An artist with a growing Meanwhile history, Mike Rish returns to the label with a 3rd original EP, this time with the “Akhnaton / Gröv / Cloudbreaker” triple-tracker.

A story that began in late-2021, Mike Rish and his “Beyond” EP ignited a spark that would go on to burn brightly amongst a galaxy of stars on GMJ & Matter’s flagship imprint. Already a regular on such celebrated labels as Kasey Taylor’s Vapour Recordings, Praveen Achary’s Juicebox Music and Guy J’s Lost & Found, the Australian artist has continued to see his distinctive and mature production sound much sought after.

Now returning to Meanwhile for the first time since June 2023’s “GT / Shoreditch Funk / Reka”, “Akhnaton” is inspired by the Amsterdam club of the same name and host of Meanwhile’s debut label showcase at ADE 2023. Full of trademark character, the track is a pounding club floor-filler with white-noise back drop and chugging bassline intent. Full of mesmeric soundscapes, and cascading delays, the track builds in power as subtle melodies are introduced amongst the immaculately placed pauses that help ramp up the intensity. The result is a masterful affair.

Continuing the hefty rhythmic narrative, familiar tropes percolate around “Gröv” like a fine wine. Under a huge, throbbing backdrop of seismic beat and cavernous bass pattern, spine-tingling melodies float across the mid-range before coming to the fore at the extended breakdown. Adding to the sonic collage with a hypnotising off-beat chord motif, the track then drops back into the familiar form of earlier phases as it draws to its conclusion.

The final offering sees “Cloudbreaker” continue to push the sonic envelope with the immaculately crafted bassline extravaganza. Full of percussive intent with shaker-fuelled top-line, a richly syncopated melody captures dancefloor attention, held through a sustained bass phrase at the breakdown. Hitting its straps again in the third movement, the gargantuan groove and luscious melodic interplay break through in a stormfront of club vibrancy and brio.

A force to be reckoned with via another EP chock-full of skill, technique and craftsmanship, Mike Rish excels once more via his “Ahknaton / Gröv / Cloudbreaker” EP.

Mike Rish - Cloudbreaker

Silver Lake / Evo

01. Guy J - Silver Lake (preview)

Freedo Mosho - Paradise Lost (Maze 28 Reform) - EGR041

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Buy: https://www.beatport.com/release/telomeres-ext-135-kasey-taylor-karl-pilbrow-remix/4950130
Release Date: 07-03-2025

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Tracklist:
01. GMJ & Matter - Telomeres
02. GMJ & Matter - EXT 135 (Kasey Taylor & Karl Pilbrow Remix)

Release Info: 
Returning to spearhead Meanwhile’s output as 2025 kicks into gear, the collaborative pairing of GMJ & Matter deliver “Telomeres” alongside a remix from Australian icons Kasey Taylor and Karl Pilbrow for their 2023 hit “EXT 135” to round out the package.

The Melbourne-based duo behind the Meanwhile imprint are widely recognised as responsible for helping shape the modern Progressive House scene. Pivotal in the development of the label’s development both as solo artists and with their combined output, their work on Meanwhile has seen the “Lost on Origin”, “Gauntlet” and “Eldarin” EPs all released over the label’s inaugural year (between April and August 2020), before “The Path / Perfect Storm” followed 6 months later. 18 months elapsed before “Ext 135 / Elemental / Time To Space” appeared at the end of 2022 with “Stellaris / Idritah” following a year later in December 2023.

Now as 2025 finds its feet, GMJ & Matter provide their fans with a seventh original release on their ever-evolving label. The powerful building blocks that shape “Telomeres” evolve easily from its rolling groove foundations and deep sub-bassline sequence. A muted arp comes to the fore in perfect synchronous cadence while the endless delays present in the analogue motif cascade across the stereo spectrum filling the sonic space. A new and dynamic arpeggio appears at the breakdown as its gradual open filter provides the weight and dancefloor gravitas to herald a drop into the third movement. The same sequence makes an appearance in the second half in combination with the other rhythmic and melodic characters, to devastating effect.

Vapour Recordings head honcho, Kasey Taylor needs little introduction to the Meanwhile cognoscenti. A bona fide electronic music legend, the Australian artist has been at the vanguard of the progressive scene since the mid-90s with a double century of credits on such esteemed imprints as Sudbeat Music, Afterglow and John Digweed’s Bedrock and a century on his own Vapour Recordings. New Zealander, Karl Pilbrow moved to his adopted Melbourne home in 2012 before a partnership with Kasey Taylor witnessed a score of production credits including 2020’s “Amber Skies” and 2023’s “Fairlight” on Hernan Cattaneo’s Sudbeat. A trio of original releases on Vapour followed, not least in July 2024’s “Sonorous / Alluvium / Inscape”. Now debuting on Meanwhile, the Kasey Taylor & Karl Pilbrow remix of “EXT 135” contains the deep bassline presence of the original while an unrelenting, rapid-fire groove creates a magical tension. Developing sonic intrigue, the melodic progression of the original’s breakdown is found wedded to the driving rhythm in majestic and spine-tingling fashion. Full of bassline intensity, familiar vocal cuts and melodic fragility are the perfect counterweight to the rhythmic heft.

