for mix and mastering inquiries : moomin.mastering@gmail.com

"The label is heavily inspired by Alvin Toffler's futurist manifesto The Third Wave as well as the old Detroit techno pioneers. And it shows, not only in the wide geographical diversity of Night Drive's roster but the ability to define a sound amongst the "shattering stress and disorientation" of the current techno scene. The label's greatest asset seems to be the ability to channel the things that made predecessors like Nu Groove, Metroplex, and Planet E stand out without making it all sound like a blatant punk-ass rip off. This focus on quality has paid off, a quick visit to the label's website shows that many of its releases have been signed off to numerous high-profile mix compilations. Chances are that hot, soulful late nighter you can't seem to get out of your head was probably something on Night Drive." www.ibiza-voice.com

IceRocks is everything you love about Ali Shaheed Muhammad, Pete Rock, DJ Premier, Havoc and Marley Marl, but in a compact, single offspring. Not that Ice is better or just like these guys, but there is a notable influence from each one of the aforementioned producers in the sounds of this awesome beatsmith. - See more at: http://hiphopspeakeasy.com/2012/12/dxa-dxa-ep-2012/#sthash.kJnYBdrr.dpuf

Go over to www.dxarecords.com for videos and merchandise.

DF Tram is a visionary music producer, DJ, and visual artist renowned for his cinematic and psychedelic fusion of ambient, electronic, and chillout music. Hailing from Los Angeles, his deeply immersive audio-visual performances have captivated audiences and earned the recognition of industry pioneers such as Alex Paterson (The Orb) and 'Youth' Martin Glover (Killing Joke, producer for Paul McCartney & The Verve).

His critically acclaimed album Serenitay Infinitay, released on the legendary Liquid Sound Design label, solidified his reputation as a trailblazer in the chillout music scene. Throughout his career, DF Tram has crafted countless remixes and original works under various aliases, pushing the boundaries of sonic exploration. His unique approach has led to international acclaim, including touring alongside The Orb.

A Driving Force in the Chillout Scene
DF Tram played a pivotal role in shaping and cultivating the ambient and chillout music scene in San Francisco from 1995 to 2018. Over two decades, he curated transformative events, delivered legendary DJ sets, and fostered a thriving community of artists and listeners dedicated to deep, immersive soundscapes. His influence helped establish San Francisco as a global hub for chillout and experimental electronic music, providing an essential space for artistic innovation.

Expanding the Sonic Universe
Beyond music, DF Tram’s artistry spans film, sound design, and immersive storytelling. His collaborations with ambient icons such as The Orb, The Irresistible Force, Afterlife, and Dr. Atmo showcase his ability to create sonic worlds that transcend traditional boundaries. His work has been exhibited at the Smithsonian in Washington, D.C., and he has been honored with a nomination for an Ibiza DJ Award in the Eclectic category.

In 2025, DF Tram’s highly anticipated new album will be released on Alex Paterson’s Orbscure record label, marking yet another evolution in his ever-expanding sonic journey. dftram@gmail.com booking https://7artistmanagement.co.uk/artists/df-tram/

Due elementi come ambiente e musica che entrano in contatto in un luogo che è naturale punto di incontro, la dancefloor.

Questo è Ambiente Elettronico.

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Feel free to send your demos (DeepHouse, TechHouse) please send us a private Message with a download link. 


By launching a vast process of social learning – an experiment in anticipatory democracy in many nations at once – we can head off the totalitarian thrust. We can prepare millions for the dislocations and dangerous crisis that lie before us. And we can place strategic pressure on e xisting  political  systems to  accelerate the necessary changes. Some unusual, far-seeing politicians or officials will lend their early support to the struggle for political transformation. But most will move only when the demands from outside are irresistible or when the crisis is already so advanced, and so close to violence, that they see no alternative. The responsibility for change, therefore, lies with us. We must begin with ourselves, teaching ourselves not to close our minds pre-maturely to the novel, the surprising, the seemingly radical. This means fighting off the idea-assassins who rush forward to kill any new suggestion on grounds of its impracticality, while defending what-ever now exist as practical, no matter how absurd, oppressive, or unworkable it may be. It means fighting for freedom of expression – the right of people to voice their ideas, even if heretical. 
Alvin Toffler – The third wave

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