16 November 2024 @ Patterns Brighton, with Danielle Avery & Robin Ball. 

For 11 years Memory Box has been a London based purveyor of boutique parties, working with artists of the future alongside originators and icons from the rich tapestry of the electronic music scene. We invite global musical innovators and originators to play at some of the UK’s best intimate clubs. At a Memory Box night you’ll hear timeless House, Techno, Breakbeat, Electro and Acid and you’ll find the friendliest crowds on our dance floors.

Previous guests:
Anna Wall
Artwork
Big Miz
B.Traits
Brassica
Carl Craig
Crazy P
Daniel Avery
Danilo Plessow (Motor City Drum Ensemble)
Derrick Carter
Dixon Avenue Basement Jams
DJ Bone
DJ Paulette
DJ Pierre
DJ Sneak
Egyptian Lover
Erol Alkan 
Felix Da Housecat
Greg Wilson
A Guy Called Gerald
Helena Hauff
Joey Beltram
Juan Atkins
Justin Robertson
Kevin Saunderson
Kiara Scuro
Leftfield
Luca Lozano
Luke Vibert
Meg Paine
Nightwave
Nightmares On Wax
Paranoid London
Robert Owens
Todd Terry
+ loads more

acidbox@icloud.com
affie yusuf 
https://affieyusuf.bandcamp.com/
https://discogs.com/artist/affie+yusuf

Bossman at Klasse Wrecks - ZODIAC44 - Grafiti Tapes - Planetluke.com

Enjoys Acid House, 1970s Graffiti styles and rooting for the underdog...looking to meet similar. 

For more please visit:
www.lucalozano.bandcamp.com
www.facebook.com/lucalozano
www.klassewrecks.com
www.planetluke.com

✷ 𝒹𝑒𝑒𝓅 𝒸𝑜𝓈𝓂𝒾𝒸 𝑔𝓇𝑜𝑜𝓋𝑒𝓈 ✷

✷ 𝒷𝑜𝑜𝓀𝒾𝓃𝑔𝓈 & 𝓅𝓇𝑜𝓂𝑜𝓈: 𝓂𝑒𝑔𝓅𝒶𝒾𝓃𝑒𝓂𝓊𝓈𝒾𝒸@𝑔𝓂𝒶𝒾𝓁.𝒸𝑜𝓂

𝟸𝟶𝟸𝟻:
04.01.25 - 𝘍𝘢𝘣𝘳𝘪𝘤, 𝘓𝘰𝘯𝘥𝘰𝘯
08.03.25 - 𝘌𝘯𝘴𝘦𝘮𝘣𝘭𝘦, 𝘓𝘰𝘯𝘥𝘰𝘯
05.04.25 - 𝘛𝘩𝘦 𝘎𝘳𝘦𝘺𝘩𝘰𝘶𝘯𝘥, 𝘓𝘰𝘯𝘥𝘰𝘯
11.04.25 - 𝘊𝘢𝘧𝘦 1001, 𝘓𝘰𝘯𝘥𝘰𝘯
11.04.25 - 𝘊𝘭𝘶𝘣 𝘚𝘪𝘨𝘯𝘢𝘭, 𝘓𝘰𝘯𝘥𝘰𝘯
26.04.25 - 𝘊𝘪𝘳𝘤𝘢 𝘎𝘳𝘰𝘰𝘷𝘦, 𝘓𝘰𝘯𝘥𝘰𝘯
03.05.25 - 𝘘𝘠𝘚𝘗, 𝘓𝘰𝘯𝘥𝘰𝘯
16.05.25 - 𝘐𝘴𝘭𝘪𝘯𝘨𝘵𝘰𝘯 𝘈𝘳𝘵𝘴 𝘊𝘭𝘶𝘣, 𝘓𝘰𝘯𝘥𝘰𝘯
17.05.25 - 𝘝𝘚𝘝𝘕 𝘹 𝘚𝘩𝘦 𝘔𝘢𝘥𝘦, 𝘓𝘰𝘯𝘥𝘰𝘯
24.05.25 - 𝘝𝘪𝘭𝘢𝘪𝘯𝘦 𝘈𝘳è𝘯𝘦 𝘍𝘦𝘴𝘵𝘪𝘷𝘢𝘭, 𝘗𝘢𝘳𝘪𝘴
31.05.25 - 𝘕𝘦𝘹𝘵 𝘋𝘰𝘰𝘳 𝘙𝘦𝘤𝘰𝘳𝘥𝘴, 𝘓𝘰𝘯𝘥𝘰𝘯
11.07.25 - 𝘍𝘶𝘯𝘬 𝘐𝘯 𝘛𝘩𝘦 𝘍𝘰𝘳𝘦𝘴𝘵, 𝘞𝘢𝘭𝘦𝘴
25.07.25 - 𝘛𝘩𝘦 𝘛𝘦𝘮𝘱𝘦𝘴𝘵, 𝘉𝘳𝘪𝘨𝘩𝘵𝘰𝘯
09.08.25 - 𝘏𝘢𝘶𝘴𝘶, 𝘓𝘰𝘯𝘥𝘰𝘯
15.08.25 - 𝘊𝘭𝘰𝘴𝘦 𝘛𝘪𝘦𝘴 @ 𝘕𝘶𝘮𝘣𝘦𝘳 90, 𝘓𝘰𝘯𝘥𝘰𝘯
13.09.25 - 𝘊𝘢𝘧𝘦 1001, 𝘓𝘰𝘯𝘥𝘰𝘯
18.10.25 - 𝘓𝘪𝘵𝘵𝘭𝘦 𝘗𝘰𝘳𝘵𝘭𝘢𝘯𝘥 𝘚𝘵𝘳𝘦𝘦𝘵, 𝘓𝘰𝘯𝘥𝘰𝘯
25.10.25 - 𝘕𝘰𝘵 𝘠𝘰𝘶𝘳 𝘜𝘴𝘶𝘢𝘭 @ 𝘛𝘩𝘦 𝘔𝘰𝘥𝘦𝘭, 𝘕𝘰𝘵𝘵𝘪𝘯𝘨𝘩𝘢𝘮
08.11.25 - 𝘈𝘯𝘥 𝘉𝘦𝘺𝘰𝘯𝘥 @ 𝘚𝘵𝘢𝘨𝘦 & 𝘙𝘢𝘥𝘪𝘰, 𝘔𝘢𝘯𝘤𝘩𝘦𝘴𝘵𝘦𝘳

