Exchanging feedback is the best way to support one another, while at the same time keeping showcase sites like Soundcloud alive; if we are not proactive these sites will eventually become inactive, impotent, leaving us with nowhere to showcase our music!

How do feel about us gathering proactive musicians, those who understand the value of swapping MEANINGFUL support, actual listens, constructive feedback, sharing posts on X, Facebook, etc., into a community called THE FEEDBACK FAMILY, which would include playlists made up of those musicians who sign on to the project—want be part of it?
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Anyone seeking authenticity, imagination & personality, in creativity should explore unsigned music; that's where my faith in the future of music lies!

UNSIGNED MUSIC isn't inferior to SIGNED by any stretch of the imagination! Look past the illusion, find out what you're missing!
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Some Soundcloud musicians receive tens of thousands of listens, and more power to them, but spare a thought for those of us who struggle to reach double figures; it isn’t always because our tunes are inferior!

Don't let the MUSIC INDUSTRY FOOL YOU, the best tunes around today are #UNSIGNED, #INDEPENDENT & #UNDERGROUND!
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UNDERGROUND MUSIC IS ABOUT DOING IT YOUR WAY!
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Don't let anyone tell you what music to make or how to make it...JUST MAKE IT! 
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Why swap support, swap genuine listens, feedback and shares?

We are all competing with tens of millions of musicians; to say it’s overcrowded out there is a huge understatement, and it’s that overcrowding that makes it so difficult to reach an audience—it’s exactly like searching for a needle in a haystack, and who has the time to do that!

That’s why the support of other musicians is so important, that’s why the respect, the hype, the acknowledgement must start with us! When we are so dismissive of each other’s talent, why should a listening audience treat us any differently!   

When we disrespect, dismiss and shun each other’s talent and music, what we are saying to the world is, we don’t waste our time listening to the tunes of unsigned and independent musicians because they are inferior to those signed, established, musicians—it’s negative advertising!

If we are to have any chance of breaking the stranglehold of a mercenary music industry, if we are to have any chance of convincing a potential audience that our music is , more than not, actually superior to signed music, more inventive, more innovative, more creative, more imaginative, and a whole lot less formulaic!

Music has come a long way, it’s never been so diverse, so it’s ridiculous that people are forced to listen to formula conveyor belt music, high on production, low on substance! Listeners have no idea they are being spoon-fed scrag ends; they belief the myth that signed means superior—well I’ve heard enough unsigned music to know that just ain’t true….but we’re never going to prove that as long as we continue to treat each other’s music as though it were worthless! @MusiciansWithVision


DON'T WAIT FOR THE MOUNTAIN TO COME TO YOU....IT DIDN'T COME TO  MUHAMMAD SO IT WON'T COME TO YOU :)

DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!
I don't respond to musicians that just add numbers, and i don't respond to musicians that just click the like button, because it doesn't prove they actually listened.

Just clicking the like button doesn't prove the tune has been listened to; anyone can click a like button, and if you don't comment because you think my music is crap in comparison to your own, please say so!

NOT SURE WHETHER LISTENERS SERIOUSLY UNDERESTIMATE MY CREATIVE TALENT, OR WHETHER I SERIOUSLY OVERESTIMATE IT!



The homophobe accuses me of being homosexual, the homosexual accuses me of being homophobic....the truth is, I'm neither! 


Confirmation that BIGOTRY = STUPIDITY! And that bigotry is widespread among the oppressed and the oppressor, the victim and the villain, the overlord and the underdog--which is why, when these groups change places, the roles are simply reversed--underdog becomes overlord, overlord becomes underdog! No one really wants TRUE JUSTICE, A BALANCED SOCIETY, they just want a single slice of the cake, they want the whole cake! 

We belong to 'THE ME FIRST GENERATION!'

If musicians you exchange support with were CYBER-SHUNNING a certain musician on Soundcloud and this was undeservedly destroying that musicians chances of getting heard, would you bow to peer pressure or would you continue supporting the musician they were targeting regardless?

