Given it's not so long since my last remix of the German duo Microtrauma, you might think it's odd that I've done it again? Well, I wasn't planning on doing this mix, but when I heard the original track with that amazing, simple but effective arpeggiated riff I realised I had to do the mix! It's always easy when you have such a strong starting point, I just added some of my own flavour of beats and glitches and pads, and structurally I went for a live feel, playing in most of the parts and modulation as I went along - It yields a slightly messy, but natural feel I hope. And I added a second set of kick drums in the off kick position, so at points the real kick drops out and it sounds like everything has shifted half a beat....just for the craic.

Microtrauma - Circulate - Max Cooper Remix Preview Clip

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk