nice track silence ambient sounds with darkbbeat :-)

>english see below!

• Hier findet Ihr weitere aussergewöhnliche und für den fortgeschrittenen Hörer durchaus interessante Klänge / Musik / Atmosphären von anderen Künstlern...

english:
• Here you can find some sophisticated sounds / atmospheres / music of other artists, who I can recommend to you as advanced listener...


ohter artists-playlist: "Sophisticated Atmospheres"

01 the unknown zone

Die U-Bahn-Station am Times Square in New York gehört zu den meist frequentierten Stationen der Stadt. Der Berliner Musiker Andreas LUPO Lubich hat diesen Ort mit einem erstklassigen Mikrofon erkundet.

Die Wahrnehmung der eigenen Umgebung verändert sich deutlich, wenn man mit verbundenen Augen durch die Gegend geführt wird. Man nimmt dann auch die Geräusche wahr, die eigentlich nicht so wichtig sind und daher normalerweise vom Gehirn weggefiltert werden.

Aufnahme von 1999
Eine ähnliche Erfahrung lässt sich machen, wenn man eine Stadt mit Mikrofon und Kopfhörer erkundet – am besten eine, die man nicht kennt. Man beginnt genauer zu hören und die eigene Position im Raum mit den Geräuschen der Umgebung abzugleichen.

Als der Berliner Musiker und Mastering-Engineer Andreas LUPO Lubich im Mai 1999 nach New York reiste, hatte er sich ein schön klingendes Mikrofon ausgeliehen. Er bewegte sich damit durch die Stadt und landete auch in der U-Bahn Station am Times Square, wo ein Großteil der Welt jeden Tag aufs Neue zusammenkommt.

Mitten drin ein Saxofon
Dort rattern die Züge laut und roh in den Bahnhof, jemand spielt selbstvergessen mit seinem Basketball und wahrscheinlich sitzt irgendwo noch einer, der sich gerade die Fingernägel schneidet. Sogar ein Saxofonspieler, der Stücke spielt, die man schon viel zu oft gehört hat, ist in so einem Setting zu ertragen. Und obwohl der Musikant mit seinem Instrument fast die ganze Zeit zu hören ist, dominiert er die Aufnahme nicht, sondern bleibt nur ein Teil des gesamten Bildes.

Künstler: Andreas LUPO Lubich
Titel:‎ Times Square Subway Station
Länge: 02.50 Minuten
Jahr: 1999

DRADIO SOUNDPOSTKARTE - So klingt der U-Bahnhof Times Square - Von Paul Paulun

raspberry pi running puredata and control interface done with some knobs and buttons.  No screen used or needed for performance.   Download it if you liked because the track might be removed at some point.

Let It Bleep

Here you can listen to the full recording of our first @Tresorberlin New Faces hosted by @grabthegroove. As a host I had the honor to close the basement, insane vibes all night long from start to finish.

Big Thanks to the Tracks and Remixes by Jonas Kopp, Surgeon, Ellen Allien, Cleric, Juri Heidemann, Uun, Augusto Taito, Earwax, Remco Beekwilder, Error Etica, Jon Hester, Talismann, NX1, Franco Rossi, ANFS, Peryl, Conceptual, Translate, Setaoc Mass, Flits & Isaiah, Linkan Ray, Ebass, Casual Treatment, Neen, Mersel, Kuss, Zadig, Kaiser, Takaaki Itoh, Decka, ø Phase, A.Morgan, Staffan Linzatti, Adriana Lopez, Svreca, Cirkle, Heliosphere, Shifted, Möd3rn, plug-in, Kaiser, Hemka, Dj Dextro, Metapattern, Pyramidal Decode, Audio Units, Lego, Quelza, Tapefeed, Case, Minniemen, Toru Katsuta, Mamwadi, Dotdat, Egotot, Mion, Elisa Batti, Polygonia, Connor Wall, Mist Gap, Outer Informer, Clotur, Ribe, Shaol, Fank, Disguised,ANFS, Mathys Lenne, Metapattern...

Enjoy listening!

Tresor New Faces | Closing | 16.07.2025

R.M.K is the new project from London-based artist Roberto, known for his work as head of Fossil Archive. This alias sees him explore a faster, more intense take on his signature techno sound—drawing on two decades of experience and past appearances at clubs like Berghain, Tresor, and fabric.

