Bookings:  www.cybergrooveam.com | dave@cybergrooveprod.com 
🔗 linktr.ee/mizeyesis 
(DNB Girls | UNDRCRRNT Music | Repertoire | Omni Music | Hangry Records | Hexagon Digital | Elm Imprint | New England Junglists)

A pioneering force in Jungle / DNB, Mizeyesis is a DJ, producer, and co-owner of DNB Girls, representing the U.S. with a global sound. Known for high-energy, soulful sets and deep musicality, she’s rocked iconic events like Rupture, Respect, Renegade Hardware Weekender, Outlook UK, Hospital Records Beach Party and beyond, sharing stages with legends like LTJ Bukem, Remarc, S.P.Y., Digital, John B, Jumpin Jack Frost, Total Science, Ray Keith, Remarc, Double O, Outrage, Loxy, Paradox, Sam Binga, Dj Flight, Double O, MSDOS, Breakage, Liondub, Empress, Reid Speed, Armani Reign, TRAC, Valliant MC, Sofi Mari, Zed’s Dead, Doctor P, Flux Pavillion and many more.

Her discography includes the Sea Jah EP (Hexagon Digital), Convergence EP (Omni Music), Seven Systems (Faction Digital), Salvation (Junglist Resistance), SoundBwoy Haze & Warmth (YESKA Beatz), Call to the Ancestors (Repertoire), and recent cuts Ease Up Junglist… Feel Nice & Return to New on the DNB Girls XII Compilation, benefiting Femme House and so much more.

Also an educator and advocate, Mizeyesis has been featured by EQ50, DJ Mag, UKF, and more. Expect rhythm, bass, and spiritual uplift every time she hits the decks.  Mizeyesis is also launching a label, UNDRCRRNT Music in Spring 2026 that focuses on cutting-edge DNB, jungle, bass music,  and hybrids like 160/140/techno adjacent sounds, and club-focused electronic music.

Bookings: mark@esp-agency.com
Music: info@technimatic.com
Sign-up & More: https://linktr.ee/technimatic

Since joining forces in 2007, Peter Rogers and Andy Powell AKA Technimatic have become key players in the world of musical, emotive drum & bass. Their rich back catalogue covers the cream of d&b labels - Hospital, Ram, Shogun Audio and Spearhead to name a few - and in 2021 they established their own pioneering ‘Technimatic Music’ imprint. With 4 albums, countless EPs and remixes of the likes of Moby and LTJ Bukem, their music has taken them around the world, their in-demand DJ sets renowned for covering the whole spectrum and history of d&b.

If you like D&B you’re in the right place 🤝

Independent drum + bass label based in Shoreditch📍

Delivering high quality Drum & Bass content to party people around the world.

Search for 1,000's of classic rave tapes, converted & restored from the original source by Section 23, exclusively for SoundCloud.

We are also a record label, why not send us a demo?

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

DJ/Live booking :
UK, Europe / AU & NZ : chrism@clinictalent.com
USA / Canada : emily@cybergrooveprod.com
Japan / Asia : info@humanelements.jp

Any other requires : info@humanelements.jp

Having first come to prominence in 1999 when he was signed to LTJ Bukem’s Good Looking label, Makoto has steadily, consistently carved out his own groove in the world of Drum and Bass, with his trademark expansive jazz and soul-inflected workouts garnering critical praise from all corners. Having worked with a veritable who’s who of the scene, with releases on Zinc’s Bingo Beats, Fabio’s Creative Source, Hospital Records and numerous collaborations with DJ Marky, Makoto now releases his first EP on Apollo records.

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