Downloads available
:http://calcei1.bandcamp.com/. 
Contact: calcei33@gmail.com

The First Minute Of A New Day. This is the name of our podcast, and the name is inspired by an LP from Gil Scott-Heron, Brian Jackson & The Midnight Band. And keeping with that theme, each episode will be named after songs, albums and quotables inspired by other songs in these artists' catalogs. We are also a global brand, introducing ourselves to the world by way of art, music, and culture. As multidisciplinary artists, as multimedia entrepreneurs, and as black men... We stand to provide our audience with a top-shelf experience, as related to entertainment, dialogue and fresh, insightful perspective.

THE FAKE-ASS RADIO SHOW is now on PodBean!  Please check us out at our new home - https://fakeassradio.podbean.com

my influences are Eric B, Paul C, DJ Premier, TerminatorX, DJ Cash Money, DJ Polo, Prince Paul, Pete Rock, Steve Albini, 70's tv show soundtracks, madlib, Jel, zach hill, miles davis, mingus, jaco pastorius, frank zappa, EPMD, mike patton, Squarepusher, Aphex Twin, Joe Zawinul, and a shitload more...

most of the things i post here are not final drafts unless otherwise specifically noted; i like to share both my music and my creative process.  

i only use open source software in my audio production workflow:  mostly LMMS, Audacity, Hydrogen, Mixxx, and PureData, with Audacity as the main workhorse, EFX processor, and mastering application.  it's my personal belief that there is no reason to steal/borrow/get-brainwashed-by crippled software when open source alternatives have been given to us.  also, there's no way i could have added a "dizazter mode" fader setting to any serato-enabled DJ software but Mixxx. 

thanks for reading this little blurb, i hope you have enjoyed it to your satisfaction.  i think that if alfred hitchcock were a DJ, he would have approved of that last sentence.  speaking of somewhat odd english names, my grandfather's middle name was elwood... i suppose that it still is, because it says that on his headstone.

i like to sample things. back in the day i would loop using a dual cassette tape deck with quick fingers on the (un)pause button. my first turntable was a sears-roebuck record player slash radio tuner.  the volume knob twisted off from using it as a half-assed rotary-fader so i wired up a linear potentiometer from a broken boom box that someone gave me into it and either taped it or stapled it on there because i didn't know about jb-weld at the ripe age of 14.

if i have sampled something of yours and you would like me to remove it, just send a message and i'll take it down.  i make exactly zero dollars at my hobby of manipulating sounds, and well, i apologize in advance if you take offense.

PEACE, AND USA GET THE FUCK OUT OF THE MIDDLE EAST,
-dizazter

Evan G. aka Satta Don Dada's prowess as a DJ was recognized early on by his peers & later reaffirmed by Skrillex hand picking him to open for his 2014 Mothership Tour. His name as a producer started to gain exposure in 2012, when won the legendary Dubstep/Grime artist Cotti’s “Goin’ To War’ remix competition. Since then he’s been local support for such acts as The Wailers, Lee ‘Scratch’ Perry, DJ Premier, RJD2, AK1200, Keys N Krates, Black Milk, Araabmuzik, DJ Swamp, Kamasi Washington, DJ Assualt & among many others. He’s also been featured in world renowned media outlets like Mixmag, XLR8R, Fact Mag, Boiler Room, Magnetic Mag, & other noteworthy publications online.

A Detroit and Greater Michigan area, Hip-Hop and Beat Culture based distribution company. Specializing in physical merchandise (CD's, Vinyl, Cassettes)

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