>english see below!

• Hier findet Ihr weitere aussergewöhnliche und für den fortgeschrittenen Hörer durchaus interessante Klänge / Musik / Atmosphären von anderen Künstlern...

english:
• Here you can find some sophisticated sounds / atmospheres / music of other artists, who I can recommend to you as advanced listener...


ohter artists-playlist: "Sophisticated Atmospheres"

A new version of this track, the original one is on Arja's page. 
For the third time the magical sounds of Arja's kantele is mixed with the Loalue's breathing synths....it's a real experience, for me, to work with Arja, I feel very honoured.
Please check her page

https://soundcloud.com/arja-kastinen

Arja Kastinen and Loalue - The Timber Issue

01 the unknown zone

Die U-Bahn-Station am Times Square in New York gehört zu den meist frequentierten Stationen der Stadt. Der Berliner Musiker Andreas LUPO Lubich hat diesen Ort mit einem erstklassigen Mikrofon erkundet.

Die Wahrnehmung der eigenen Umgebung verändert sich deutlich, wenn man mit verbundenen Augen durch die Gegend geführt wird. Man nimmt dann auch die Geräusche wahr, die eigentlich nicht so wichtig sind und daher normalerweise vom Gehirn weggefiltert werden.

Aufnahme von 1999
Eine ähnliche Erfahrung lässt sich machen, wenn man eine Stadt mit Mikrofon und Kopfhörer erkundet – am besten eine, die man nicht kennt. Man beginnt genauer zu hören und die eigene Position im Raum mit den Geräuschen der Umgebung abzugleichen.

Als der Berliner Musiker und Mastering-Engineer Andreas LUPO Lubich im Mai 1999 nach New York reiste, hatte er sich ein schön klingendes Mikrofon ausgeliehen. Er bewegte sich damit durch die Stadt und landete auch in der U-Bahn Station am Times Square, wo ein Großteil der Welt jeden Tag aufs Neue zusammenkommt.

Mitten drin ein Saxofon
Dort rattern die Züge laut und roh in den Bahnhof, jemand spielt selbstvergessen mit seinem Basketball und wahrscheinlich sitzt irgendwo noch einer, der sich gerade die Fingernägel schneidet. Sogar ein Saxofonspieler, der Stücke spielt, die man schon viel zu oft gehört hat, ist in so einem Setting zu ertragen. Und obwohl der Musikant mit seinem Instrument fast die ganze Zeit zu hören ist, dominiert er die Aufnahme nicht, sondern bleibt nur ein Teil des gesamten Bildes.

Künstler: Andreas LUPO Lubich
Titel:‎ Times Square Subway Station
Länge: 02.50 Minuten
Jahr: 1999

DRADIO SOUNDPOSTKARTE - So klingt der U-Bahnhof Times Square - Von Paul Paulun

raspberry pi running puredata and control interface done with some knobs and buttons.  No screen used or needed for performance.   Download it if you liked because the track might be removed at some point.

Let It Bleep

The idea behind this piece was to use only sounds produced by the Spree System modular synthesizer and arrange them in a D.A.W. (Ableton Live 8) in order to create an organic and emotional ambient/drone composition, which somehow aims to condense the birth, life and death of a human being in its 5-minute duration.
All sounds are recorded from the Spree System modular synthesizer going through an Eventide ultra harmonizer in two sessions taking place in December 2014, except for one sustained chord clearly heard around 3:30 until the end of the piece, which was recorded from a Yamaha DX7 synthesizer.

Spree System memories

HEADPHONE COMMUTE PRESENTS UNDISCLOSED 
// a series of anonymous releases curated by HC 

Composed by a hand-picked roster of contemporary artists, the project allows each musician to explore a particular sonic territory, while remaining detached from all of the previous associations with their notable name. The series also invites the listener to strip away all of the predisposed concepts and instead focus on the only thing that really matters -- MUSIC.
credits

UNDISCLOSED - 24393E - II

Künstlerin: Ekin Fil

Format 7“ Vinyl

Veröffentlichung: 03.2015

Ein Meer an Möglichkeiten außerhalb des Vorstellbaren ist nur für diejenigen sichtbar, die an ein Jenseits des Festgeschriebenen glauben. Ekin Fils Stücke sind sehr reduziert und fein. Sie öffnen durch ihre Repetition einen Spalt zu einer Ebene in der das Unfassbare spürbar wird.

