Unspoken Words

Broken Machines Broken Dreams

I repost the music I personally like. I'm not promoting anything other than the music I like. As well as listening to music, which includes activities such as searching for new music, I dance to music. In (personal) fact, a significant amount of the music I like could be categorized as dance music. However, I also experience a mix of positive effects whilst listening to what could be called 'chill-out' or 'ambient' music. Furthermore, occasionally, I will 'dip' into my previous (past) catalogue of favorite music tracks. I was born in 1971, so I have been influenced by the music that was produced in  the 70's, 80's, 90's, etc. Although, now is my favorite time of music (now is all there is)



Science Communicator on Mastodon social https://mastodon.social/@ScienceCommunicator

If you like what I'm posting, check out my mixes here: www.mixcloud.com/kaiper/

Aesthetic creator/explorer from Kalamazoo, MI

https://linktr.ee/hawkkn

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk