out now, go to heavyjewelz dot bigcartel dot com to cop the full demo EP on wax! All recorded late 94 early 95, produced by Dj Nastee. 12 Block is Taste The Terror, A Math, and Dj Nastee.

12 Block - Movin Island Style Thorough [12" demo EP] (snippets)

01-Kev Brown & Hassaan Mackey-Intro

Nothing But... (SCIENZE x JohnNY U. x Elle Pierre

Pre-order "Good Vibes Only" at: http://bit.ly/GoodVibesEP

LISTEN, LIKE, SHARE WITH A FRIEND. Play your part and move the movement. 

Produced by @Renbeats. 
Additional vocals by Nige Hood.
Additional song writing by Anik Khan. 

Twitter: @alivegreenst // @soupagreenst // @rengreenst 

Stay Woke (ft. Quelle Chris)

Album version streaming everywhere 

Spotify: https://open.spotify.com/track/3jk15437x4qW0RfOWkLx7V?si=0ZG_J0KlRvqzfXD1wmTcTQ

Apple: https://music.apple.com/us/album/gotta-be-great/1533684982?i=1533685089

Gotta Be Great {OG} (Prod. by Gambi)

produced by Illingsworth, guest raps by Illingsworth, Dom O Briggs, and F Virtue

Stop Hitting Yourself f Illingsworth, Dom O Briggs & F Virtue

Produced by Che Grand
Recorded at Tanya's Fried Chicken
Artwork by SOAP Goods Creative
Photography by Erik Jogernsen

Abandoned Theme Park

The Record feat. Che Grand

No one confronts the abyss better than Chris Orrick. The Michigan ex-factory worker formerly known as Red Pill has spent the last half-decade documenting industrial decay, familial pain, and struggles with addiction better than almost anyone inhabiting this poisoned soil. It’s somewhere between Charles Bukowski and Michael Moore, or maybe Atmosphere if he couldn’t ignore the arsenic in the air. 

As Orrick tells it, “Portraits,” his latest album for Mello Music Group is a return to form. 

“I tried to strip everything down to what I think I'm best at: simple, concise portraits of who I am,” Orrick says. “Whether that be finding myself through self-portraits, portraits of everyday workers, portraits of the current political moment or portraits of myself told through the eyes of people I encounter daily.” 

From the corroded arteries of the blue-collar heartland, Orrick emerges as one of the most incisive and savage critics of Trump’s America. If the American dream is dead, he unflinchingly lays the blame on avaricious corporations, crude demagogues, and structural racism. There’s nothing polemical about it: just warm-hearted, sad-eyed, gin-flooded depictions of a life where there are few right answers but a litany of wrong ones. 

The Michigan native is an acerbic poet, but too unpretentious and sarcastic to ever call himself that. In his love letter to his long-time girlfriend (“Lazy Buddies”), Orrick fantasizes about the pair decamping to a town an hour outside of Paris, where they can blissfully split a bottle of cheap wine. Then he mocks himself for being a little corny. But that’s part of its charm—through his ruthless honesty, we can see ourselves as we actually are—prone to idle delusions, indolence, and self-obsessed. 

“Portraits can often be overlooked, but there are so many details in the face that tell innumerable stories about what the person portrayed might have been feeling or going through,” Orrick continues. “I'm trying to find those details, within myself and within America today." 

On “Anywhere Instead,” he grouses about how most days he doesn’t want to leave his bed until noon, staring at his phone, wishing for imminent death. It’s a nothing matters, gallows humor that anoints him a laureate of existential dread. He captures the terror of the void, the ambiguity of not knowing where or when your next direct deposit will hit. He’s wise enough to understand how little he understands, allergic to cheap irony or forced symbolism. As he points out on stories, “not every story has a meaning, not every moment has a reason, sometimes you just let the music play and tell you what to say.” 

It’s obvious how loudly the music speaks to Orrick, who is rarely short of opinions or serrated observation. The somber piano-based melancholy and rugged drums of “Portraits” thump via a gifted arsenal of producers including Nolan the Ninja, L’Orange, Exile, Apollo Brown, and Onra. Only two guest rappers appear, Fashawn and Orrick’s partner in Ugly Heroes, Verbal Kent. Orrick carries the rest of the weight and you sense the Atlas burden he shoulders. 

But for the all the poignant complaints, there’s a soulful profundity at the core of the album. It goes further than stress over bills, nicotine and liquor compulsions, and a search for deeper revelation. If you can hear a song like “Mom” without slightly crumbling, you might be iron-born. It’s a eulogy for Orrick’s late mother, dead at 45 without seeing her children grow up, without the opportunity to take pride in her son’s ability to realize his dream—however flawed it can occasionally seem. It’s here where you sense the power of these Portraits. They capture the pain that too many of us feel, that manifests itself in so many distinct ways. For a little while, we understand the raw f&cked up complexity of what it means to be a human being in a lunatic world. The portrait is personal, but it’s all of us too. 
credits

Portraits Mp3

Lazy Buddies

Chris Orrick -  Lazy Buddies (prod. Apollo Brown)

CD Bonus track off of LEX's self produced album, Alex featuring Recognize Ali and Phyba Optikz.  Stream only.

Lords Of The Moment feat. Recognize Ali & PhybaOptikz

It Takes A Village

Jay Lonzo "Dreamworld" (Prod. By Marco Polo)

From the album "Soul On Ice 2"
prod. Nino Beige / cuts EF Cuttin & inDJnous

Special thanks to @MBindLLC and Juice B-Boy Crew

2019 Mello Music Group

Soul On Ice 2

Free Download

Ras Kass - Shark Week

HipHop • Jazz • Space • Soul • Funk // Sounds Beautiful Like The Truth