Exotic Contents / Pulse at the Centre of Being

Pulse At The Centre Of Being

Unspoken Words

Broken Machines Broken Dreams

Inanimate to Animate (feat. Kotomi)

iTunes - http://smarturl.it/MCKindred
A few years ago I did a remix of a track by Dominik Eulberg called Sansula, which featured an instrument of the same name. After the release a builder of sansula instruments in the Netherlands was kind enough to give me one as a present in case I wanted to use one again in a live recording, which I have finally got around to doing now with this track!

My process consisted of me sitting in my studio (badly) playing the thumb plucked sansula for quite a while, so that I could go back to the recording and pull out some useable loops as a starting point. I wanted a nice warm analogue chord progression to complement, but more in the high bass and low mids than my usual chord progression that's down really low, to fill the mix with the warmth as much as possible.

The track still needed something though, so I turned to some spare recordings of my favourite vocalist - Kathrin deBoer, from some of our previous recording sessions. I didn't want to go for the usual full lyrical approach of a vocal collab track, I just wanted to add some small snippets of human feeling to round off the track properly.

The release is coming out on Fields on the 1st of December along with an intense synth experiment with a Prophet 08, and beautiful remixes from David August and Throwing Snow.

If you're not into buying music there is also a new website I have just launched which will be providing exclusive new free downloads for all in return for signing up to the website - http://www.maxcooper.net/downloads

Origins

https://eidosrecords.bandcamp.com/album/lipp-julia-keeps-the-diamond-in-silence-ep-eidos002

PREMIERE: Lipp - In Your Boson, I Rest My Thoughts [EIDOS002]

Aristotrack (Bogotá)

“Creadoras” no es un compilado de mujeres haciendo música electrónica: es una invitación a crear desde la autenticidad, sin moldes, sin etiquetas, sin miedo.

Este proyecto nace como un puente entre las pioneras —esas mujeres que en medio de contextos profundamente adversos se atrevieron a experimentar y crear música con medios electrónicos— y las artistas que hoy elegimos crear desde un lugar genuino y libre.

No importa el género —musical, identitario, social— somos seres humanos creando.

El arte no nace del género, sino de nuestra esencia. Y cuando se manifiesta sin pedir permiso, el arte se vuelve real.

Hoy vemos cómo muchas veces se busca encajar: en un sonido, en una escena, en una estética aceptable.

No busca encajar, busca abrir espacios para el juego, la exploración, la voz propia y el arte.
Este no es un compilado para mujeres, es para quienes se reconocen artistas.

Crear no es una estrategia, es una necesidad vital.
@lauritgee @camiriccidj
@brenblasi @__al.di @cbalussi @dj.michela @romina_arg_ @xcfmusick @acua.dj @coloubefu.dj @monsedeluca @ayiholi @robertabang

Aldi - Eterno Retorno (Original Mix)

Will & Held - Mend (A.1)

Elevate

Odyssey

Odyssey / Sonne

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk