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Samurai Champloo mystline

Select your favorite platform:  https://ampl.ink/6ZqNx
Delicate piano atmospheres with subtle electronic support. Bruno presents here a series of very beautiful compositions that feature an 'Steinway D grand piano' recorded during the night hours. Smooth electronic washes and drones are laid down in gentle layers forming light, hazy expanses within which the master instrument luxuriates. The piano playing is mostly of an understated, unhurried melodic form calling to mind the purity and tranquil grace of Satie.
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If you then want to be informed, when I release new titles or concerts, you are welcome to join my newsletter. You can do this at www.bruno-sanfilippo.com
Or if you prefer, follow me on twitter: twitter.com/BrunoSanfilippo

Piano Textures 2

Piano Textures 2 IV

Select your platform

You can free download this live record at bandcamp: http://bit.ly/live-B3

The end of the concert held at the Lumen Church · Antara Festival · London · June 2013
Recorded Live -Mic placed in the audience- by David Rogers 
Photo by Robert Rosa
www.bruno-sanfilippo.com 

Bandcamp

Live in London ·  free download via Bandcamp

artist: dustin morris
series: breath.2
release: sub.pod.106
style: ambient, drone
date: 01 / 2014
size: 110 mb / 320 kb/s / 46 min

photo: 
http://www.pixelio.de/media/678110

download & tracklist:
www.subspiele.de/podcast/subpod106_dustin-morris/
www.dewtone.com

notes:
"breath" is a special ambient, drone and atmospheric oriented series within our podcast series. enjoy the airiness, easiness and lightness. 

interview:
subspiele: what are you doing exactly at this moment ?
dustin morris: hey frank. at the moment i’m just getting ready for work! snow is falling here, so i’ll have to leave a bit early.

subspiele: where did you record the mix ?
dustin morris: the mix was recorded at my friend’s flat here in toronto. it took me one night to compile the music and one to record.

subspiele: which is the song that you recently liked the most ?
dustin morris: tough one! i’ll give you two. purl’s upcoming solo for dewtone and porya hatami’s upcoming for tench. 

subspiele: how do you feel now ?
dustin morris: good mate :)

subspiele: how should it go on ?
dustin morris: it’ll go on whether we want it to or not! try to improve everyday and remember to enjoy it.

free download

sub.pod.106 - breath.2 - Dustin Morris

"A hope that one day some may understand"

Screen Prints / Hum and Hiss

Release Date: March, 2014
Format: CD & LP
Label: Fastcut Records

Recorded on Yamaha MT120 / MT3X  4 track Cassette Portastudios and an Akai 1722II 2 track Reel to Reel Tape Recorder between 1997 and 2000 at Trafford General Hospital and Chorlton, Manchester. 

Remastered by Declan Meehan 2013

Interview 2013 with Screen Prints (Declan Meehan & Justin Hughes): http://fastcut.jp/sp/sp/

Screen Prints - Same Time Next Year (remastered)

Piano Textures 2 CD digipack available at:
http://bruno-sanfilippo.com/portfolios/piano-textures-2/

Review by Rik MacLean • Ping Things
It should come as no surprise to any of my readers that I'm a big fan and supporter of Bruno Sanfilippo and his music. His "Auralspace" release has been in permanent rotation in my CD player for almost a year now, and I regularly return to his other works when I'm looking for something to listen to. You can understand that I was very pleased to hear about his latest release "Piano Textures 2", a follow up to 2007's "Piano Textures", which was a stunning album of inspired environments using only a processed and effected grand piano as a sound source. 
Now that I've had a chance to listen to it carefully, I'm pleased to report that "Piano Textures 2" continues the idea with similar beautiful results. 
"Piano Textures2 I" opens the disc with a theme from the earlier "Piano Textures" release, which leads into a new meditative piece of great beauty. Employing sparse and simple melodic work over a slowly drifting pad Sanfilippo creates a relaxed environment for the listener to discover at their own pace. Rich in texture and layers, "Piano Textures2 i" sets the tone for the disc as a whole, establishing a mood and a feeling 
that will continue throughout.

"Piano Textures2 II" is up next, a bit more melancholy in tone but certainly just as engaging as the album opener. 
A quiet drone drifts through the background underneath a forlorn melodic line. There's a really clear emotion at play here, a very organic 
and real feeling that breathes through the track, made all the more impressive by the minimal number of notes being used. 
A truly impressive piece of music.

"Piano Textures2 III" follows, a slowly drifting track where forms and shapes are vague and amorphous at best, but still just as warm and beautiful as we've come to expect from Sanfilippo. Tones ebb and flow through the soundscape, gradually becoming clearer and more defined as the track progresses. It's all very languid and beautiful, bringing to mind images of floating on a still lake on that perfect summer's day. 
I've always enjoyed how Sanfilippo's music can transport me to another space like that.