Over the years, he’s collaborated with artists including Trevino (Marcus Intalex), Jamie Anderson, Robert Owens, Goldie, and Nastia. While rooted in the energy of peak-time rave, R.M.K’s sound keeps groove and funk at its core, brought to life in a hardware-driven live show inspired by the golden era of UK rave.

This set was recorded live at The Glove That Fits in London, where he holds a monthly Fossil Archive Presents residency. It features tracks from a forthcoming album produced with Jamie Anderson, marking ten years of the label.

@fossil_archive_rmk

TRACK LIST
------------
01 R.M.K & Jamie Anderson - Unreleased   
02 Linkan Ray - Lust 
03 R.M.K - Unreleased   
04 Hemka - Eternity   
05 Fhase 87 - Demon
06 Yuuta Makomo - Kiske 
07 R.M.K - Personal Waveforms (Burden Remix)
08 R.M.K & Jamie Anderson, Feat. Robert Owens - Unreleased     
09 Müzmin- Crocket
10 Hemka - Time
11 Vinicius Honorio & R.M.K - Unreleased   
12 P.E.A.R.L. - Theme From Purple 
13 Noah Tauber - Lutyens Crypt
14 R.M.K - Unreleased       
15 Axel Karakasis - Stave Off 
16 Pine Float - Modem
17 Yrsen - Paradox      
18 Mark Broom - Post 
19 The Advent - Passive Aggressive
20 Confidential Recipe & Harvey McKay - Bad Man        
21 R.M.K & Jamie Anderson - Unreleased       
22 R.M.K - Imperium       
23 R.M.K & Jamie Anderson - Unreleased
24 Vinicius Honorio & R.M.K - Unreleased
25 Unreleased HEARTBEAT_909       
26 R.M.K - Unreleased           
27 Jamie Anderson - Feat. Robert Owens - Unreleased (R.M.K Rework)        
28 Greg Gow - The Evolution Of House        
29 Jamie Anderson - Black Sun

BCCO Mix Series 653: R.M.K

ES: Procedente de Dallas, Texas, Declan James es un productor y DJ cuya música se mueve entre la repetición hipnótica y la crudeza industrial, creando paisajes sonoros que se sienten tanto atemporales como visionarios. Como fundador del sello VOIDWARE, explora un terreno sonoro que Resident Advisor describió como “futurista y fascinante”.

Las producciones de Declan han ganado el respeto y apoyo de figuras destacadas como DVS1, Kr!z y Denise Rabe, abriéndose camino en las escenas underground con una voz distintiva e inquebrantable. En 2023, se unió a Richie Hawtin como artista principal de la gira From Our Minds ‘To Be Announced’, consolidando aún más su lugar en la vanguardia de la nueva era del techno. Su colaboración continua con el sello escocés Edit Select ha ampliado su alcance, incluyendo un codiciado mix para la reconocida serie de radio de Slam.


ENG: Hailing from Dallas, Texas, Declan James is a producer and DJ whose work rides the edge between hypnotic repetition and industrial grit, crafting soundscapes that feel both timeless and forward-thinking. As the founder of the imprint VOIDWARE, he navigates a sonic terrain Resident Advisor described as “futuristic and transfixing.”

Declan’s productions have earned the respect and support of heavy hitters like DVS1, Kr!z, and Denise Rabe, carving a path through underground scenes with a distinctive, unyielding voice. In 2023, he joined Richie Hawtin on the road as a core artist for the From Our Minds ‘To Be Announced’ tour, further solidifying his place in the vanguard of techno’s new era. His ongoing collaboration with Glasgow’s Edit Select label has expanded his reach, including a coveted mix for Slam’s acclaimed radio series.

CROW INVITES #0007 DECLAN JAMES

Künstlerin: Ekin Fil

Format 7“ Vinyl

Veröffentlichung: 03.2015

Ein Meer an Möglichkeiten außerhalb des Vorstellbaren ist nur für diejenigen sichtbar, die an ein Jenseits des Festgeschriebenen glauben. Ekin Fils Stücke sind sehr reduziert und fein. Sie öffnen durch ihre Repetition einen Spalt zu einer Ebene in der das Unfassbare spürbar wird.

