This is my take on Nozzlin's track The Ariel Phenomenon, originally a very chilled out synthwave moment in time, which I've politely torn apart.  All the sounds you'll hear are from the original... i promise :)

Please go and check out Nozzlin's music if you haven't already.  Such a delightful human whose music is in constant evolution.  Thanks for giving me the opportunity to mess up your stuff!!!

Follow the creative footprint below :)
https://soundcloud.com/nozzlinmusic
https://www.facebook.com/NozzlinMusic/
https://open.spotify.com/artist/1vFnrxSYQlVJqx3nLwu6wv?si=HTqRcJdYTcq_bP2yefr24A

The Ariel Phenomenon (Mechanical Witch Remix)

Nozzlin - The Ariel Phenomenon (Mechanical Witch Remix)

Sometimes dance, sometimes ambient - I also score for film/moving image!

Live act, producer and DJ
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I live, work, and make music on the un-ceded lands and waters of the Wurundjeri Woi Wurrung people of the Kulin Nation. 

Australia's institutional and legal foundations were founded on the myth that nobody inhabited this continent when the first fleet of boats coming from England arrived. Speaking for settlers like myself, the least we can do is redistribute our privilege (whatever forms it might take) earned off the back of a history and ongoing practice of dispossession, erasure and violence perpetuated against First Nations peoples.   

Making music against this backdrop will always feel fraught to me until we achieve real justice and honour the many Indigenous legal orders, polities, knowledges and traditions that are already in existence in this place but have been denied by the State of their rightful, sovereign legitimacy.  

If you have read this far down, I encourage you to: 
                           --> https://paytherent.net.au
                           --> read up on the treaty process happening right now in          so-called Victoria https://www.firstpeoplesvic.org/treaty/
                         --> Always was, Always will be. Free Palestine.

i make things, and then i break them.... 

 my moments of uncoordinated coordination

DJ Roger (Digital Bionics) came to live in Australia in 2011 from England where he started DJing in 1994 in Glastonbury town, Bristol
and around the fields and forests of Somerset.

After being a part of the early rave scene in London, he left for the countryside of Somerset and settled in Glastonbury town in 1992.

He's mixed in a lot of tents and cafes in Glastonbury festival year after year, bars and clubs in Bristol along with lots of private parties, heavily 
influenced by what he describes as extraterrestrial Techno and other creative dance genres, that have a spacey and experimental edge, along with some melodic uplifting Trance sounds, Future House, Dubstep, Electro Tech, Breaks, Drum and Bass , Electronica, Electro House, EDM, Psy Trance, Pop ,IDM, Good Chill, Weird Trap, Odd Prog.

He left his decks and records in England for the benefit of a younger generation and decided to use a laptop and controller for mixing in Australia 

Roger could also be heard playing as a resident, in Jack’s Bar, Keen St, Lismore regularly, mixing a blend of House, Electro House, Techno, Prog, Breaks, always with a psychedelic, creative or crazy edge.

He is also a regular at Honey Pot Production's beats on tap gigs, as well and the monthly NEMESIS collective in Nimbin, bush doofs, and numerous private parties such as Fashionably Trashed and Triple Treat, 

He's also played multiple gigs for 3rd Eye Productions in Lismore NSW's Hub, which is now the Metropole Hotel in Keen street, Lismore, NSW where he’s also been playing upstairs at the rooftop bar and garden independently and now as a guest with the D’Bakery crew.

Long mixes are his passion, always busy in the headphones looking for a hook or some oddball sounds to throw in.

Most gigs are recorded and uploaded. They can be heard here. 

https://soundcloud.com/roger-andre

DEEP MVMT  London
NSTK no stream till ktown  Germany
indica Label (Brazil)
DEEPtHREEM  Beijing 

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instagram
https://www.instagram.com/kakeru_tkn