 Judith Sloan is an audio artist, writer, radio producer, human rights activist, actor, and poet whose work combines humor, pathos and a love of the absurd. For over twenty years, Sloan has been producing and presenting interdisciplinary works in audio and theater, portraying voices often ignored by the mass media. Her solo performances and plays include: Denial of the Fittest (nominated for best comedy performance at the Edinburgh International Fringe Festival), Responding to Chaos, Peace is Just Another Word for Nothing Left to Kill, A Tattle Tale: eyewitness in Mississippi, and Crossing the BLVD: strangers, neighbors, aliens in a new America. Her commentaries, plays, poetry and documentaries have aired on National Public Radio, New York Public Radio, WBEZ Chicago, PRI, BBC, and listener sponsored stations throughout the U.S. Sloan has received awards for her audio mixes, radio documentaries and work with various musicians integrating storytelling, acting, sampling and multiple languages into symphonic pieces, live performance with actors and musicians, and radio. Sloan was commissioned to write the libretto for 1001 Voices: A Symphony for a New America, with music by Frank London and animations by Warren Lehrer, which premiered in April 2012 by the Queens Symphony Orchestra. Her multi-layered theater work has been produced in theatres and festivals throughout the U.S. and abroad including: LaMama E.T.C, The Public Theatre, The Theatre Workshop (Edinburgh, Scotland), The Smithsonian Institution, the Market Theatre (Johannesburg, SA), etc. She has been featured in the New York Times, the Washington Post, Theatre Week, The London Stage, San Francisco Chronicle, among others. Her recent play, YO MISS! Teaching Inside the Cultural Divide (2012) is being developed in collaboration with Morgan Jenness from Abrams Artist Agency. She received a 2013 individual artist grant from Queens Council on the Arts to write and perform a new piece using a combination of music, sound and voice called, Anecdotal Evidence. 

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