B Here Before

Jamie Anderson was born in London and raised in a musical environment, eventually relocating to Bristol in the mid 80’s, where he continued training in improvisation with jazz pianist Dave Buxton for several years. Whilst performing in local bands and working in a Bristol record shop during the early 1990s, he developed a deep love for electronic music and turntablism, fusing elements of acid house, funk, Latin, and Detroit techno into his craft.

In 1997, Anderson founded the label Artform, making his solo debut with the Prototype EP. In 2001, he released his first full-length album Blue Music on NRK, followed by the mix CD Nite:Life 013 and key tracks such as “Black Sun,” “Player Hater,” and “Rebel Sound.” His productions and remixes also appeared on respected labels including Rotation, Cocoon, Fossil Archive, 100% Pure, and Flash Recordings.

Throughout the 2000s and 2010s, Jamie Anderson became a fixture on the global DJ circuit, performing at major international events and building a devoted following for his energetic DJ sets and live performances. He collaborated with fellow artists such as Jerome, Dave Angel, Jesse Rose, K. Alexi, Lee Pattison, and Owain K—releasing standout singles like “Body Jackin’” and “Cyclone,” and refining his signature groove-driven sound.

With his Artform Studio based in Berlin since 2014, Anderson continues to evolve his craft—collaborating with artists including Robert Owens, R.M.K., Daniel Haaksman, and Kapote on numerous high-quality studio productions. He remains active as a DJ, performing across Europe and around the globe.

Tracklist via
-Spotify: bit.ly/SRonSpotify
-Reddit: www.reddit.com/r/Slam_Radio/
-Facebook: bit.ly/SlamRadioGroup
Archive on Mixcloud: www.mixcloud.com/slam/
 
Subscribe to our podcast on
-iTunes: apple.co/2RQ1xdh
-Amazon Music: amzn.to/2RPYnX3
-Google Podcasts: bit.ly/SRGooglePodcasts
-Deezer: bit.ly/SlamRadioDeezer
 
Keep up with SLAM: https://fanlink.tv/Slam 
Keep up with Soma Records: https://linktr.ee/somarecords 
 
For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk
Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 658 - Jamie Anderson

Thom Brennan - Submergence
trailcam - Customs
MAMMO - Migration
Sub Basics & TOURA - Resonance
Jacy - Move On
Jonathan Kaspar - Yah
Schwanbeck - Radio
Biosphere - Like The End Of The World
51 Days - Paper Moon
Sa Pa - Ride High
Huxley - ANY1
Dubonautik - Heightened State
Route 8 - Fermentation Bread Music (Gearmaster Remix)
SCB - Futureunknown
Blackploid - Species
Recoil [ZA] & Secret Cinema - Jazz Da Bazz
Sterac - The Teacher
Mor Elian - Jelly Tip
Robert Armani - Up (Hardspace Mix)
Spriitzz, Spray - Sunscreen
Beatrice M. - Poison
ANFS - Sintagi
Pugilist - Monument
Scheermann - Kano
Skjöld - Forbidden City
Fireground - Harbour Walk
Oxygeno - Dirty Mind
Sleep D - Reward Chemicals
Wz - Encoded
Ethan Reeves (ZA) - Inseparable (Mislaw Remix)
NWHR - Encarnacion Interna (Original Mix)
P.H.A.Z.E.R. - Analog Pulse
Vince Watson - Ion
P.E.A.R.L. - Reclusive Hermit
Ayu - Space to Come (Alfred Czital dream Mix)
Beatrice M./Jan Loup - Light
Dean Grenier 	- Belong To You
Endplate - Dead Sheep
Gannein - Inner Rhythm (Franco Rossi Remix)
Seven Davis Jr - No Such Thing As A VIP
Uväll - Careless
Vinicius Honorio - Stark Reality
Blind Observatory - Meridian
Human Safari - Fragments
Sinistermind, Lady Tazz - Medizin (Perc Remix)
Spaciesauce 	- Marshrutka
Casual Treatment - Quarter To Twelve
Delano Legito - Nice And Easy
HUJUS - Division
Hyden - So You Wanna Be Hardcore
Obscure Shape - My Muse Is On Vacation
KiNK & Raredub - Time To Change (Special Request VIP)
Tsukuyomi - Modern Vintage
Yazzus - My Lipgloss My Rules
Concussion - Lampak
KOLO55 - Ocean Drive
Procombo - Upscale
Feral - Blind Witness
Robert Rich & Steve Roach - Touch

