Future Terrain combines ultra low, extended bass tones and organ-like massive sound waves flowing in a continuous, dark, pitch black loop. Created during the last weeks in March 2015, Future Terrain is presented as a 58 minutes long form track, released as a digital album and now available exclusively on Bandcamp for a limited time through the “Name your price” option. Download here:
http://maxcorbacho.bandcamp.com/album/future-terrain

Original cover image rendering is by artist Lee Griggs www.leegriggs.com. 
Final image treatment, cover design and layout by Michael Rodríguez Pletz www.domestika.org/es/michaelrpletz 

In Max's words: “During the long building sessions for Splendid Labyrinths, several tracks have emerged in parallel, and I've been slowly giving them form. One is Future Terrain, which I imagine as a remote sci-fi futuristic landscape. This music accompanied me for several weeks as a dark background filling the space in slow motion. Graphic designer Michael Rodriguez Pletz was created at the same time, from the original image rendering of the artist Lee Griggs, the ground which for weeks was in my imagination. 
Note: This piece is created for to listen to at low, subliminal level. But I suggest also hear it at a high level, feel it in your bones!

Future Terrain

Max Corbacho is an independent artist born in the southwest of Spain, in the province of Badajoz. This enormous land sprinkled of oaks where he was born and he spent the first years of his life, is perhaps the deeper track than marks his music. Starred nights of summer, the caress of the nocturnal breeze, the sedative song of the crickets, immense horizons,  deeply blue skies and silence.

The extremely dense and hypnotic sonic landscapes of Max Corbacho are a constant reference to these elements, elements which condense and act as catalysts, pointing to the essence of the great and ineffable mystery of our existence. Corbacho's s musical expression has the ability to enter us in this wonderful mystery.

His musical trajectory began, after making guitar studies, in local rock bands and, after some years like a guitar player, slowly become interested in electronic music. First with legendary bands like Tangerine Dream or musicians such as Richard Burmer and Vangelis. Later, his influences include artists such as Brian Eno, Robert Rich, Steve Roach, Vidna Obmana, Alio Die, Michael Stearns.

In 1999, his first work, Vestiges was produced. Soon the prestigious online store Backroads Music chose this album as one of the best of 2000, and Vestiges became one of the more highly praised Space-ambient CDs around that time. Vestiges was considered a sincere, touching, powerful work, full of mystery.

In the year 2000 Max published his second CD, Far Beyond The Immobile Point, followed by The Resonant Memory of Earth, published by the North American label "Space For Music". Further releases include Nocturnal Emanations, Indalo and Moontribe - each one larger and more accomplished than the last.

The album The Talisman is yet another step forward. Here the artist explains "I have tried to create all the songs of this work "inside" my synthesizers exclusively, inside this deeply isolated world, an amniotic-like inner space that develops in the synth and multi-effects circuits, without insert any "external" element except for the voices in the first song. Also, I have experimented more and more with long, spacious reverbs and looping treatments ". Thus, the "oceanic" nature is strengthened, creating an atemporal quality, suspended in time and space, without rare elements disrupting the internal balance and natural flow of harmonic streams. No tempo, no synchronization, maybe only the breathing and the pulse of the artist."

Max Corbacho's last albums follow the progression into deep, silken ambiance set by The Resonant Memory of Earth and The Talisman. Albums like 2009's Ars Lucis and, over the next three years, Deep Time, Lost Links, and the double album The Ocean Inside, continued a commitment to ethereal atmospheres even less concerned with traditional forms and melody. The year 2015 brought both Future Terrain and Splendid Labyrinths. With a playing time of over 70 minutes, an expanded version of Future Terrain was released in early 2017 and followed later in the year by Nocturnes, Arte Magnetica and the last Source Of Present.


Discography:
 
SOURCE OF PRESENT (2017)
ARTE MAGNETICA (2017)
NOCTURNES (2017)
SPLENDID LABYRINTHS (2015)
FUTURE TERRAIN (2015)
THE OCEAN INSIDE (2012)
BIOMA (2012)
LOST LINKS (2011)
DEEP TIME  (2010)
ARS LUCIS  (2009)
BREATHSTREAM  (2008)
THE TALISMAN  (2006)
MOONTRIBE  (2004)
INDALO  (2003)
NOCTURNAL EMANATIONS  (2003)
THE RESONANT MEMORY OF EARTH   (2002)
FAR BEYOND THE IMMOBILE POINT  (2000)
VESTIGES  (1998)

Fascinated by and in love with Music. 
Ambient
Classical 
Neoclassical
Film Score
Soundtrack 
Synth
Electronic
Experimental
Piano
Orchestral 
Not Rap (unless your the Beastie Boys)

Please do not message me about re-posting work. This is an individual page and I only re-post the tracks I enjoy and have listened to, or perhaps tracks other listeners will enjoy. If you follow me, you can expect a variety of re-posts, sorry. I try not over re-post. 

Ambient, atmospheric, calm music and psybient.

Musica Nova et Rara.
Searching for angels, not robots.