James Walsh is a Guitarist.  Keri A. Walsh is a Singer. Both are Singer Songwriters in Bristol Kids.They play Pop Rock and Country Music and some Rock n Roll.
James and Keri have over 10 tracks on Reverbnation and 10 Songs on their  album release Wireless Dreams with songs on iTunes as Bristol Kidson all the other networks. We are #1 on  on Pop Charts on Reverbnation.com in Florida !  James plays guitars, write the lyrics; Keri creates a Vocal melody and all the harmonies and sings all the songs.   
We wish to thank out Music Producer Tony Brock of The Babys for showing us his way and teaching us a lot about being in a real studio.
http://www.bristolkids.com    Go here: https://www.facebook.com/BristolKidsOne


I am an electronic musician based in Olympia, WA. USA. I am also a Graphic Designer Sr. at The Evergreen State College.

I have released music on Audiobulb Records, Neon Sigh, the tonAtom Netlabel and Ember Music...

<A HREF="http://twitter.com/kurtlrnz">TWITTER:</A>
<A HREF="https://kurtlorenz.bandcamp.com/">BANDCAMP:</A> 
<A HREF="http://www.kurtlorenz.com">WEBSITE</A>

Forming in 2015, two aspiring songwriters from South Texas found a catalyst for the driving force that would become known as Sin Seer. Since the initial release of their debut EP 3 years later, Cameron McLendon and Trey Saucillo have honed in a sound that separates heavier influences, blends alternative melodies, and dispels all traditions before them.

Born in 2003, I am a song writer, singer and guitarist with big dreams! Watch this space to hear my originals!

Official SoundCloud channel of ESA - the European Space Agency. Most (not all) audio content here is licensed under CC BY-SA IGO 3.0. Please check individual credits to be certain. Can't find a track? Our channel used to be http://www.soundcloud.com/esaops - but not anymore. Try searching here for the track name or using keywords instead.

MeQ - (A)Message
Beyond boundaries / Into modern sound
No expression could describe MeQ better than the above. MeQ (modern-e-quartet) are precisely what their name implies. The word "quartet" captures the thorough and extensive relationship the band members have with classical music. Meanwhile "modern" reveals their unfettered view to the future. Electronic roars and distorted (but also lyrical) vocals blend with underground melodies and sophisticated compositions. The result is a peculiar mixture which will satisfy not only electronic music fans but a wider spectrum of electric sound fans because of the tension and the energy which the compositions emit.
This atmosphere prevails throughout their selective live concerts. Because of this "tension" Malcom Brabant (BBC correspondent in Greece) made a tv documentary after their sold-out live appearence in Bios Club. The band's next success was a sold-out concert in Athens Concert Hall.
During 2012, the band (Costas Anastassopoulos - electric violin, vocals, electronics, Valia Tsiblakaki - synth, lead vocals, Marina Kolovou - electric cello, vocals, electronics, Pit Assbill - electronic drums, vocals) devoted to the recording of their second album which is entitled (A)Message and is released digitally by Passive Front Records since the 2nd of June 2013. Based on an idea and a text by Marios Tsangaris the band sets up a psychotropic - electronic tunnel of sounds  which floats around a pivotal narration. The focal point is a society (not necessarily terrestrial) where time does not exist. Vanity, opportunism, a voracious thirst for power coexist but also collide with the feelings and the values of the characters in (A)Message.
Having a break from the recordings, in 2012 MeQ introduced a part of the project in Six d.o.g.s. Club using visual material (the second basic ingredient of their concerts). In 2013, a movie will be implemented, as a new project, reflecting all the sense and the dynamics the lyrics include. 
The sound of (A)Message can be described as a steel tunnel of rhythm and hardcore aesthetic. Meanwhile the melody (in both vocals and music) is a parallel and powerful weapon of attraction. MeQ prefer to describe their sound as "lyrical based industrial" although (A)Message can certainly surprise more than the above characterization encompasses.

Passive Front Records info
http://www.passivefrontrecords.com/
ttps://www.facebook.com/pages/Passive-Front-Records/244389402314121

MeQ info
https://www.facebook.com/ModerneQuartet
http://modernequartet.wordpress.com/



MeQ :

VALIA TSIBLAKAKI - synth, lead vocals 
MARINA KOLOVOU - electric cello,vocals,electronics
PIT ASSBILL- electronic drums,  vocals
COSTAS ANASTASSOPOULOS - electric violin, vocals,electronics

Matthijs Vos - Vos Music 
Music, Sound Design and Sound Libraries for Arts,
Film and other Entertainment Industries
https://www.matthijsvos.org/

MeQ is following