Quote "Shedding Layers by Rob Clouth is easily my favourite piece of electronic music that I have heard so far in 2018" (Andy Fosberry).......so how am I supposed to remix that!?....it was a difficult track to approach.

I decided I had to stay true to the original core of the track, the main melodic elements, which I just complemented with some new prophet chords. Then for the rest of the remix it was more of a matter of augmenting than a typical remix. I spent a loooong time working on detailing for this, I wanted to try and bring some industrial sounds in to push further the intensity that Rob had created, and push the sound design complexity as far as I felt I could get away with in the context of what is basically a techno track for clubs.

It's definitely one of the most intense remixes I've worked on for some time, and I've been playing it out a lot recently with good effect. But I hope it can also work as an interesting home listening track. As usual I put a lot of effort into the binaural and general stereo design, so if you listen with headphones you should hear sounds pop out at you, fly behind your head, that sort of thing. I wanted to turn all those clicks and strange noises into an immersive cloud dancing around your head.

The remix package has amazing work by Ben Lukas Boysen, Brecon and Chihei Hatakeyama on there, some beautiful ambient and peaceful moments as well as this monstrosity, I'm certain can you find something in there which will make your day better!

Buy/Stream/Full EP

Rob Clouth - Shedding Layers - Max Cooper Remix [Mesh006]

exploring many stylz, collage artist at heart.

I myself am not fit for modern society 🦡 
I am not guilty 🔑🦠🧬 Good?  🎎 Can we live together with my body 🧠?
   I am always negotiating with God and the devil.  👁‍🗨♾ Fucking shit jpcopdog 🚔🖕🏻🤛🏻
  I don't have enough time to die.  My guilt is explained by sound.  The wrist cut on my wrist is the expression ART.  Ankle cut.  🎵🎶
  No pain ✋🏻 I just don't want to get hurt.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk