Clara Alienor: Vocal, Elija Demarle: Background Vocal, 
A.Mekkbuda: Instruments
Lyrics in english:
In spring I put the seeds in the ground 
In summer I watch them grow bigger and bigger.

Refrain: 
I don't have any money in the bag 
But the earth gives me a good feeling

And then I immediately feel like a Rasta
The head in the grass and without Zasta

Jah love i sing like a Rasta 
Jah love is more beautiful than the Zasta
- 
In autumn I harvest the fruits of my effort. 
In winter I feast on the taste of the flowers

Refrain: 

A friend knows a place where there are many mushrooms. 
We chunk of a few and we're already home

Refrain:

The trees and the flowers guide us by the hand
An ant introduces us to an earthworm

Refrain: 2x

Schenkt ma die Erdn

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

A-laise is a Tuckey production solo project. “A-laise” is derived from the French word “alaise,” signifying comfort. A-laise, an accomplished artist and musician, delivers original tracks with a smooth, mellow, and upbeat sound. These tunes are designed to soothe and relax, providing a pleasant backdrop or more, tailored to your personal preferences.

PLEASE NO PROMOTERS or VIDEO PLEASE. I DO MY OWN ! 
🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎻🎸🎻🎶🎻
Mairidh Gaol is Ceòl: A well-known Scottish Gaelic proverb that translates to "The world will end, but love and music will endure”

Scottish born and bred. Just exploring some ideas spinning round in my head and putting them up here. Various styles of music and trying to find my niche !  All the songs are written solely by me. 
Im open to all sorts of music and appreciate the work folk have done. If you don’t like my music ! Move on. Don’t belittle yourself by leaving nasty comments. Im not influenced by idiotic behaviour or narcissistic twats 🥸

I am KAT. Poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause. It asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury. It is breath.

It began with words. Spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others.
Turning poems into sound.
Shaping collaborations that were fearless and alive.

Some of these “others” are human.
Some are digital.
AI tools like Suno have become instruments in my hands,
responding to tone, language and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation. It is extension.
It allows art to reach beyond skill and structure
into pure intention and consciousness.
It is not a replacement for the human,
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself.
The breath between words.
The shimmer beneath the audible.

And from that stillness grew Play Life.
Life as instrument.
Movement and breath as rhythm.
Sunlight and wind as collaborators.

Recently, this path opened into a new field:
Art Electronica and Urban EDM.
A place where spoken word meets pulse.
Where concrete, neon and poetry blend.
What began as experiments became something else.
Unexpectedly danceable, rhythm-driven,
yet still intimate and human.

This is where a new voice emerged:
DJ KAT - not as a performer on a stage,
but as an artist exploring what the city sounds like
when feeling becomes beat.
A space for future collaborations,
for remixes,
for DJs who sense poetry inside the pulse.

With The Pulse & The Breath,
I step into this electronic language.
Urban, atmospheric, alive.

Not algorithmic. Just alive.

I make what feels true.
I listen to silence.
And now also to the city.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
katpoetryvoices.gumroad.com/

#KATseries #ArtElectronica #UrbanEDM #SpokenEDM #ElectronicPoetry
#SoundArt #PoeticBeats #Cityskin #PulseAndBreath #EDMArt
#ArtPop #FuturePoem #AtmosphericEDM #NeonBeats #PoetryProducer
#DJKat #AIxArt #PlayLifeSeries #QuietExperiments #PresenceArt

I love music that takes me on a journey with unexpected twists and turns, painting pictures in my head. I hope my music does that for you.
 I have several albums available on Bandcamp (link below) and please also check out my YouTube channel where I did some music videos.

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Народився в славетному та живописному містечку Кілія, яке розташовано на кордоні з Румунією, який саме створено улюбленою річкою Дунай.

instruction sheet for the proper use of dimension n music – an accurate circumscription of effects and fiction:

you’re now leaving the sober sector. please ensure to be alone during the opening procedure of the data container. lock the door in case of strong neighbour infestion, install bear traps and spring guns. put under a waterproof, scratchproof and biteproof matting to reduce personnel or property damage. read-out the data container by a capable data/acoustic converting device and turn volume up to maximum. don’t hold back! no canting humility! it could be your last one! do not hesitate, if any resonances of your environment occurred. connect loose furniture parts via unsolvable methods like glueing, brazing, riveting or welding. thereby the resonance frequency should sink underneath the hearable spectrum to infra sonic range. use massive doses of psychopharmaca, if panic attacks do appear. infrasonic is deadly in less cases. cardiac arrhythmia is not only harmless, but welcome. you’ve got a right to clench. don’t care for leaking body fluids - it's not a reason to be ashamed - everything is excusable! cancel all your dates. this one is only for you. an optimal sound result can only be achieved by the high performance bass speaker ‚berta droelf‘.
it's made up of a corner bathtub body, a 12 hundredweight heavy duty industrial magnet and a 20 squarefeet membrane, made of finest goat leather.
attention! dimension n can bear traces of bach and peanuts, cleans hardest clichee dirt, is toxic to reproduction and might cause allergies to cheap techno.

- no risk, no art
- don't believe the hype (public enemy)
- once and only once (hunts+thomas)
- pay to win 
- live and let live (schiller)
- the ground is the limit
- diy - machs dir selbst (hartmut)
- no future war gestern (kassierer)
- zu viel ist nicht genug
- prinzip hoffnung (bloch)
- scheitern als chance (schlingensief)
- raus aus der opferrolle und rein ins täterprinzip (bastologe)
- vertrauen sie mir - ich weiß, was ich tue (sledge hammer)