B Here Before

ambient one

Refraction and Reflection has taken field recordings and synthesizer sounds and processed them in various ways to alter and reconstruct the original. Some of the sounds present are complexly processed recordings, retaining none of their original qualities, others are delicate noise, and then there are those which recreate the sounds of nature, such as that of treading on snow or tree branches, or the call of a bird. There are truly a great variety of sounds utilized. In this album, I tried to bring into harmony both the tactile and the deeply spiritual aspects of sound.

Tatsuro Kojima - Surface Of The Light

A short track to remember Nagasaki, often forgotten....

Shanyio - kantele and glockenspiel 
https://soundcloud.com/shanyio

Loalue - molecules and free electrons

Lullaby for Nagasaki, a collaboration with Shanyio

When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the
space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. "We didn't know what would
happen 10 months later," he says. "We signed a lease for a year. Which eventually got renewed for another three months, and another
three months…”

As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is
worth dwelling on how the cultural conditions that birthed Detroit techno – economic neglect and broken industry – were mirrored by
the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression.

Today, though the boom and bust of globalised capitalism has filled the void that followed the Berlin Wall, and techno has become a
worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should
take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that
uplifted the spirits of inner city communities for a quarter-century.

This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri’s youth. From the signature
magnetic soundscapes of Vainqueur to the dark textures of upcoming Being producer Shao; from Jon Hassell’s slow epicurean volutes,
to the ritual auras of Marcelus and Claudia Anderson’s contributions; from the dub-infused pioneering programming of Juan Atkins and
Moritz von Oswald, to Mønic’s enthralling cadences, it represents some of the old and new names that continually epitomise Tresor's
perennial spirit of ingenuity. “We were space pioneers," says Dimitri.

The East Berlin of 1991 may have disappeared to gentrification, with Tresor's lonely vanguard joined by an army of venues catering to an
international array of clubbers benefiting from low cost travel, many of whom settle in the city for good. Berlin is Europe's economic
engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German.
That range of influences is felt in all areas of life, not least in the city's music.

"Without Tresor, Berlin would not be what it is today," concludes Dimitri. "Even though it sounds a bit pretentious, it is true. Tresor was
the prototype for an extraordinary club. It was only possible as a combination of the right time, the right place, the right content and
determined people."

Excerpt of liner notes, by Rob Sharp - November 2016.

Dreamy Harbor

Jon Hassell - Timeless

Vainqueur – Solanus - Extracted 2

Bootleg track :   Jon Hassell "Amsterdam blue"    Ursula Rucker' ghost track  "Secrets"

ANALOGIC MASHUP, NO SOFTWARE USED

Jon Hassell & Ursula Rucker - Amsterdam blue secrets

IN C #4 for Terry Riley

Felisha Ledesma Live with 16mm projections by Mia Ferm 
Sarah Davachi Live at S1
Christina Kubisch 

@sarahdavachi @christina-kubisch @s1portland @n10-as

cyanescens 333

Sabela

from the 1st album "small sounds" in 1999.
composed by miki yui.

BeauWien

sonic explorations with just a single sample recorded from a metallic table with binaural mics  somewhere in BErlin.

Glss

ZERO IS MORE THAN NOTHING - VARIOUS ARTISTS
@ecstaticrecordings @angeloharmsworth

https://ecstaticrecordings.bandcamp.com/album/zero-is-more-than-nothing

Felisha Ledesma & Angelo Harmsworth - PDA (ECSTATIC 057)

Night in Berlin

• Sound-/ Media-/ Smell-Art
• Installations / Space-Design / Performances / 
• Film-Music / Ambient Music / Electronic Music
• Art in Public-Space.
• Concepts for Art + Cities + Technology 
• Development of locations / Design for Atmospheres and environments

--> as well as <--
• Scent Community Berlin (all about smell)
• Green Smoothies (great energy food)
• Vegan Food 
• Herbs (healing)
• Massage (virtuous hands)

ohter artists-playlist: "Sophisticated Atmospheres"

Max Joy