𝟸𝟶𝟸𝟺:
05.01.24 - 𝘌𝘷𝘰𝘭𝘰𝘷𝘦, 𝘗𝘢𝘳𝘪𝘴
16.02.24 - 𝘝𝘰𝘭𝘪𝘵𝘪𝘰𝘯, 𝘓𝘰𝘯𝘥𝘰𝘯
09.03.24 - 𝘋𝘰𝘸𝘯 𝘛𝘰 𝘌𝘢𝘳𝘵𝘩, 𝘓𝘰𝘯𝘥𝘰𝘯
23.03.24 - 𝘎𝘶𝘢𝘷𝘢 𝘑𝘢𝘮𝘴, 𝘓𝘰𝘯𝘥𝘰𝘯
28.03.24 - 𝘍𝘭𝘪𝘳𝘵, 𝘉𝘦𝘳𝘭𝘪𝘯
30.03.24 - 𝘚𝘪𝘴𝘺𝘱𝘩𝘰𝘴, 𝘉𝘦𝘳𝘭𝘪𝘯
12.04.24 - 𝘌𝘮𝘦𝘳𝘨𝘦𝘯𝘤𝘺 𝘙𝘰𝘰𝘮, 𝘓𝘰𝘯𝘥𝘰𝘯
11.05.24 - 𝘌𝘮𝘦𝘳𝘨𝘦𝘯𝘤𝘺 𝘙𝘰𝘰𝘮, 𝘓𝘰𝘯𝘥𝘰𝘯
17.05.24 - 𝘚𝘰𝘭𝘢𝘤𝘦 𝘚𝘱𝘢𝘤𝘦, 𝘋𝘶𝘣𝘭𝘪𝘯
23.05.24 - 𝘛𝘩𝘦 𝘓𝘰𝘷𝘦 𝘐𝘯𝘯, 𝘉𝘳𝘪𝘴𝘵𝘰𝘭
22.06.24 - 𝘙𝘩𝘺𝘵𝘩𝘮 𝘚𝘦𝘤𝘵𝘪𝘰𝘯 𝘢𝘧𝘵𝘦𝘳 𝘱𝘢𝘳𝘵𝘺, 𝘓𝘰𝘯𝘥𝘰𝘯
29.06.24 - 𝘗𝘭𝘢𝘯𝘦𝘵 𝘎𝘳𝘰𝘰𝘷𝘦, 𝘓𝘰𝘯𝘥𝘰𝘯
13.07.24 - 𝘌𝘮𝘦𝘳𝘨𝘦𝘯𝘤𝘺 𝘙𝘰𝘰𝘮, 𝘓𝘰𝘯𝘥𝘰𝘯
27.07.24 - 𝘒𝘖𝘒𝘖, 𝘓𝘰𝘯𝘥𝘰𝘯
02.08.24 - 𝘎𝘰𝘥𝘥𝘦𝘻𝘻, 𝘓𝘰𝘯𝘥𝘰𝘯
17.08.24 - 𝘚𝘸𝘪𝘳𝘭, 𝘓𝘰𝘯𝘥𝘰𝘯
23.08.24 - 𝘌𝘮𝘦𝘳𝘨𝘦𝘯𝘤𝘺 𝘙𝘰𝘰𝘮, 𝘓𝘰𝘯𝘥𝘰𝘯
21.09.24 - 𝘚𝘪𝘴𝘺𝘱𝘩𝘰𝘴, 𝘉𝘦𝘳𝘭𝘪𝘯
12.10.24 - 𝘎𝘳𝘦𝘺 𝘈𝘳𝘦𝘢, 𝘛𝘢𝘪𝘱𝘦𝘪
03.11.24 - 𝘓𝘪𝘰𝘯 & 𝘓𝘢𝘮𝘣, 𝘓𝘰𝘯𝘥𝘰𝘯
23.11.24 - 𝘕𝘦𝘹𝘵 𝘋𝘰𝘰𝘳 𝘙𝘦𝘤𝘰𝘳𝘥𝘴, 𝘓𝘰𝘯𝘥𝘰𝘯
31.12.24 - 𝘕𝘦𝘹𝘵 𝘋𝘰𝘰𝘳 𝘙𝘦𝘤𝘰𝘳𝘥𝘴, 𝘓𝘰𝘯𝘥𝘰𝘯

