Dysnomia | Dawn Of Midi - http://bit.ly/12VzwC7

Download On Bandcamp

Dawn Of Midi - Nix (Marley Carroll Unofficial Remix)

This track is about emergence from the combination of polar opposites. Fragments of self from very different places, but part of the same whole.

Combining classical and computational elements is something I've been experimenting with for some years, but this attempt to combine the extreme opposites of each was spurred on by some chance DJing experiments, a fortuitous collaboration opportunity, and the amazing work of my friends Olafur Arnalds and Vaetxh (Rob Clouth). I found that I could mix the most beautiful and delicate piano solo of Olafur, with the most hyper-edited and jarring glitch of Vaetxh, and that the result actually worked, well, for me anyway, even if half the people in the club stood confused about how to dance. So when the opportunity arose to work with the pianist and composer Tom Hodge, I wanted to try and create this form of merger of extremes for a release, rather than it being confined to my DJ toolbox (also on the classical meets glitch history from a slightly different angle, check out "Rossz Csillag Alatt Született" from Venetian Snares 2005!).

After some discussion of ideas and approach with Tom, he sat and played and made some recordings for me, which I then chopped and build chords and structure around, sent them back to him to play over the top of again, and then back to me to edit and glitch the playing along with the nasty noises. My detailing process was that of finding some interesting sound sources (binaural recordings, drum hit samples, clangs and slams etc) and using some Max for live randomisation chains to generate lots of partially random complexity which I could then edit as audio before repeating the process with additional layers, eventually bringing the recorded piano audio in to the editing too.

At completion of the audio I was really happy to find out that Nick Cobby, one of my favourite video artists and long standing collaborator, was available and interested in working on the visual side of the project. He took the combination of seemingly incompatible opposites, and applied it visually with his beautiful generative forms, smooth and organic for the melodic sections, and jagged and abrasive for the percussive sections - big thanks to Nick for his amazing work as always!

So, that's probably enough ranting about this track from me, aside from why it is like it is, I hope it's something that you can enjoy irrespective of the conceptual faff.

Buy on Beatport

Fragments of Self - with Tom Hodge - Out Now on FIELDS

Young Alaska [digitally and on 12"+ 7" Vinyl]

Digital: j.mp/1pfzbS3
7"+12" Vinyl: j.mp/youngalaskavinyl

http://the-ki-store.goodsie.com/christian-löffler-young-alaska
www.kompakt.fm/releases/young_alaska_lp_7
www.hhv.de/shop/en/item/christ…young-alaska-363503

Veiled Grey

Just before the arrival of summer this year, Christian Löffler is set to release his next musical statement and autobiographical journey named “Young Alaska” on Ki Records. The German producer unveils his unique soundscapes by delivering seven tracks which are deeply rooted, once again, in harmony and emotion. Löffler's unique sound based on an intense melancholic feel brought him a busy touring schedule performing at clubs and festivals all over the world. He sticks to his calm approach to electronic music and proves, through his live-sets, that emotions control the dance floor, creating a real sense of euphoria. His experiences on the road are reflected on “Young Alaska,” which is largely inspired by these journeys and places he has visited. From the peaceful landscapes of the title track to the melodramatic heights of “Mt. Grace,” he took “Notes” back home to transfer the impressions into his music. Songs like “Beirut“, “Veiled Grey” and “Alpine Sketch” are very diverse but come together harmoniously on this release. As on his debut album, he once again collaborates with Danish vocalist Gry and Me Succeeds lead-singer Mohna on “All Comes” and “Beirut.” During the course of “Young Alaska”, Christian tells the story of his journey over the course of the past two years.


Young Alaska

Christian Löffler - Veiled Grey

🎹 PIANISSIMO 2 — L’intime en partage 🎶

Chers amis,
Je suis très heureux de vous présenter PIANISSIMO 2, un nouvel album instrumental disponible dès maintenant sur YouTube.

🎼 Du piano seul, parfois. Quelques orchestrations légères, ailleurs.
Toujours cette volonté de dire l’essentiel sans en faire trop. Des émotions brutes, sincères, posées sur les touches, comme on dépose un secret.

C’est une musique de l’instant, du silence, de l’apaisement. À écouter en fin de journée, quand le monde ralentit.
Un album personnel, fait maison, que je vous offre avec le cœur.

Merci d’avance pour vos écoutes, vos partages, vos retours…
Et surtout, merci d’être là.

Avec tendresse,
Gino Baci

❤️ Vos impressions me toucheront beaucoup.



🎹 PIANISSIMO 2 — Intimacy, Shared 🎶

Dear friends,
I’m very happy to present PIANISSIMO 2, a new instrumental album now available on YouTube.

🎼 Solo piano, at times. Light orchestrations, here and there.
Always the same desire: to express the essential, without excess.
Raw, sincere emotions placed on the keys like secrets laid bare.

This is music for the moment — for silence, for stillness, for peace.
To be listened to at the end of the day, when the world slows down.
A personal, homemade album that I offer to you with all my heart.

Thank you in advance for listening, sharing, and sending your thoughts.
And above all, thank you for being here.

With tenderness,
Gino Baci

❤️ Your impressions will mean a lot to me.

Tutto era qui

More information: http://projectmooncircle.com/releases/parra-for-cuva-senoy-darwis/

BUY CYAN 2LP/CD/DIGI

Parra for Cuva & Senoy - Auryn

I had a modern classical/electronica mix from a friend (JamBon) which I had been listening to a lot, and after a weekend away the original of this track was really stuck in my head. At some point I clicked that it sounded just like the style of another friend - Hiatus, and on checking, it was him! So I got straight on email to him asking if I could have the parts, and I even got started on the remix before they arrived by buying the mp3 and starting to lay some ideas around that - When it's on I find it's best to go with it. It was a really enjoyable remix to do given how beautiful the original parts are, my mix is quite similar really, as I couldn't improve on it melodically, I've just tried to add some of my own flavour and twists.

Hiatus - Third - Max Cooper Remix

Sheep No. 7

Listen to BLOODFLOW on Spotify: http://bit.ly/gbbloodflow

Taken from Grandbrothers new album 'Open' to be released via City Slang on Oct 20. 

Pre-Order: https://grandbrothers.lnk.to/openYD

Grandbrothers - Bloodflow

Release 30.03.2018

LISTEN & BUY: http://bit.ly/2HA3h44

Tracklist:
01 How I Met Your Cutter
02 The Cutfather
03 Harry Cutter
04 Beverly Hills Cut
05 Cutzilla

Melokind
http://www.melokind.de/
https://soundcloud.com/melokind
https://www.instagram.com/melokind/
https://www.facebook.com/melokind

Fuchsklang Musik 
http://fuchsklang.de/
https://www.facebook.com/FuklaMusik/
https://soundcloud.com/fuchsklang
https://youtube.com/channel/UCbgSzWpE0C4Q6TDTfUUma5A
https://www.instagram.com/fuchsklangmusik/

Fuchsklang Clothes/Merchandise
https://www.getshirts.de/fuchsklang

Melokind - Harry Cutter

Taeuschungs-Blume :: Dominik Eulberg

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk