About Coming and Leaving

Fearling (Theoish Remix)

🕊️ Gran 🕊️

This is a live set that I didn't plan to post because it was so all over the place but I ended up liking the result.

Too Human

Gogo Penguin- Kamaloka

from 'Trails' [LP|DIGITAL]
Denovali Records · den269
available on all formats at [http://denovali.com/subheim]

Following on from 2015's praised "Foray" LP, berlin-based SUBHEIM releases his new "Trails" EP on Denovali Records. As with any Subheim release, it is important to consider your frame of mind when listening to his music. "Trails" takes the listener on a very personal journey with intent, riding upon an undercurrent of impending necessity. There is simplicity in its design, though the further you delve the more complex it becomes.

"Trails" opens with the sounds of slow-building, wavering and breathy strings. Soon you, the subject to this music, are guided onwards with the support of confident tribal drums, haunting vocals, otherworldly metallic sounds and muted guitars that ring across the plains.

Having arrived at a place of calm, we are next transported in an altogether more sinister direction through the soundscape of Ego. Desert winds and affected vocal samples provide the backdrop for disconcerting harmonies and long sustains, and through the expectant ticking of a regular clock-like beat we are reminded that we have only made it part-way along our journey.

"Sometimes gloomy, and sometimes lush, but always sweeping and atmospheric" – INTRO "Seductive, emotionally-charged nocturnes" – IGLOO – Subheim's "Foray" featured on Headphone Commute’s Best of 2015 list

Forsaken Pt.II is an altogether more minimal territory to inhabit. With the instantly recognisable return of its guitar melody and a lilting, dry kick there is, at first, less sense of urgency as we sift through the murkiness of this familiar territory. And so it makes way for John Lemke’s remix of Trails. With a subtle yet noticeable increase in tempo and set to an irregular yet constant techno kick, it wears a furrowed brow, pushing itself forward with confidence and conviction.

Trails

Subheim - Trails (John Lemke Remix)

New album Spectators Of The Universe is out now on @Atomnation!
Vinyl / Digital: http://atomnationrec.lnk.to/SOTUnvrs
Spotify: http://spoti.fi/2nvaWZQ

David Douglas - Highway Of Love

Michael Nyman &amp; David McAlmont - Secrets Accustions &amp; Charges - Max Cooper Deconstruction/Reconstruction

I wrote these two remixes as a pair, starting only with two audio files, one orchestral part of all the strings, piano etc, and one vocal part of David McAlmont singing. It wasn't easy to tame the parts into an electronic format that I was happy with, so I opted to cut everything up into tiny segments and reconstruct my own track which ended up really different from the original - my "Deconstruction" mix. Then I was faced with the problem of exactly that, that the remix sounded nothing like the original, so I then tried to reconstruct back to the original from the parts I had made - my "Reconstruction" mix. It was an interesting production exercise I guess, not an easy remix job, but hopefully it yielded something interesting.

It's out now on Last Night on Earth!

And Nick Cobby has amazed me with his video for the tracks, it's really amazing - He invited people to be 3d mapped at his studio, and then cut there digitised face footage perfectly to the segments of audio I used to create the music - you gotta watch it!! &gt;&gt; http://www.youtube.com/watch?v=khlLc7NNOok

Michael Nyman - Secrets - Max Cooper Reconstruction

Bloom Innocent - Acoustic

Once You Get A Taste (Acoustic)

"Only Time" (by Enya)
hope you like it !

with a little help from my friends
recorded & mixed by me

Photo : Eva Kelety https://kelety.at  // Venice, LA

Only Time - Mira Lu Kovacs (Enya Cover)

The Living Layer + Vælv is taken from the new live album THE PIRAMIDA CONCERT by EFTERKLANG & COPENHAGEN PHIL - released June 10th 2013.

Order the limited deluxe vinyl release here: http://shop.efterklang.net/

The Piramida Concert by Efterklang & Copenhagen Phil was recorded live at Copenhagen's Royal Academy of Music Concert Hall in October 2012. Over the course of two sold-out nights Efterklang - plus Peter Broderick, Katinka Fogh Vindelev and Budgie (Siouxsie and The Banshees) - teamed up with classical orchestra Copenhagen Phil and German conductor André de Ridder to perform the Danish act's fourth album Piramida in its entirety. Staged for the first time at the Sydney Opera House in May 2012, the orchestral arrangements were written by fellow Dane Karsten Fundal and New York composer Missy Mazzoli. The Piramida Concert also features 'So', a song written during recording sessions for Piramida, and 'Vælv', a classical piece commissioned by Efterklang and composed by Karsten Fundal. The live performance was mixed to tape by Francesco Donadello in the Vox-Ton studio in Berlin.. The Piramida Concert will only be available digitally and as a limited edition deluxe double gatefold vinyl (one black, one white + CD inside), designed by Danish artists Hvass&Hannibal.

Efterklang & Copenhagen Phil - The Living Layer + Vælv

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk