Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

hello@cercle.io

Noel Sanger is an artist who, while flying mostly under the mainstream radar, has cultivated a rich musical history along the way. His releases dating back to the 1990s remain in high demand, and his current work, always critically acclaimed, continues to see top DJ support. 

Releasing on some of dance music’s top labels, with a recent focus on his own Dissident Music imprint, he has made regular appearances in Beatport’s top ten genre charts, as well as top tens at the Billboard Dance Club Chart, and the top 15 of UK Musicweek’s buzz chart. 

Over the years, his work has been heard on labels such as Black Hole, Spinnin’, Armada, Perfecto, High Contrast, Lost Language, Coldharbour, Mute, Dissident and dozens more. He has remixed and worked with artists like  Erasure, Nadia Ali, John Taylor of Duran Duran, Matt Darey, Soul In The Machine (with Twin Peaks star Chrysta Bell), and Markus Schulz. 

Noel toured extensively as North American warm-up for the best known DJ of all time, Tiesto, and even mixed “Summerbreeze 2,” the follow-up to Tiesto’s “Summerbreeze” mix CD on Nettwerk Recordings. Later, he was invited by no less than BT to collaborate on tracks for Tiesto’s Grammy-nominated 2006 album “Elements Of Life.” 

Evolving to deeper sounds, Noel’s label, Dissident Music, was first launched in 2007 and produced a number of hits throughout the ensuing 7 years. Recently relaunched as part of Miami’s Essential Media Group, Dissident has gone from strength to strength, closing out 2021 with three top ten Beatport releases in a row. 

As a DJ, Noel has manned the booth at some of the world’s best clubs, sharing the stage with some of electronic music’s top names. He has played at festivals such as Ultra Music Festival and Electric Daisy Carnival (Orlando) and his South Florida residencies have hosted some of the biggest names in dance music, with Noel playing to hundreds and even thousands of eager clubbers each week. Now residing in Orlando, Noel plays select shows nationwide and spends his weeks in the studio, remixing and preparing for his upcoming releases. 

It isn’t always the case that after this many years, an artist remains as creative and relevant as Noel has. But between his productions, his label, and his expertise behind the decks, Noel is proving without question that the best is yet to come.

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

Avid record collector/ train spotter and DJ since 1991-ish, grew up on all types of house & progressive house during the early-mid 1990's, spent almost every weekend in sweaty clubs up & down the UK and all my cash on vinyl. 

If you'd like to watch my Livestreams on Twitch please follow me here:

www.twitch.tv/marcus_stubbs

If you appreciate my mixes, and the effort I put into finding the tunes, feel free to buy me a coffee/ beer: paypal.me/DJmarcusstubbs

Peace & Love xx

Jared Dillian heard Erasure's "Hideaway" at age 13 and was forever hooked on electronic music, amassing a giant CD (and cassette) collection one $10 allowance at a time. A classically trained pianist and organist, his love for electronic music continued through adolescence and into adulthood, and after being thoroughly rinsed in the financial crisis of 2008, decided to at last pursue his dream of being a DJ, splurging on top-of-the-line Pioneer decks and mixer. Trance was his gateway drug, but today he plays a blend of progressive house and techno, and his stripped-down, melodic sound is instantly recognizable: dark, masculine underground techno beats with progressive elements, both emotive and lyrical--but never commercial.

DJ | Promoter | Podcaster | Head Honcho Of Progressive House UK & Co-Owner of Early Doors Club.

Having DJ'd the halo'd 1210's spinning house to techno and every genre in between for 20 years has meant gathering a wealth of experience and knowledge. Massively influenced by Sasha & Digweed, Nick Warren, Satoshi Tomiie, Hernan Cattaneo, Guy J through to Hot Since 82.

Having held a 3 year residency, playing warm up and alongside some of the UK's biggest names in the late 90's and early 00's I then morphed into the digital dj'ing realm. With a rare collection of vinyl and hard drives full of tunes I try to incorporate that essential club sound into everyone of my mixes. 

Never overly engineered or with to much emphasis on effects I focus my mixes on quality track selection, mixed perfectly whilst building energy and emotion. I hope you enjoy my mixes whether you're pre/post club, at the gym or in a world of your very own.

EVERY FRI & SAT

DJ Mixes from the biggest Liverpool DJ's & Venues from Merseyside & a few beyond!

Club Nights, Reunions, Festivals, Weekenders, Events

Got any old mix tapes/Flyers from Liverpool/North West England? get in touch with us

Full mixes could be added at any time!!!

https://twitter.com/oldskoolpool

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

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