All good things must come to a trend

Bassiani Podcast 272 brings together two techno heavy-hitters for a three-hour bout of heady, rolling grooves. In one corner comes Georgian mainstay and grassroots agitator NDRX, a formative member of Tbilisi's techno contingent. His early efforts in expanding the city's nightlife offerings helped drive radical change, and shaped the decades since. His mission further translated into the founding of Stare at DJ (2012), and 11th Floor (2015). Both are vehicles for the gathering and promotion of local talent without which, Georgia today would look much different. In the other corner comes Dustin Zahn, a midwestern champion for tribal rhythms and pulsating hypnotism. Heavily armed with a flurry of references including the brain-melting IDM of the late 90s and iconoclastic beats, Dustin founded Enemy Records in 2004. In recent years, he has made appearances on labels like Blueprint, Token, and Rekids. He also hosts the Trainwrecks Podcast, an outlet for intimate face-to-face chats with industry peers. This storied duo are a menacing match, a b2b pairing that manifests the adrenaline-fueled techno native to both their sounds and whips up a sum greater than both its parts. This latest number is a bout of fevered techno havoc devised by two sonic confrères, an auditory onslaught of hammering loops recorded live at Bassiani's season closing night.

@nod-rex
@dustin-zahn

Bassiani invites Ndrx b2b Dustin Zahn / Podcast #272

At the peak of our longest event to date on Saturday, January 18th 2025, a NYC-based selector stepped into the booth at Masada to tell a story: a journey of tension and release, brimming with emotion and passion, a romance that lingered in our memories long after. We are beyond thrilled to mark the 100th instalment of CLOSERcast with none other than Holden Federico’s live recording of his 3-hour Masada set, to immerse ourselves into that beautiful, graceful and moving experience once more.

Philly-born, New York-based producer and DJ Holden Federico is dedicated to reimagining techno by pushing its core elements to bold new extremes. His productions carry a driving low-end energy, rich thematic layers, and dub-infused detailing, all underpinned by grit and soul. As a DJ, he weaves together diverse textures, thoughtful pacing, and a deep respect for techno’s roots, shaping a modern dancefloor experience that balances the physical with the emotional.

https://soundcloud.com/holden-federico
https://ra.co/dj/holdenfederico
https://www.instagram.com/90stechno.redux/

CLOSERcast #100 - HOLDEN FEDERICO

SAP | 19 julio Under Club

MAURER is the 452nd guest of our original Hate Podcast series.

This mix captures the essence of MAURER’s sound — a vision of techno built on percussive drive and fluid motion, shifting between hypnotic cuts and melodic contrasts. Layered with textures, twisted synths and pulsating sequences, the set unfolds as an energetic journey crafted for the dancefloor yet rich in detail for deep listeners.

At its core, it’s about balance: the tension of hypnotic repetition against the release of melody, the raw pulse of percussion intertwined with moments of introspection. A narrative where every track contributes to a story of motion, intensity and connection with the underground.

Follow #MAURER here:
https://soundcloud.com/maurersc
https://www.instagram.com/maurer_/
https://www.facebook.com/maurermusic

HATE Podcast

HATE Podcast 452

Follow MAURER

MAURER — HATE Podcast 452

Jon Hussey is hailed as a pioneer of the Irish Techno scene, kick-starting the infamous Planet Dub night in ’94 at Columbia Mills / Waterfront, Dublin. Since then Jon has promoted and resided at many Techno clubs throughout Ireland as well as playing in many Techno havens across Europe including Amsterdam, Bratislava, Berlin, London, Leeds, Exeter, Turin and New York. 

In 1999 Jon was among the first group from Ireland to qualify for the Red Bull Music Academy held in Berlin where he showcased his Irish Techno skills. 

In 2001 he helped electronic music maestro and lecturer Kenneth Harte to setup and establish the first DJ techniques and electronic music production course in the ‘Bray Institute for Further Education’ BIFE which is still to this day the only full time course DJ & Music Technology courses in Ireland. 

A quote from the national Irish radio station 2FM in their Late-Night Sessions Blog stated “Jon Hussey is one of the longest serving true purveyors of Techno in Ireland, running nights in the early days of Dublin's dance scene, when techno to most people meant U96 or 2 Unlimited. Consistently one of the best DJs around, Jon never lets the side down” giving a rare insight into Jon's personality as a DJ! Jon Hussey is now playing Techno for 3 decades and is regarded as one of the longest if not the longest DJ solely playing Techno on the Irish scene. 

