It was a great mix as I too prefer the "Trip Hop" genre of DJ Krush, DJ Shadow, Portishead, etc. The last track Art of noise "Love" is one of my most favorite songs.
Thanks for a great time.

Portishead <3 thanks for taking me to dreamy 90s, luv your whole selection!

yeaaaaa man, this is what im toking a about man oh yea....

CD Track 1 01

"Here’s a mix of breezy, sun-kissed, balearic (??), summer chillers recorded for the fine (wine) people at Bar Part Time. Just shy of one hour, vinyl only (!!!), a handful of records pulled in the Sunshine State on a dig with DJ Ray. Pairs nicely with an orange wine or a literal orange 🍊 enjoy." - @deejaygeedee

B.P.T. Radio 031: Gee Dee

Louis McCoy is a master craftsman in every sense of the word. A legend of a human behind much loved local underground institutions the likes of Inner Varnika and For Home Use Only, and an expert on the tools be it in the kitchen or on a building site, Louis first and foremost is a passionate music obsessor with a savant like ear for records that cut deep. 

Sometimes found under the cheekier guise of hndsm, Louis seriously knows whats up when it comes to 90s music from the UK, and focusses his attention here on the massively influential sound of trip hop that he grew up nodding his head to as a teen. Treating us to near-on three hours of raw and dusty underground classics from the roots of the 90s Bristol trip hop movement, we find ourselves deep beneath the murky waters of the reggae and the shoegaze infused, to moments of heavy, emotion packed atmospheric soul and a healthy dose of the all out experimental. One for the OG chillout heads, this really is a trip like no other!

Interview here: melbournedeepcast.net/portfolio/louis-mccoy

@louis_mccoy
@for_home_use_only

https://innervarnika.com

www.melbournedeepcast.net

Interview

MDC.264 Louis McCoy

June 2010

Mix for the Growing BIn blog. They have a great new record label now also..

http://thegrowingbin.blogspot.com

The Sound Of The Sun - Growing Bin [Mix, 2010]

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side. 

As the cold hits harder than ever before, it’s ever more important to add another layer, both mentally and physically. This audio guide is a sure way to light that fire. Walter Saint is the person in question, a man with a firm grip on the axe, dropping trees to fuel this warm sojourn. 

Walter Saint aka Connor Mackenzie grew up on Gadigal land, it’s where he sharpened his axe, and after a trip to the UK (to sharpen his axe further) he’s back in Eora (thanks covid). Whilst abroad, he caught the ear of London based ‘Bloop’ radio’s director and was quickly made a part of the team, taking up a role as editor and his own show on the channel, dubbed  ‘pacific house’ (TIP!) which keeps him busy to this day.  Now back in Eora full time and making moves on this giant chess board we call life, he’s carving his own way through his masterful approach to DJ’ing as well as working his ass off on a release coming later this year, and damn, this mix is sensational; further proving the hard work Connor has put in over the years, and what he’s truly capable of. 

Personally, I feel as though Walter has gone through my life with a shopping trolley and picked out all the premium produce that has soundtracked all the ups and downs for as far back as I can remember. So many damn hits that bait random emotions back into existence, and I know I’m not alone in this. There’s something special in here that’s going to make everyone feel something, and chances are, that it’s going to be closely related to (thesaurus: ecstasy, hope, elation, bliss, etc). 
The talent displayed in weaving this tapestry is another story all together. Beautifully natural in every way, all these tracks fit together so perfectly that one day they will base puzzles on it. The pure essence of cafe del mar brought back to life in such a spectacular way. Go buy a bag of beach sand from Bunnings, light up a shitty coconut candle and mix up a Margarita, then press play, I-BEE-FAH. 

His sounds >>>> https://soundcloud.com/waltersaint

FHOU

FHUO # 71 // Walter Saint

Firenze 7-22-2022

DEEP Oriental by VK82
Podcast series by VK82
In collaboration with Planet Ibiza/Power People

FREE DOWNLOAD
https://hypeddit.com/planetibiza/deeporientalbyvk82-1

VK82
https://soundcloud.com/feras_s_k_82

https://planetibiza.net
https://newsportal.planetibiza.net
https://planetibiza.net/planet-ibiza-labels
------------------------------------------------

🛑 Free Download

DEEP Oriental by VK82

80 mins of deepness from the don dada Redleg On A Roll, dial in dip out. 

ID Requests ~ @redlegonaroll

1800 Triiip - Redleg On A Roll - Mix 62

Rainme's third title
Deep house track for a before orientation, have a drink, relax and shake your head!

Something Like This (Original Mix)

Kojay's latest studio appearance saw them running an hour of off-kilter soultronic and bruk selections, before playing dub techno and Detroit house sounds in the last 60.

