Great song! Perfectly lifts and keeps a good mood!

Wow love this piece it just melts all over my speakers

Picknick im Wald. 
Mekkbuda: Sitar, Arrangement; Danke an Franz Kuppler für das Spiel mit der  Querflöte und den Percussions

Salome

Izzy Skinner - Violin/Vocals
Lawrence Grifa - Drums 
Jack Dobson - Bass

Mr. Wizard

Buy Vinyl

"Paroles, Paroles " is a wonderful song which became very popular in the early seventies after DALIDA and Alain DELON  have published their version.
It was also my first song which I performed on the guitar in my life. 
It is for me a very sentimental moment to present this recording now, many years later...
:::::::::::::::::::::::::::::::::::::
(I tried to sing with Dalida´s French accent)
::::::::::::::::::::::::::::::::::::.
More words,  always words, the same words
Just words, easy words, fragile words,
 It was too beautiful, 
 Well to beautiful,
But the time of dreams is over
Memories also fade when we forget them....

Caramels, candies and chocolates.
Thank you, not for me,
But you may as well offer them to another,
Who loves the wind and the perfume of roses,
For me, tender words covered with softness,
Posed over my mouth, but never over my heart.

Words, words, words.
Words, words, words.
Words, words, words.
Words, words, words, words, words,
Still words that you sow in the wind.

Still words, always words,
The same words.
Magical words, tactical words,
Which sound false
Yes, so false
If you knew how much I wanted,
A little bit of silence.

Caramels, candies and chocolates.
Thank you, not for me,
But you may as well offer them to another,
Who loves the stars over the dunes,
For me, tender words covered with softness,
Posed over my mouth, but never over my heart.

Words, words, .....

Paroles, Paroles (with English lyrics translation ), comp. by G.Ferrio,LChiosso, G.Del Re

Songs(about sex)

(Written by Terry Reeves)
Terry Reeves: Vocals
Gary Reeves: Drums
Hans Albers: All other instruments, Arrangement & Production

Tomorrow, 22 August 2022, marks ten years since my brother Bri died. Hard to believe. I remember that day as if it were yesterday. His ashes were released into the River Thames, from the towpath that runs alongside Fulham football ground (quaintly known as ‘Craven Cottage’). He’d been a lifelong supporter of the club so this seemed a very appropriate resting place for him.

For those unaware of the sporting ritual, nearly every year since 1839, there's been a boat race on The Thames between Oxford & Cambridge Universities, held on a course between Putney and Mortlake. It is quite the occasion, with crowds lining the banks of the river for much of the four mile, 374 yard distance. It is broadcast live by the BBC and the Fulham stadium can clearly be seen as the crews row past. Guess who we think of when that happens?

When we were kids, we lived on a housing estate just a couple of minutes from the river, so Boat Race Day was always special. Every family was either a vehement supporter of the light blues of Cambridge or the dark blues of Oxford which seemed quite normal at the time but, thinking back, appears quite odd now. We were all decidedly lower class, with precious little chance of attending any university, let alone Oxbridge. But I clearly remember having a punch up with another kid on the estate because he supported Oxford. Total madness…but in my defence, I was very young at the time.

The family ritual was to watch the race on the telly until it reached Hammersmith Bridge, run to the river to watch the boats go by and then run back to see the finish. You still hear folks say “We had to make our own fun in those days” and I rather think this custom now falls into that deeply enigmatic category.

So that’s how Bri’s death has become inextricably linked to The Boat Race and the thoughts I have of him when the drone cameras look down upon the crews as they zoom past Craven Cottage. The fond memories always win out over the political bewilderment…and, strange as it may seem, I still want Cambridge to win.

For you, Bri. We miss you. (Terry Reeves)

Ten years of ashes floating, reasons to find
Connected thoughts search sensitive mind
Watery echoes continue, grieving combined
Reluctant tidal memories, questions behind

Never to forget you're all part of me

Cambridge beat Oxford, repair some sorrow 
But cannot add smiles to a never tomorrow 
A two to one chance, exciting times borrow 
History growing up, running riverside to follow

Never to forget you're all part of me

Ten years have past left me standing here
No harmony practice, new song to appear
Every heartbeat 4/4 beat counting each year 
Independence not requested, vocal unclear

Never to forget you're all part of me

From Birth to final moments always there
No feeling exchanged or choosing to care
50 years of musical lifetime joined with stare 
Total love for a brother, dreams cannot share

Never to forget you're all part of me
Never to forget you’re all part of me

RELEASE THE ASHES - CRIPPLE CLUB & HANS ALBERS

Watch the video clip for this track: https://youtu.be/rWv2VCmQyjM

Magic Garden

A Thousand Wishes

See you at the Finish Line / Feat Emily Coy
Paploviante Bass, Music, Picture and Mix
Vocals Emily Coy
https://soundcloud.com/stemstore

See You At The Finish Line - Paploviante&Emily Coy

"Transistorapotheosis" closes the album "Reality is Never Enough - 2022 Revisited". It is a track where psychedelia, krautrock and progressive rock are mixed.

You can listen, support or buy the full album here:
https://famousforgottenartists.bandcamp.com/album/reality-is-never-enough-2022-revisited

Transistorapotheosis

it is a song that uses Japanese instruments.
(和楽 器 を 使っ た 楽曲 です！)

thank you for listening！！

DAW: Cubase pro 12

kotokoto #5

Hey , I’ve done a new mix with my partner in vibes @specialececilia
Here are the other mixes. https://soundcloud.com/ricochet8888/same-planet-2-step-demo. https://soundcloud.com/ricochet8888/same-planet-friday-night-1

Enjoy!!

SAME PLANET**CECILIA & RICØ **LATE NIGHT MIX

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my Mekkbuda channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

Salome

Mekkbuda

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