"Piano Textures2 IV" begins with a deep drone that slowly rises out of the soundfield, rich tones building in strength alongside it. 
As time passes, the melodies become more complex, more pronounced, weaving throughout the music but never overtaking the initial drone, just complementing and adding to it. A lovely piece of work.

The sound of twinkling stars begins "Piano Textures2 V", leading into a beautiful example of minimalist space music. 
There's a rich, organic feeling at play here, something very natural and clean developed from simple sources rather than the processed synth work that largely defines the genre. I can't help but think of slow orbits around alien worlds, a solitary beauty.

"Piano Textures2 VI" brings us back to earth, a lush piano piece with minimal processing, just some really wonderful playing that makes me incredibly jealous of Sanfilippo's talents. I really can't do justice to this track, but trust me when I say that it's the most beautiful piece on an album of very beautiful work.

Sanfilippo's talent and mastery of the genre are on clear display with this release and I have no doubt that I will have to find room in my CD player for another one of his releases that I'll be playing all year long. "Piano Textures 2" is a stunning collection of music that I whole heartedly recommend to existing fans of Sanfilippo's work and to those who are looking for carefully crafted organic ambience. Another great release from one of my favorite artists!

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If you then want to be informed, when I release new titles or concerts, you are welcome to join my newsletter. You can do this at www.bruno-sanfilippo.com
Or if you prefer, follow me on twitter: twitter.com/BrunoSanfilippo

Spotify

Piano Textures 2 V

Soundcloud: @annaofthenorth
Facebook: facebook.com/annaofthenorth
Twitter: twitter.com/anna_ofthenorth

###

Download

Anna of the North - Sway

Canción incluida en el Ep "Desencuentros" de Elsa de Alfonso y Los Prestigio, editado por CANADA Editorial (2014)
www.laeditorialdecanada.com

Elsa de Alfonso y Los Prestigio - Gardenias

From the 13th of June

ORIGINAL SONG SAMPLED: 
Charlie Clouser - Dead Silence (Official Theme Song)

https://soundcloud.com/jedrabid

02 - Jed Rabid - Dead Silence Remix (Button Bashers)

Lost Links – Vol. 1
Deleted, unreleased and forgotten tracks.

All these pieces were created to appear on previously published albums. For various reasons, they were not included, and remained in my archives. I usually do not delete any of my pieces; I know that, at some point, simply because of the passing of time, they acquire a special character, and their time to be revealed appears.
http://www.maxcorbacho.com/

Max Corbacho - Lost Links (medley excerpt)

Max Corbacho - Deep Blue Home

On February 23 the Stockholm/Malmö based pop group Testbild! will release their new album 'Belka & Strelka' on Kalligrammofon. 

https://kalligrammofon.bandcamp.com/album/belka-strelka

Testbild! - Dogs in the Sky

Dear friends and listeners, 
Following the release of Future Terrain last month, it is the time of the album in which I have worked over the last year and the first months of 2015. I continued my work in the pursuit of purely atmospheric expression, in an attempt to convey this vital experience that pushes us forward in one direction within the labyrinth of life, the way that I call The Flowing Path. Splendid Labyrinths is a deep reflection on our journey through life, change, growth, discovery, movement and transformation at every step along the way. 
Original cover image rendering, design and layout by Michael Rodríguez Pletz www.domestika.org/es/michaelrpletz. 

Released as CD (factory pressed), as digital download through the usual stores (Bandcamp, Amazon, iTunes, etc), and through streaming services (Spotify, Rdio, etc). 
All the best, 
Max Corbacho

Review by Morpheus Music: 
STYLE 
Vast beatless zones and undulating velvet expanses: Splendid Labyrinths is an album of ambient immensity and immeasurable time. Max Corbacho's latest release features heaving multi-layered drones that seem to drift in and out of focus and intensity like slow-motion sunlight filtering through gracefully moving storm clouds. These opulent sonic textures are of impressive fathomless density, they seem to stretch away into infinity and endless darkness whilst at the same time presenting more imminent audio formations that waft and furl like intangible filaments of smoke or warm currents in water. The ordering of the tracks is interesting: two long-form recordings on either side of the relatively brief Earth Womb and Wave of Reflection, this seems to reflect the cover image where a tight core is surrounded by larger structures. Much of the tonal nature of the music is uplifting, warm chords and heavenly synth voices suggestive of light and gentle ascendance holding the most proximate regions. 


