With his most recent releases on Selador, Sum Over Histories, Poker Flat, Sincopat, Mobilee and Sudbeat, Dave Seaman, one of true the legends of electronic house music, is on a creative roll. A globally respected DJ for over 25 years, he’s played in over 80 countries around the world and remains an exceptional artist who is always looking to the future. His label together with Steve Parry, Selador Recordings has been one of the most exciting labels around since its inception 10 years ago, releasing many different colours of house and techno and in this current world of limited shelf life, ever-diminishing attention spans and fast-moving, here-today-gone-tomorrow disposable club culture, it is the mark of true talent and dedication that Dave Seaman is still very much 
on everyone’s radar.

For Worldwide Bookings & Management, please contact: 
johnny@beyondnoize.com
For Selador enquiries please contact: 
info@seladorrecordings.com

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

John 00 Fleming is an electronic DJ and producer who has achieved international success in a career spanning over three decades, all without ever compromising his musical essence or the trust of his fans. Known for his deep knowledge of music, he is a proven pioneer and a leader recognised for his hypnotic style and unwavering integrity. Respected equally by peers and audiences worldwide, John has carved a unique path by staying true to his vision rather than chasing trends.

His legendary extended DJ sets — sometimes stretching eight hours or more — have become benchmarks of immersive storytelling on the dance floor. These marathon journeys have built a devoted cult following at clubs and festivals, establishing annual gatherings around the world where audiences return for the experience only he can deliver.

John’s career began at the age of 15, playing a role in the exploding UK rave scene, which led to multiple residencies in the country’s formative club circuit and eventually to performances on some of the world’s most respected stages, including BOOM Festival, EDC, Tomorrowland, Ozora Festival, Creamfields, Own Spirit Festival, and countless underground institutions across the globe. With multiple Gold disc mix compilation accolades and millions of streams to his name, he has also delivered acclaimed Essential Mixes for BBC Radio 1 and earned the rare distinction of bridging the commercial and underground worlds without compromise.

As a producer, John’s esteem within the industry has drawn respect from electronic luminaries such as Jean-Michel Jarre and Muse. While he accepts peer endorsements humbly, he continues to let his production skills speak for themselves. With five electronic artist albums and an extensive discography of singles, John also finds time to compose for major film and television networks, including projects with The Royal Philharmonic Orchestra at the famed Abbey Road Studios in London.
As head of JOOF Recordings, he has built the label into a trusted home for forward-thinking artists, nurturing a global community united by quality-driven electronic music.

Whether behind the decks, in the studio, or guiding others, John’s reputation rests on consistency, honesty, and artistry. In an industry often driven by hype, he has remained grounded, letting the music speak — and that is why audiences and fellow artists alike continue to hold him in such high regard.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Dekmantel / fabric Records / Fuse London
Bookings: sherif@peoplesagency.nl

Theo Kottis is a London-based DJ and producer who has spent over a decade refining his craft - both behind the decks and in the studio. A fixture on the European festival circuit, Theo has played standout sets everywhere from the Dekmantel main stage to Panorama Bar, Lux Fragil and Robert Johnson, where his high-energy, euphoric sound seamlessly blends with hypnotic, minimalist grooves.

His productions have earned equal acclaim. 2024 saw the release of two stellar EPs on Dekmantel and Palms Trax’s CWPT imprint - with lead track Lighthouse hailed as “song of the summer” by Resident Advisor - drawing support from top-tier selectors including Ben UFO, Francesco Del Garda and Eris Drew.

Now in 2025, Theo continues to ascend, with acclaimed releases on Fabric Records, Fuse London and a second EP lined up for Dekmantel, further cementing his place among the scene’s most exciting artists. Grounded in UK club culture and shaped by years of experience, Theo’s music draws on the past while looking firmly forward.

MGMT - cp@285.group
EU/ROW: tommi@nge-booking.com
NA/SA: david@oyashi.net

MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

London via Doncaster. 
https://linktr.ee/melladee_

Warehouse Music Records Releases: https://linktr.ee/warehousemusic

Management & Bookings:  sarah@goodlife-management.com
Promos: melladeepromo@gmail.com

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