Live performance by Auricle, Pilgrim Church, Adelaide, 1997.
MW – flute, Kylee Smith – flute, Kirsty Layton – violin, Zoe Barry – cello

These canons were performed and recorded live by ABC FM as part of Auricle's "Australian Women" concert, Pilgrim Church, Adelaide.

Diverse Canons (1996) for mixed ensemble

Six Simple Canons (1996) for mixed ensemble

Electroacoustic work about gendered TV advertising aimed at women and girls. The piece uses lo-fi sound samples from TV ads. 

15 Seconds (2005) - excerpt

A feminist, electroacoustic work in the form of a 9th Century mass, Pope Joan tells the story of a mythical female pope. Pope Joan uses the composer's own voice, bell and tambourine sounds, and heavy electronic processing.

Pope Joan (2004) - excerpt

The Third Day was generated from a letter in the secret Chinese women's language, Nushu. This letter and the linguistic and scribed characteristics of Nushu influenced the structure, the look of the score, and the instrumentation. The two recorder players use extended techniques and the score is unconventionally notated, allowing a degree of flexibility and improvisation. Performed by Katrina Dowling and Hannah Coleman. Live recording. 

The Third Day (2006) for two alto recorders - excerpt

Lyrebird mimicking the sound of a car locking, Olinda, Dandenong Ranges. 

Lyrebird mimicking the sound of a car locking, Dandenong Ranges.

Sonata Two from Five Sonatas.
For toy piano and microsynth. Performed by Jay Batzner

Miranda

Morceau for solo flute. A twelve tone piece based on motifs and formal structures from Debussy's famous solo flute piece Syrinx. Performed by the composer (Melita White) and recorded live by ABC FM in 1997 as part of Auricle's Australian Women concert at Pilgrim Church, Adelaide. 

Morceau (1997) for solo flute  - performed by the composer - recorded by ABC FM

Santigold - I Don't Want: The Gold Fire Sessions (Full Mix)
Out now:  https://santigold.lnk.to/IDWGFSID

I Don't Want: The Gold Fire Sessions is a new project I did with Dre Skull. Recorded in a little over a week's time, it's a spontaneous mixtape-style collection of reggae, dancehall and Afro-Carribean inspired songs that are made for summer! #IDontWant

Six Simple Canons (1996) for mixed ensemble

MW

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