Jon Hussey has previously released with fellow Techno DJ Sunil Sharpe as part of a joint project under the moniker 'Tricaustic' with “the Caustophobic Pressure EP” on Komisch records, Jon has also released his productions on RLSD Records, Earwiggle, Ceili tracks, Circuit Structure Records and on the Netherlands based label R3volution Records for the Viktims Vol.1 EP alongside some excellent current producers like Linear System and Mattias Fridell. One of Jons most well received collaboration track Saol Fórsa a title he gave the posthumous work with dear friend Stuey Lyons (RIP) on Deliquent Delivery in ’22 was championed by many industry favourites including Ben Sims, Freddy K and Blasha & Alatt. Jons latest track ‘What if’ has just been released on a new Delinquent Delivery VA and he has also created recent remixes for Dublin band ‘Dumb Posh Hippies’ album track ‘Ego Ripper’ and also for Swiss based producer Maeksll for his ‘Staub 02’ album track have received excellent feedback from the Techno community. 

Further releases are planned for this year on Delinquent Delivery records and new Dublin based record label SCART

Tracklist via
-Spotify: bit.ly/SRonSpotify
-Reddit: www.reddit.com/r/Slam_Radio/
-Facebook: bit.ly/SlamRadioGroup
Archive on Mixcloud: www.mixcloud.com/slam/
 
Subscribe to our podcast on
-iTunes: apple.co/2RQ1xdh
-Amazon Music: amzn.to/2RPYnX3
-Google Podcasts: bit.ly/SRGooglePodcasts
-Deezer: bit.ly/SlamRadioDeezer
 
Keep up with SLAM: https://fanlink.tv/Slam 
Keep up with Soma Records: https://linktr.ee/somarecords 
 
For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk
Slam Radio is produced at www.glowcast.co.uk

#SlamRadio - 660 - Jon Hussey

When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the
space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. "We didn't know what would
happen 10 months later," he says. "We signed a lease for a year. Which eventually got renewed for another three months, and another
three months…”

As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is
worth dwelling on how the cultural conditions that birthed Detroit techno – economic neglect and broken industry – were mirrored by
the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression.

Today, though the boom and bust of globalised capitalism has filled the void that followed the Berlin Wall, and techno has become a
worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should
take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that
uplifted the spirits of inner city communities for a quarter-century.

This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri’s youth. From the signature
magnetic soundscapes of Vainqueur to the dark textures of upcoming Being producer Shao; from Jon Hassell’s slow epicurean volutes,
to the ritual auras of Marcelus and Claudia Anderson’s contributions; from the dub-infused pioneering programming of Juan Atkins and
Moritz von Oswald, to Mønic’s enthralling cadences, it represents some of the old and new names that continually epitomise Tresor's
perennial spirit of ingenuity. “We were space pioneers," says Dimitri.

The East Berlin of 1991 may have disappeared to gentrification, with Tresor's lonely vanguard joined by an army of venues catering to an
international array of clubbers benefiting from low cost travel, many of whom settle in the city for good. Berlin is Europe's economic
engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German.
That range of influences is felt in all areas of life, not least in the city's music.

"Without Tresor, Berlin would not be what it is today," concludes Dimitri. "Even though it sounds a bit pretentious, it is true. Tresor was
the prototype for an extraordinary club. It was only possible as a combination of the right time, the right place, the right content and
determined people."

Excerpt of liner notes, by Rob Sharp - November 2016.

Dreamy Harbor

Vainqueur – Solanus - Extracted 2

IN C #4 for Terry Riley

• Sound-/ Media-/ Smell-Art
• Installations / Space-Design / Performances / 
• Film-Music / Ambient Music / Electronic Music
• Art in Public-Space.
• Concepts for Art + Cities + Technology 
• Development of locations / Design for Atmospheres and environments

--> as well as <--
• Scent Community Berlin (all about smell)
• Green Smoothies (great energy food)
• Vegan Food 
• Herbs (healing)
• Massage (virtuous hands)

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Vainqueur – Solanus - Extracted 2

Tresor Records

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