on the Billboard Top 200 chart.

An adept music composer, and sound designer, Lange has created and licensed works for the blockbuster films Ready Player One, Blade Runner 2049, Deadpool 2, The Fast & Furious 8, and Transformers: The Last Knight along with video game franchises Counter-Strike Global Offensive, Tom Clancy's Rainbow Six Siege, and DOTA II.

As an artist, Matt Lange has released records with some of the most influential electronic dance music labels in the industry such as Anjunabeats, mau5trap, and Armada and has performed across esteemed venues and festivals like Output, Sound Nightclub, Ministry of Sound, TomorrowWorld, EDC, and SXSW. Unburdened by genre and trends, the signature of Lange’s work is the relentless devotion to pushing music into the future.

Matt is also the host of Tap Tempo, a podcast which features insightful interviews with peers and collaborators ranging from A-list composers to DJs and includes artists from all backgrounds.

Official Soundcloud for dance N vibes
Website: www.danceNvibes.com

Those moments when it all comes together!