Catch the Wind, written by Donovan.  Guitars, vocals - Amy Beasley

Catch The Wind

Written by Marlies de Veer
Recorded by Borneo Penguin:
Marlies de Veer - acoustic guitar, vocal
Amy Beasley - bass guitar, vocal
Jimmy Biala - percussion
Don Dias - accordion, soprano glockenspiel

Never Letting Go

ICS-1.wav

An experiment with overlaying a figure in 6 over a bass line in 4. 
Chapman Stick, three guitars, and drum kit.

ICS February2016

Creation for May ICS -- Recorded in 4 hours, guitars, stick, e-drums. The metronome bled through the tracks, it's not supposed to be there. >:-(  I'm no drummer, so the lack of drum skills will show. FWIW!!!

ICS May 2016 - Sinuous

A fun EDM/electronic version of Wayne Shorter's "Footprints" from goofing around in Garage Band.

Footprints EDM

A sound collage with field recordings, live drums & percussion/glockenspiel combined with Garage Band drum loops, incorporated with an inspired saxophone sample from the Horse Lords' "Encounter II/Intervention II" from the LP "Interventions."

Crossings: Trains of Jack London Square

This piece is a story of two very different mornings. It was the "final exam" project for my ProTools class -- to assemble parts from Beatles "Benefit of Mr. Kite," "Good Morning," and "I Am The Walrus" along with parts recorded live in class with different tempos and keys into a piece of music. Enjoy!

(Good?) Morning

Song by Horace Silver
Paul Fogel, alto sax
Jérome Jeannin, baritone sax
George Mynatt, piano
melne, guitar
Elaine Bulloch, bass
Hugh Rodman, drums

Señor Blues

This song was the first fully completed song that I wrote at the age of ~18. Inspired by the lyric content and general emotional feel of Blue Öyster Cult's "Morning Final." Recorded on a Dokorder 1/4" reel-to-reel 4-track that I had acquired through a trade for a Fender Stratocaster, which opened up the ability to create fully realized song demos. Salvaged off of a nearly 40-year-old cassette, and sound quality will attest to that!

Señor Blues

melne

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