PREMIERE: GMJ & Matter - Telomeres [Meanwhile]

EMPHI - Locate (Original Mix) [SOLIS015]

Bursting onto the Progressive House scene in mid-2020, Fausto Javier Loza has carved out quite a name for himself with his FJL production moniker. Since a debut on Balkan United, the Argentinean producer has found his music allied to such esteemed imprints as sister Madlochs Sound Avenue and 3rd Avenue, Roger Martinezs HIGHER STATES and Mangos all-conquering Mango Alley. Now the Rosario resident from the province of Sante Fe, debuts on Proportion with a 3-track EP of the highest order as FJL presents his Alter Ego / Losstower / Rare Wizards EP. With a deep, fizzing bassline narrative running throughout the triptych, Alter Ego is a chunky rhythmic powerhouse that sees a chest-thumping kick paired with a deliciously grooved bass pattern creating a sublime rolling pattern. A kaleidoscopic array of effects and risers are scattered across the 6-minute piece as a delicate arpeggiated melody gradually evolves from the low-end foundation. Pulsating white-noise washes and a hypnotic dance-floor vibe add to proceedings in an impressive opener. A Tech House vibe infuses Losstower with its plethora of stereo-panned effects and sub-bass groove. A series of cleverly treated vocal effects add to the sonic melange with their eerie overtones, while meticulously programmed hats and shakers provide dancefloor urgency. Subtle melodic flourishes add to the overall feel and the result is a production masterclass from the FJL studio. The final offering sees Rare Wizards immediately showcase its club-friendly credentials through house rhythm and hypnotic bass sequence. In keeping with its partner tracks, a flurry of deep, dark and powerful effects make their presence felt alongside evolving textures and immaculate melodic touches. Layer upon layer of evermore intricate sounds come to the fore, felt especially keenly at the powerfully pulsing breakdown, before returning to the dramatic rhythmic urgency and plethora of effects that create a track bringing to mind such maestros such as John Digweed, Quivver and Jamie Stevens.

FJL - Alter Ego (Original Mix) [Proportion]

An artist with a rich and impressive pedigree, Mike Rish returns to Meanwhile with a triple-tracker of exceptional quality in "Sunset on Mars / Tornn / Shokl".

A Melbourne native with a strong back catalogue stretching back over 15 years, Mike Rish's debut quickly became a starting point for a successful career, predominantly focused on the sound of Progressive House. Since 2009, the Australian has gone on to see his music featured on the likes of Vapour Recordings, Anjunadeep and Guy J's Lost & Found, while a trio of EPs for Meanwhile between 2021 and 2024 have seen Mike Rish sparkle with a collection of beautifully crafted original sonic sculptures. Now returning for the first time since August 2024's "Akhnaton / Gröv / Cloudbreaker" triumph, 3 new original tracks take centre stage.

The compelling "Sunset on Mars" opens with a thumping beat and smooth percussive top-line before a swathe of effects-laden synths percolate the soundwaves with rich delays and reverb. A powerful bassline adds dancefloor urgency while an evocative arp filters its way to the foreground through the second movement. Rising and falling with club-friendly knowhow, the track gradually picks up pace before entering the second half full of punchy bravado. Immaculately constructed, "Sunset on Mars" is an aural triumph.

Continuing the powerful rhythmic character of its predecessor, "Tornn" is a thumping, chugging bassline monster that rolls seductively across its 7-minute timeframe. Endless delays and effects swim across the stereo spectrum in swirling atmospheres as vocal snippets talk of remembered dreams and an eerily pitched menace. Evolving easily through its phases, the second half comes to life as bassline and rhythmic prowess take control across the shape-shifting soundscapes.

Opening with a strong tribal rhythm and subtle jungle-themed effects and bird calls, another chorus of reverb-drenched effects and delays across a smorgasbord of vocal cuts, provide a beautiful dub-inspired atmosphere. Coming to the fore at the stripped-back breakdown with expansive ease, Mike Rish gently picks up the pace through the second half to create and intriguing and dynamic listening environment through his sublime layering of vocal elements.

Returning to the label that is fast becoming a second home, Mike Rish delights Meanwhile listeners with "Sunset on Mars / Tornn / Shokl".


Mike Rish - Sunset On Mars

Mike Rish - Tornn

Electric Drum Rubber is it's a funky electric drum track. I've been working with the samples for quite a while building a drum rack. evolving it with new effects and new things to to build upon. I am satisfied , I would have to admit that I've been working on the track even after I've uploaded this version. but at the end of the day I've listened all the different versions through and I would have to say that I'm mostly satisfied with this one. it's more simple and every different electric sound and effect comes out quite better it's not over produced. I make music for people that love to dance, I do not make music for the break, or the drop. I'm mostly have a break. but it's just for the transition more than it's for people to put their hands in the hands air and scream yeah!!! I would love the DJ performance to come back to how it was in the beginning. I think DJ has become some ego performance. I think cameras ruins peoples ability to be present in a party. people say that are in that way I'm old school. I don't think the music back into the 90s was better. but the time was mon naive and we experience it at sit came. today we experience things on the internet and go to a party and think that it's supposed to be like that. this effects  people's behavior, and everything becomes some kind of social media theater. this is not what the Culture us about. Culture is about being together and experience the music on the dancefloor while you share seconds of eyea contact with people around you... this is the magic that I'm looking for in a party.

Electric Drumrubber

Deep Tech track from music producer Orbit Feature. Follow for weekly releases. Available on Bandcamp.

Ghost Is Mad

Devin Jay - Inception

meanwhile is the creative outlet & vision of GMJ & Matter.
Founded in 2020, we pride ourselves on releasing & showcasing only the finest in forward thinking deep & progressive music from around the globe.

Our label family is growing with resident DJ's including Olga Misty (Russia) amhain (Ireland / Australia), Paul Deep (AR), Sebastian Sellares (AR),  Forerunners (USA), DJ Ogawa (Japan), Imran Khan (UK), DJ Ruby (Malta) & Ricky Ryan (Argentina), Jiminy Hop (Russia)

Not currently accepting demos. ✌