Tracklist:
Alex Coulton -Bleep Sequence
T ++ - 19558_2
Beneath - Bored_2
Lolingo - Big Mac (Tarquin Booty)
Rushmore - NPG
Randomer - Nar
Kill Frenzy - no Panties
Laurent - Untitled 2
Skee Mask - Cylo 
Effy - Move (Troy Gunner Remix)
Call Super - Hoax Eye
Yamaneko - Primrose Island
DJ Smurf - 1 4 Tha Trunks
Sully - Solitaire
Stray - Professor Popper
C.B - Rosie

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T_A_M | MDNGHT Mix #019

🎶✰✰✰✰✰𝔇𝔦𝔢 ℜ𝔢𝔞𝔩𝔦𝔰𝔦𝔢𝔯𝔲𝔫𝔤 𝔦𝔰𝔱 𝔡𝔞𝔰 𝔩𝔢𝔱𝔷𝔱𝔢, 𝔫𝔦𝔠𝔥𝔱 𝔡𝔦𝔢 ℌ𝔬𝔣𝔣𝔫𝔲𝔫𝔤!“ ✰✰✰✰✰🎶

Based in Leeds.

MDNGHT: Techno | Bass
MDNGHT WHTLBL: House | Disco

Mix Series uploaded on the 1st and 14th of every month.

A portion of our royalties and sales go towards the protection of endangered species of animals.

Demos: We're open to hearing new music please drop us an inbox on facebook or soundcloud.

Music for vampires.

Mathan's path into electronic music began behind the doors of Home Club (2013) through to White Label Records (2019), where exposure to subcultures and sound systems shaped his foundation. During his time at Singapore Community Radio (2019), he expanded his curatorial practice, broadcasting across genres while deepening his research into music history and contemporary sound. Mathan's approach to music discovery remains research-driven, often finding records through literature, film and other mediums. Drawing inspiration from film scores and carrying forward the technological philosophies of Kraftwerk, Dopplereffekt, and Drexciya, he continues to develop his distinct musical voice through careful study and experimentation.

Operating across visual and sonic territories, his practice encompasses art direction, copywriting, design communication, and strategic thinking—disciplines that inform his approach to musical curation and world-building.

Mathan’s sound delivers cold, minimal dystopian electro with sleek robotic grooves and cinematic tension—sci-fi atmosphere that draws from classic Detroit rhythms through new wave influences. The palette spans electro, electroclash, dark techno, EBM and industrial, creating ultra-stylised sonic narratives heavy with noir atmosphere. You could say it’s perfectly suited for a scene in a Nicolas Winding Refn film. His mixing style features original flow and loop-based blending that reacts to the floor while maintaining the stark, cinematic tension that defines his sets.

Having emerged from the dark to play at various occasions—the Projector (2019), the Mason Pop up (2023), Shutter Rhythms (2024), The Backroom (2024), Santai (2025) and most recently at the inimitable Headquarters (2025)—he remains immersed in deep research and exploration to produce his originals while seeking new venues to deliver his sonic worlds.

live coding, algorave, live computer music improvisation, algorithmic composition, sound design, beats, bass

solo album on @seagrave-3 https://renickbell.bandcamp.com/album/turning-points
solo album on @halcyon-veil https://renickbell.bandcamp.com/album/wary
ep on @uiqmusic: https://soundcloud.com/uiqmusic/renick-bell-empty-lake-ep-uiq0006fragments

live schedule: http://www.renickbell.net/doku.php?id=events

For bookings and other enquiries: renick (at) gmail.com.

releases and crews: 

@uiqmusic
@halcyon-veil
@quantum_natives
http://the3rd2nd.com
@tsukuboshi
deep space objects
@seagrave-3
@conditionalrecs
@beatgatherers
@antinarcose
@localactionrecords
@fisnz