Everything

Introspective, engaging, electronic music exploring the concept of “unfinished” in relation to oneself, art, architecture and surroundings, ‘No One Really Listens To Oscillators’ is the gloriously titled new album by Indian Wells, the project of producer Pietro Iannuzzi from southern Italy. The nine track album is set for release on 15th July 2022 on Max Cooper’s Mesh imprint.

“Before I started to create this album, I cleared my mind,” says Pietro. “I  went back to when I fell in love with electronic music and listened to Radiohead’s Kid A and Amnesiac, Warp artists like Boards of Canada and Aphex Twin, Border Community, William Basinski, Massive Attack. I felt my last album was unfinished, and realised something had to change in my music.” 

The album’s first conceptual input came from an article in The New York Times talking about a new conceptual architectonical style. The term “Incompiuto” (Unfinished) was theorized by Alterazioni Video & Fosbury Architecture and concerned unfinished works that reveal the inability of projects to make infrastructures useful and sustainable for the community. 

“The head of this article was a photo of an escalator in the middle of nowhere in Calabria, where I live,” explains Pietro. “I knew this escalator very well and I immediately realized that my perception of this "reality" could be really different from people who have never lived in this area. It can be said that I grew up in the unfinished - between unfinished houses and other half-built works that are now an integral part of the landscape, without really noticing. In reality, our experience is influenced by everything that surrounds us and this context shapes us to make us live a distorted reality, which we very quickly get used to.”

‘No One Really Listens To Oscillators’ was the first track completed and gives the album its title. “I was spending a lot of time working on micro-changes on the oscillator frequency on the lead synth of the track,'' says Pietro. “After a couple of hours I asked myself “Who cares? Will people even notice this?” It’s a way to say that we have lost our ability to notice little things, to go deeper. To develop sensitivity.”

During the recording of the album, Pietro’s daughter was born in April 2020. “My daughter was born with Down Syndrome, which we didn't know anything about, so I started to study and understand how her life could be.” During Pietro’s research he discovered works by the American artist Judith Scott, who was born deaf and with Down Syndrome and read how her condition made her, in the eyes of society, an "unfinished" person. “I was struck by her beautiful and illegible works that are nothing more than pure and simple expression, an end to itself, with no other purpose.” The track ‘Life Of JS' is dedicated to her. 

The album’s beautiful closing track ‘Before Life’ was created soon after discovering his wife was pregnant and starts with a recording of his daughter’s fetal heartbeat. “For me it is a hymn to creation, in a very broad sense. It’s written for my daughter. It’s hope.”

‘No One Really Listens To Oscillators’ is set for release on 15th July 2022 on LP and digital formats.

Contact:
Press/radio Agent (UK)
benjamin.smith@echoempire.net // 077 6492 6719
Press/Radio agent (EU/ROW) 
Alexa Gansera 
ag@centerpoint-agency.com // +49(0)163 4099099
Mesh Label 
Anthony Faulkner - anthony@thewildseeds.com
Management 
Yur Toccacelli - yt@3d-agency.it

05  Indian Wells - I Cannot I

Our debut album 'imagin' is out now on Monkeytown Records | Artwork by http://www.harrycresswell.com

Vinyl:

Juno: http://bit.ly/1sH51tC
Monkeytown: http://bit.ly/1ohQRvl
Boomkat: http://bit.ly/1qCGLKH
Redeye: http://bit.ly/1sH6JLO
Bleep: http://bit.ly/1zJKQxX
Rough Trade: http://bit.ly/VPyNCe
Phonica: http://bit.ly/1qLSUcO

Download:

iTunes: http://bit.ly/1pkXSS9
Boomkat: http://bit.ly/1C5Bq3V
Juno: http://bit.ly/1pkYDuv
Bleep: http://bit.ly/1zJKQxX
Beatport: http://btprt.dj/1ueSfD 

imagin

language dissolving into noise.
experimental organic synth house

Jolifanto Bambla

Alone

Quote "Shedding Layers by Rob Clouth is easily my favourite piece of electronic music that I have heard so far in 2018" (Andy Fosberry).......so how am I supposed to remix that!?....it was a difficult track to approach.

I decided I had to stay true to the original core of the track, the main melodic elements, which I just complemented with some new prophet chords. Then for the rest of the remix it was more of a matter of augmenting than a typical remix. I spent a loooong time working on detailing for this, I wanted to try and bring some industrial sounds in to push further the intensity that Rob had created, and push the sound design complexity as far as I felt I could get away with in the context of what is basically a techno track for clubs.

It's definitely one of the most intense remixes I've worked on for some time, and I've been playing it out a lot recently with good effect. But I hope it can also work as an interesting home listening track. As usual I put a lot of effort into the binaural and general stereo design, so if you listen with headphones you should hear sounds pop out at you, fly behind your head, that sort of thing. I wanted to turn all those clicks and strange noises into an immersive cloud dancing around your head.

The remix package has amazing work by Ben Lukas Boysen, Brecon and Chihei Hatakeyama on there, some beautiful ambient and peaceful moments as well as this monstrosity, I'm certain can you find something in there which will make your day better!

Buy/Stream/Full EP

Rob Clouth - Shedding Layers - Max Cooper Remix [Mesh006]

Taken from 'Project Caelus':

https://ochre.bandcamp.com/album/project-caelus

Spotify:
https://open.spotify.com/album/2amRP58tbPgA6aVJg8aMxj?si=fwmNL_PzTISbUiwTd5slhQ

Apple:
https://itunes.apple.com/gb/album/id1447133063

Project Caelus

Tugrul

April 8th marks our 5th official @mazoulew release and we're excited to take you on this aerial sonic journey.

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Nocturne / Wintermute

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Unfamiliar

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk