this is cade.da.blade2 from insta.. awesome finished product.. added to favorites 

Amazing decent to the bass clef. It gives very dramatic meaning to your composition.

The Less I Know The Better

Written by Blake Ewing
Performed by Blake Ewing with cello performances by Craig Hultgren
Album art by Matthew Salleh and Rose Tucker

Spotify: open.spotify.com/album/6pyl44xfQw…e4aca961eded4a88
Apple: music.apple.com/us/album/we-dont-…dtrack/1566426258

Film, CD, vinyl: www.wedontdeservedogs.com

We Don't Deserve Dogs (Original Motion Picture Soundtrack)

New Chapter

10 years ago, I recorded some piano improvisations with weather on my mind. This one is for all us cloud-gazers. And you know what they say about weather ... it always changes ... 

Stream: https://tinyurl.com/TAOClouds

Written and performed by Michael Price
http://www.michaelpricemusic.com

Recorded by at Snap Studios, London
http://www.snapstudios.co.uk/

Mastered by Katie Tavani
https://www.katietavini.co.uk/

Illustration & Animation by Deepesh Patel
https://www.artstation.com/deepeshpatel

The Anatomy of Clouds

The Anatomy Of Clouds

Eliot James & Tom Hobden of @petraleksander have been working away on new music for the last year, and we’re thrilled to be releasing the resulting LP ‘Collage’ this September! 

The record's sparkling first single ‘Fireworks in G’ is out now, and you can give it a listen wherever you find your tunes: IDOL.lnk.to/pa-fireworks

“A crackling modular synth, reminiscent of a firework display in the distance, provides what we can imagine as a spectacular backdrop for the unfurling of a far more intimate scene, played out between a mournful viola and its string family counterparts…”

Collage

Fireworks in G

Pre-Order 'Collage'

Pêtr Aleksänder - Fireworks in G

Awake, the brand new piano piece by Hamburg based musician @lindarummusic, is out now! We’re very excited by this first collaboration with Linda and can’t wait for what comes next. We’d love for you to give this piece a spin and discover her music, which you can do right here: https://snd.click/8umx

“Awake describes the feeling while looking in the distance, one of hope and longing for the realization of your dreams. It is an embrace of changing times and a welcome of moving forward.”

Awake

Download

Linda Rum - Awake

@akirakosemura invigorates the ivories in his marvellously executed new piece Osmanthus. Occupying a special place on the cusp of night and day & summer and fall, this reflective lullaby evokes the alluring fragrance of the historic osmanthus flower...

To celebrate our 3rd release with Akira, we've bundled Osmanthus as a mini-EP which you can find now wherever you listen to music: li.sten.to/osmanthus

Osmanthus

⊜ spotify

Akira Kosemura - Osmanthus

We could not be happier to announce that we'll be releasing Ole-Bjørn Talstad's debut record 'Ferd' on February 24 2023. 'Ferd' is an old Norwegian word meaning journey or voyage, which can also be used to indicate someone's journey through life. It is an apt name for Ole-Bjørn's album, which, while containing doses of nordic melancholy, perfectly captures his hopeful and optimistic outlook. 

We'd love for you to check out the first single 'Her' which is out now : moderna.lnk.to/her

Ferd

Ole-Bjørn Talstad - Her

From the album "Ver Sacrum"
“Throughout history, this expression has been used to describe various ritual group expulsions and the deduction of colonies, particularly with regard to people getting back to nature.
For example, the Italian town of Nocera was founded in the 7th Century BC by inhabitants from Camerinum, who left their ancestral homeland during a so-called Ver Sacrum.
In ancient Rome, during times of calamities such as pandemics, earthquakes, wars, or plagues, they used to devote children born in spring – from the 1st of March to the 30th of April – to the gods Jupiter and Mars. Then, when they turned 20 or 21, these children were required to leave the community to begin new settlements”
________________________________________
Sounding like some long lost, sacred canon, Ver Sacrum – the new album from Bruno Sanfilippo – marks something of a departure for the Barcelona-based pianist and composer. Far more orchestral in nature, there’s a spiritual, quasi-religious force to these pieces; strings swoop and soar, maudlin organs plough slowly, sorrowfully forward, while several sopranos add to the ecclesiastical air. But there’s hope and joy here too, and a childlike playfulness – playing these tensions against each other is what makes Ver Sacrum such an intense, rewarding listen. Inspired and informed by the ancient custom of ritualised expulsions of the same name, one can find the whole spectrum of humanity within these nine pieces: sorrow, loss, love, rebirth, change, hope, and the indefatigable human spirit. It’s what gives this music its power. Derek Robertson, journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Ver Sacrum

Yersinia Pestis

Spotify/AppleMusic

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@edcarlsen
Ed Carlsen: piano, programming
Recorded by Ed Carlsen 
Mixed by Ed Carlsen
Mastered by Emil Thomsen

distorted strings:
Matias Emil Fyhn: Cello
Sofia Kongsgaard Lang: viola
Nanna Treu: violin

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Ed Carlsen - Weaved (Algorithmics/Piano Day 2017)

Nocturnal blue (Solo piano - Meg Blumberg)

Wind (ft. Daniel Calabro)

Influenced by the likes of Dustin O’Halloran, Ólafur Arnalds, Max Richter and other neo-classical giants, Meg's piano compositions are truly a blend of old and new. Her style is deliberate and visceral, weaving rich narratives through measured shifts in movement and dynamics. She oftentimes implements a melody-driven discipline in composition, whereby the central theme of a piece takes an unrivaled lead and establishes the character or mood with which to build around. This is not to say that Meg’s work is minimalist; she isn’t afraid to take a piece somewhere unexpected or furnish it with complementary layers. Rather, she doesn’t let harmony or instrumentation overshadow the main communication of her work, which is to be found in the melody. 


For inquires: Megbcomposer@gmail.com

Nocturnal blue (Solo piano - Meg Blumberg)

Meg Blumberg

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