ARTWORK	The front cover of Splendid Labyrinths features a vivid yellow-orange, mandala-like multi-disc bloom comprised of overlapping labyrinth discs. This is very much an image of many depths: the complexity of the layers revealing forms and patterns that arise and fall away according to one's focus. On one level, a simple flower design of twelve regular petals; on another level a three-dimensional bubble of infinite depths encircling a bewildering black hole. 

OVERALL 
Inspired by the landscape and sky of his origins in southwest of Spain, ambient master Max Corbacho composes music that references "the essence of the great and ineffable mystery of our existence." Splendid Labyrinths perhaps manages this with greater effect than ever. Released on the heels of Future Terrain, a track that "emerged in parallel ...during the long building sessions for Splendid Labyrinths", this latest album holds six recordings, four of which all hover somewhere around the fifteen-minute mark. Two shorter pieces lie in the central hub closer to six and eight minutes each Promotional material talks of "an atemporal quality" explored in recent releases following "maybe only the breathing and the pulse of the artist," very apt here. Visit the Max Corbacho website or Max Corbacho Bandcamp page for more information and opportunities to listen to the tracks of Splendid Labyrinths as well as previous releases. 
www.electronicmusicmall.com


The Flowing Path

Future Terrain combines ultra low, extended bass tones and organ-like massive sound waves flowing in a continuous, dark, pitch black loop. Created during the last weeks in March 2015, Future Terrain is presented as a 58 minutes long form track, released as a digital album and now available exclusively on Bandcamp for a limited time through the “Name your price” option. Download here:
http://maxcorbacho.bandcamp.com/album/future-terrain

Original cover image rendering is by artist Lee Griggs www.leegriggs.com. 
Final image treatment, cover design and layout by Michael Rodríguez Pletz www.domestika.org/es/michaelrpletz 

In Max's words: “During the long building sessions for Splendid Labyrinths, several tracks have emerged in parallel, and I've been slowly giving them form. One is Future Terrain, which I imagine as a remote sci-fi futuristic landscape. This music accompanied me for several weeks as a dark background filling the space in slow motion. Graphic designer Michael Rodriguez Pletz was created at the same time, from the original image rendering of the artist Lee Griggs, the ground which for weeks was in my imagination. 
Note: This piece is created for to listen to at low, subliminal level. But I suggest also hear it at a high level, feel it in your bones!

Future Terrain

Fill Your Brains - EP Out Now
http://smarturl.it/fillyourbrains

<3 the track on HypeM 
goo.gl/qZDRB6

Fill Your Brains Video
https://youtu.be/eGlChz5hIBg

FADER premiere
http://www.thefader.com/2015/06/15/harrison-brome-fill-your-brains-video

FILL YOUR BRAINS (Lyrics) 
Out in the stars again
Lost in your mind 
You got the bends 
Your time was spent 
Wasting away 
Tasting the days 
Of cold comet chemicals 
You embraced 

Oooh 

Out in the stars again 
Your heart burns to black 
You're going to fall in a broken parallel 
You fill your brains 
To kill your pain 
Popping pills in a dusty mind state 
Out in the stars again
Lost in your mind 
You got the bends 
Your time was spent 
Wasting away 
Tasting the days 
Of cold comet chemicals 
You embraced 

http://harrisonbrome.com
https://facebook.com/hvrrisonbrome
https://twitter.com/HarrisonBrome
https://instagram.com/harrisonbrome

Fill Your Brains

Available for streaming at Spotify

https://open.spotify.com/track/0wbmle696EqambmX4ZTVfW?si=SX7THk0ORWe-3ZoBitkkIw

Available for purchase at iTunes, Amazon, Bandcamp, CDBaby, etc.

Phillip Wilkerson - Radiance

The third collaboration with german electronic musician Wolfgang Gsell (https://www.facebook.com/pages/Wolfgang-Gsell-Musik/566806376700401?fref=ts).

Enjoy the music!

Wolfgang Gsell And Stand Dart - Sky And Light

Samurai Champloo Bump- Mugens Path

Wallflower - Dreamy Days

"Moiety" is a new Helios album free for download at http://www.unseen-music.com/free .

Helios - Nothing It Can

This track is from the album Silver and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/tbrennan

Silver Part 3

Afterglow

My first experience with a midi-keyboard turned into this little cover of Yasunori Mitsuda's amazing composition, June Mermaid from Xenogears OST.

June Mermaid

www.maxcorbacho.com
Max Corbacho returns with a new work, this time as a double album, which again immerse ourselves into touching atmospheric ambient realms of pure beauty. The Ocean Inside is a paradise of lush, cascading long chords, as oceanic waves, back and forth, in an eternal flow of shifting tones and spiraling harmonies. This is music aimed at energy, emotional and mind levels, for listeners who love deep, meditative ambient music. The album is presented in a two disc, deluxe 6 panel Digipack.