**For the first time in our 8 year history, we’re asking you, our listeners to help support and build a better Balamii. By subscribing monthly you can contribute to the future of Balamii and help us to continue to nurture our creative community. From as little as £3 a month you'll help cover the cost of generating thousands of hours of great radio and support up and coming artists. As thanks, you’ll receive a code for 20% off our merchandise (code sent 24-48hrs after you subscribe) as well as being the first to hear about our events. Our goal is to develop new features that improve our service and therefore build a better Balamii for our family of artists and listeners.**

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Kojay - July 2023

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The unofficial mayor of Naarm aka Dawn Again brings us a gift from above, a three hour stopover filled to the brim with the deepest of chill core cuts and mind-bending principles. The literal embodiment of the soundtrack to spring. This is made for the sun. Slip, slop, slurrrrrp. Xo 

his sounds >>>> https://soundcloud.com/dawn-again

FHUO # 89 // Dawn Again

19012024 restaurant recording by @good-block

cornerstore during service • #18 • GOOD BLOCK

Continuing the series is Mancunian producer, dj and music teacher Tom Burford who just released his LP 'Elevations' with us as Contours (@contoursmusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Tom. You just returned from a big hike, how was it?

TC: Hey! Yeah, we were able to get out on some beautiful hikes around the Anaga national park in the north of Tenerife. It’s a stunning landscape and a nice change from the overbearing grey we get in Manchester for half the year. 

MFM: Does nature play an important role in your life and music?

JC: Definitely in life, and then I guess that just seeps into my music. I grew up in a pretty rural part of Cumbria. It was very beautiful landscape but with very little to do from an entertainment perspective, so getting out in the landscape or jamming with friends always felt like the two most freeing things to do. 

MFM: About jamming with friends... Your new album Elevations includes a lot of collaborations with other musicians, of which you did the recordings yourself. Can you highlight one special moment from those recording sessions?

TC: When recording Pots, I had initially written and recorded the percussion and synth parts at home and hit up Abraham to see if he wanted to add some Trumpet parts. He is based in London and so he recorded initial takes remotely and sent them through. They sounded great, but I really wanted to transform and process his parts for the track to manipulate them into sounding more synth like at points. Doing, that without him in the space felt like there was dialogue missing. In the end I went down to London and we recorded and dubbed them out in the same space at the Rhythm Section studio (shouts to Mali on engineering duties). Being able to respond to his playing and him in turn being able to respond to the dubbing of his parts felt like it was able to capture some really special elements.  

MFM: The A side of your new LP has Elevations 1, 2 and 3. Was it intentional for these tracks to end up separately or did they used to be one larger piece?

TC: When I started writing Elevations 1, 2 and 3 it just began as a series of jams and recording sessions in my flat bouncing ideas back and forth between myself, Beka, Abel and Simmy. These sessions were always just me and one other collaborator at a time, partly down to schedules, the size of the flat, but also the chance to not have to rush the process and to really dig into how we worked together. I continued building out the same project over multiple sessions so that I could have access to all the material collated in one place. Specific sections and ideas started to come together, but I liked the idea of them forging part of a wider piece. I’d previously worked in a largely self-contained track basis but had been listening to a lot of pieces like Six Marimbas, Music for 18 musicians and Tehillim by Steve Reich that build over a long period and loved the scope this gave to get completely lost in the music. I love the hypnotic nature created when polyrhythms morph over each other for a long enough period, shifting emphasis and eventually melting away.  

MFM: What can you tell about the mix you've made?

TC: I wanted to create a mix that was able to showcase the variety of sounds that influence me, both as a DJ and Producer. I love listening to mixes and radio at home and the best club experiences I’ve had have always been when a DJ is able to surprise you and really take you on a journey. The album makes heavy use of strings through the violin and cello, but also the Guzheng, a Chinese Zither and the Clàrsach a Celtic Harp. The initial three tracks of the mix focus on these sounds before skirting into more percussive and jazz focused influences and then into some deeper acid-tinged downtempo tracks and sub heavy club sounds. Hopefully this mix takes people on a journey and is something for people to get lost in.

MFM Mix 051: Contours

From Tokyo over to Naarm, Genki a man about town, never wearing a frown.

Always leaving us too smiling ear to ear, Genki-sama welcomes you into a 4 hour long mix of Japanese Fusion, Funk, Disco, and agreeably uplifting melodies, whilst finishing with a little lean into electronica.

Another mix for us that really demonstrates why those with music responsiblies should be given free range in longer music sets!

Recorded live (with pleasure) @waxflowerbar with @genkitanaka

029 - Genki Tanaka

Recorded at home, January 2018.

@johngomezldn

Passing Clouds

full broadcast

http://m50.net/playlists/2019.03.01.html

m50 + Gera + Martinou @ etc, WNUR 2019.03.01

D.K. aka Dang-Khoa is a DJ and producer hailing from Paris. His intricate productions on labels like Antinote, Second Circle and the always impeccable 12th Isle build a bridge between his Vietnamese heritage and modern electronic music. For 5918mins., D delivers a mix of Ambient, Acoustic/Folk and Spoken Word which seems a perfect fit for a rainy November lockdown.

D.K.

Deepcasting since '09 📡

Naarm / Melbourne / Worldwide

MDC.264 Louis McCoy

Melbourne Deepcast

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