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i enjoyed it! interesting orchestration too

Port Mone do not trying to be avantgarde. They are. They reached excellent instrumental compositions that connects the whole palette of modern classical music from rock, ambient, psychedelic and extraavantgarde experimental music to pop-music. With only three instruments this band could unite the essence of all modern musical culture legacy into brand-new stylistic form. They brings something new big and geniusly performed to the basement of known cultural legacy. And it can't be boring.

Horvi Tehac (terapija.net)

Port Mone - Sand spit

Silence

Awakening After Insomnia (demo)

... soft glass ...
wild parade of buffoons, who goes into the distance through the soft glass of a broken bottle on the bottom of the city sewer.
The work is based on the music of the Dance of the buffoons from the Snow Maiden op.12 Peter Tchaikovsky. In this piece, I tried to separate different components of the musical structure: harmony, rhythm, tempo, etc. Thus, all these parameters start to exist separately. Familiar harmonies and melodies, distorted and permutated, transform the everyday story into a surrealistic action. The shadows of buffoons are reflected in a dirty glass shard. They whirl in a crazy dance that constantly changes the tempo. The shadows become gigantic, then disappear.

Maxim Kolomiiets: ... soft glass...

Metamorphose - Violine Solo (2017/18)

Anit's waltz (demo)

Un y Una - I

This сomposition was made in child music studio of Lesnye Polyany child camp during 3-5 days and played at camp child concert 14.8.2017.
Etenraku is a traditional Japanese melody supposedly appeared in VIII century. We imitated Japanese traditional Gagaku style with contemporary European instruments. We also included folk Japanese song named 'Among Flowers' (in Russian translation) in our play. Most children are 11—13 years old, some of them never played instruments before.
Vika Gracheova (vocal)
Anya Klepikova (flute)
Kolya Radchenko, Sasha Grishin (accordions playing shen-style music)	
Anya Smirnova (bass guitar)
Xenia Benivskaya (acoustic guitar)
Vanya Goleshov (Russian reed rozhok)
Stephan Goleshov (drum & percussion) 
Nikolay Khrust, leader of the studio (electric guitar, all sound processing, recording)
* * *
Сoncert sound engineer — Ruslan Kharchenko
Artistic director of the 'Globus' camp creative program and compere of the concert — Konstantin Mulin
Camp director — Vera Khrust

Etenraku and Among Flowers. Japanese Traditional

Apartness (2020)

[Start]-{Level One}-|City No Air!|

Maxim Kolomiiets
Composer, oboist, music curator.
Maxim was born in 1981 in Kyiv.
He graduated from the National Music Academy of Ukraine as an oboist (2005) and as a composer (2009) and from the Hochschule für Musik und Tanz Köln as a composer (class of Johannes Schöllhorn, 2016). He took part in International Young Composers Academy in Tchaikovsky city (2013), and reading sessions by Ensemble MusikFabrik.
He is the winner of the national competitions Gradus ad Parnassum (Kyiv, 2000), Step to the Left (Saint Petersburg, 2012) and III Prize on Vareler Komponistenpreis (Oldenburg, 2015).
He took part as the performer in many Ukrainian and foreign festivals and master courses: historically informed performance with Freiburg Baroque Orchestra (2007) and contemporary music with Ensemble Recherché (2007, 2008), Internationale Ferienkurse für Neue Musik Darmstadt (2010), impuls academy (Graz, 2011), Per suonare l'oboe (Freiburg, 2011).
As a solo-oboist played with orchestras Kyiv soloists, Musica Camerata, Russische Kammerphilharmonie St. Petersburg. Together with the Ukho Ensemble he realized the Ukrainian premiere of the concert for oboe No.2 by Luca Francesconi, as also ensemble pieces by P.Boulez, S.Gervasoni, B.Ferneyhough, L.Berio, G. Kurtag and many others.
Maxim took part in master classes in Montepulciano (Italy, 2015) under direction of Johannes Schöllhorn, Florence Millet and Werner Dickel as an oboist, a composer and a conductor.
He was a participant of the Kyiv conductor master classes under the guidance of Luigi Gaggiero (2016).
His music has been performed at the international festivals : MATA-Festival (New York), Summer New Music Courses in Darmstadt (Darmstadt), New Talents (Cologne),  Donaueschinger Musiktage, Warsaw Autumn (Warsaw), World Music Days  (Leuven), Other space (Moscow), Gogolfest (Kyiv), Contrasts (Lviv), Randfestspiele (Zepernick) etc.
Among the performers of his music are Ensemble MusikFabrik (Cologne), Ascolta (Stuttgart), Lions Gate Trio (U.S. und Europe), Neo Quartet (Gdansk), Ukho Ensemble (Kyiv) , the National Symphony Orchestra of Ukraine (Kyiv), Kyiv Chamber Orchestra (Kyiv), Syrinx Flute Quartet (Moscow), Ensemble Nostri Temporis (Kyiv), GAM-Ensemble (Moscow), Moscow Contemporary Music Ensemble (Moscow), Vladislav Pesin (Moscow), Ian Pace (London), Helen Beldsoe (Cologne), Hayk Melikyan (Yerevan).
Since 2015 he is the solo-oboist of the Ukho Ensemble for contemporary music (Kyiv).
Co-founder of Ensemble Nostri Temporis and founder of the ensemble of ancient music Luna Ensemble. Gogolfest music curator (since 2017).

Maxim Kolomiiets: ... soft glass...

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