This long awaited new album presents an immersive flow of emotional soundworlds and harmonic structures that bring us to the depths of the inner ocean.

With this awesome album Corbacho portrays a very personal and introspective journey divided in two parts: one in his now classical melodic and cosmic style full of beauty and dreams and the other one introducing a deeper and a bit darker scenario surrounded by massive amounts of pads and drones that takes us to the dephts of serenity, like laying in the ground of an infinite ocean. In the end, this album is just an acurated soundtrack of every human soul.

 In Max words:

More than two years ago I started this project from a Eastern concept that has always been present in my work: the analogy that exists between the mind as an ocean, with constantly changing waves at the surface, and the inner stillness and silence at the depths. It is from this seed that brings me to the concept of "Oceanic", the word from which I have been developed each of the parts that make up the album. During the creation of these pieces, I tried to go as deep as I could into this bottomless ocean depths. The Ocean Inside is the record of that dive into the depths, the witness that what matters is not how deep you can go, but the experience of that moment.
http://www.maxcorbacho.com/

The Ocean Inside Disc1 (medley excerpt) - Max Corbacho

Max Corbacho is an independent artist born in the southwest of Spain, in the province of Badajoz. This enormous land sprinkled of oaks where he was born and he spent the first years of his life, is perhaps the deeper track than marks his music. Starred nights of summer, the caress of the nocturnal breeze, the sedative song of the crickets, immense horizons,  deeply blue skies and silence.

The extremely dense and hypnotic sonic landscapes of Max Corbacho are a constant reference to these elements, elements which condense and act as catalysts, pointing to the essence of the great and ineffable mystery of our existence. Corbacho's s musical expression has the ability to enter us in this wonderful mystery.

His musical trajectory began, after making guitar studies, in local rock bands and, after some years like a guitar player, slowly become interested in electronic music. First with legendary bands like Tangerine Dream or musicians such as Richard Burmer and Vangelis. Later, his influences include artists such as Brian Eno, Robert Rich, Steve Roach, Vidna Obmana, Alio Die, Michael Stearns.

In 1999, his first work, Vestiges was produced. Soon the prestigious online store Backroads Music chose this album as one of the best of 2000, and Vestiges became one of the more highly praised Space-ambient CDs around that time. Vestiges was considered a sincere, touching, powerful work, full of mystery.

In the year 2000 Max published his second CD, Far Beyond The Immobile Point, followed by The Resonant Memory of Earth, published by the North American label "Space For Music". Further releases include Nocturnal Emanations, Indalo and Moontribe - each one larger and more accomplished than the last.

The album The Talisman is yet another step forward. Here the artist explains "I have tried to create all the songs of this work "inside" my synthesizers exclusively, inside this deeply isolated world, an amniotic-like inner space that develops in the synth and multi-effects circuits, without insert any "external" element except for the voices in the first song. Also, I have experimented more and more with long, spacious reverbs and looping treatments ". Thus, the "oceanic" nature is strengthened, creating an atemporal quality, suspended in time and space, without rare elements disrupting the internal balance and natural flow of harmonic streams. No tempo, no synchronization, maybe only the breathing and the pulse of the artist."

Max Corbacho's last albums follow the progression into deep, silken ambiance set by The Resonant Memory of Earth and The Talisman. Albums like 2009's Ars Lucis and, over the next three years, Deep Time, Lost Links, and the double album The Ocean Inside, continued a commitment to ethereal atmospheres even less concerned with traditional forms and melody. The year 2015 brought both Future Terrain and Splendid Labyrinths. With a playing time of over 70 minutes, an expanded version of Future Terrain was released in early 2017 and followed later in the year by Nocturnes, Arte Magnetica and the last Source Of Present.


Discography:
 
SOURCE OF PRESENT (2017)
ARTE MAGNETICA (2017)
NOCTURNES (2017)
SPLENDID LABYRINTHS (2015)
FUTURE TERRAIN (2015)
THE OCEAN INSIDE (2012)
BIOMA (2012)
LOST LINKS (2011)
DEEP TIME  (2010)
ARS LUCIS  (2009)
BREATHSTREAM  (2008)
THE TALISMAN  (2006)
MOONTRIBE  (2004)
INDALO  (2003)
NOCTURNAL EMANATIONS  (2003)
THE RESONANT MEMORY OF EARTH   (2002)
FAR BEYOND THE IMMOBILE POINT  (2000)
VESTIGES  (1998)