GIDEÖN
HOMO-CENTRIC RECORDS / NYC DOWNLOW / ADONIS / R3 SOUNDSYSTEM / BLOCK9

GIDEÖN has a background in music spanning 33 years. In addition to his studio practice as a recording artist, his work as a creative director, stage designer and curator, he is also a touring DJ and an avid collector of vinyl. Since his first set of turntables in 1990, GIDEÖN has devoted his life to collecting vinyl from the US, Jamaica, Latin America, Africa, and the UK. He specialises in Northern Soul, Latin, Reggae, Gospel, and Disco rarities. House Music, above all else, is his first and greatest love. 

He is currently Creative Director of a new opera being developed in partnership with English National Opera. He has a degree in Music with Visual Practice (BA Hons) and was guest Creative Director of Music for London Borough of Culture 2022. Recent projects have seen Gideon head up Creative Direction for Dua Lipa’s record breaking Studio 2054, winning the MVA’s Music Video of The Year award. He was production designer for lead artists at Live at Worthy Farm, Glastonbury’s virtual festival livestream. 

As a curator, he programmed two events for Chaka Khan’s Meltdown Festival in summer 2024 and is currently Head of Music at The Roof Gardens in London. Other projects include work with Anohni, Banksy, Imperial War Museum, Finnish Opera House, Hercules & Love Affair, Lana Del Ray, Skrillex, Brian Eno, Roisin Murphey, The Blessed Madonna, Honey Dijon, and Jorja Smith.

GIDEÖN co-founded, co-directs and curates Block9’s festival nightlife institutions The NYC Downlow, Genosys, Maceo’s and IICON at Glastonbury Festival. He is also resident and co-booker at London’s hottest queer club night Adonis. As a radio DJ, GIDEÖN has been actively involved in broadcasting for over three decades. Since cutting his teeth on London’s pirate stations in the late nineties, he hosted a weekly show on London’s Soho Radio for 3 years. Recent guest appearances include New York’s Beats In Space, London’s Rinse FM, NTS Radio and BBC 6 Music. He recently held a residency at BBC Radio 1.

GIDEÖN has been involved in political activism his entire life and is now increasingly focussed on organising hybrid cultural-political events partnering music and protest, often under the banner of R3 Soundsystem. Together with charities Love Music Hate Racism & Stand Up To Racism, GIDEÖN has organised major sound system interventions on many of the Stop Brexit and Stop Trump and Anti-Fascism protests. He is actively involved with fundraising for several LGBTQ+, human rights and social justice organisations including AllOut, Medical Aid For Palestinians, Prepster, Human Dignity Trust and Refugee Community Kitchen. GIDEÖN sits on the advisory committee for The Right to Dance, part of War Child’s NGO Network.

R3 Soundsystem is a consortium of DJs, musicians, producers, record labels, festivals, nightclubs, sound systems, activists, and cultural organisations, all united by love of music and the rejection of right-wing nationalist values. R3’s three Rs stand for RESIST/REJECT/REVOLT.

GIDEÖN’s House Music label HOMO-CENTRIC RECORDS launched to showcase both his solo productions and collaborations with close queer comrades. The label focusses on the LGBTQ+ heritage of House and attempts to pay homage to its lost heroes. Its manifesto states the intent to re-establish the lines of queer musical tradition at the heart of House, lost to AIDS and the capitalist desecration of dance music itself.

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

Bookings: caroline@klsbookings.com
Send love letters: tiacousins@hotmail.co.uk

Resident: @fabric 
Founder: @TheBricksTheBricks 
Bookings: booking@interwave.live

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

Memory Box is following