Sound design that feels alive

Inspired by Mesh, Max Cooper, Jon Hopkins and Alex Banks

Synthesizer Bliss

‘Tis the season for recourse, henceforth.

Henceforth

BOP is Tripstepping

du hast damit angefangen, als ob sie kein Deutsch verstehen könnten

micro dark et autres oiseaux méchaniques

Last Afternoon

Tactile

how did we fend them off: the vitreous fettles which once devoured us? +g0bln

Paul Keeley   A Sort Of Homecoming (Michael Cassette Remix)

Llyr - I Wrote This To Make You Feel Something

Warning Call

Bipolar

buy at:

Bleep - https://bleep.com/release/56933-nathan-fake-glaive
Juno - http://www.juno.co.uk/products/nathan-fake-glaive/561496-01/


01 Nathan Fake - Fortune Bru

Gracie - EP

Mirror

Codex

GOOD001

Lilaei mp3

Old tune i thought i'd drop, more Lofi than my recent works but I hope ya dig it!

Free Download

What It’s Worth

'Echo In' is taken from Dilate (2015):
https://vesselsband.bandcamp.com/album/dilate



@rivalconsoles @erasedtapes

Echo In (Rival Consoles Remix)

SIX CHAKRA & AFTEROWL - RED PLANET

Castles In The Sky

Nic Adic

Want To Love (Just Raw)

Last Time

Last Time (Jon Hopkins Remix)

Glower

Clasp

Soulhack

From the Soulhack album,&nbsp;recently featured in this ad <a href="https://www.dswshoes.com/tv_commercial.jsp?m=october2007">https://www.dswshoes.com/tv_commercial.jsp?m=october2007</a> 

Flickermood

Da Don

Early last year, Punctum finished recording their debut record, Remote Sensing, at the legendary EMS studio in Stockholm. After nearly a year and a half, the album is finally ready for public consumption. I have an oddly personal relationship to an album that is not yet released. I first got a taste of their work in a mix from Maria W Horn, which featured the heavy and hypnotic ‘Quick Botta’. This became a major go-to headphone listen. Strongly recommended for long journeys in the dark.

Technically speaking, a lot of the music on this record quite simple to describe. 303s, 606s and Buchlas dance around each other like an harmonic kaleidoscope. But listen to ‘Glory Bitch’ below. There’s a lot more going on here than simple synth meanderings, the likes of which every bedroom producer knows all too well. There is a meticulous care that has been taken in its entrance and exit. It’s like a set of opening credits, or an tuning orchestra, setting the stage for something huge, before snaking away into the distance. Fitting then, this should be the opening for one of the most exciting records in recent memory.

Remote Sensing

Premiere: Punctum - Glory Bitch [SUMME]

I had a lot of train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of movement and time, and thought it would be an interesting project for a music video set to the music created during the same journeys.

You can find that project and a longer explanation of the video ideas here: https://vimeo.com/241546182

For the music I wanted to bring ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there.

You can hear the whole EP here: https://lnk.to/WorldPassingByEP

Whole EP Stream/Buy

Resynthesis [Mesh004]

From the album 'Beneath The Surface' out now on Max Cooper's Mesh Label

Download/Stream/Purchase Vinyl here: mesh.lnk.to/BeneathTheSurface

Beneath The Surface

Beneath the Surface

Forever

Stephan Bodzin - Treibsand

Find "The Waiting Room" in The Ghostly Store: http://www.theghostlystore.com/collections/music/products/lusine-the-waiting-room

Lusine - February

From The Forthcoming Eglo 4 Year Compilation

Wires:
written, arranged & produced by Sam Shepherd
Recorded at Fishmarket and Eglo studios london on the 13th and 14th of November 2010
Mixed at Eglo studios London.
Violins; Tsze Yenn Yong,  Qian Wu, Mariko McTier
Viola; Charlotte Bonneton
Cello; Magda Pietraszewska
Flute; Renate Sokolovska
Trumpet; Freddie Gavita
Saxophone; James Bateman
Drums; Josh Blackmore
Percussion; Chris Marshall
Bass; Oliver Buxton;
Guitar; Billy Adamson
Hammond, Rhodes, Oberheim OB8, Buchla 200e, ARP Odyssey; Sam Shepherd
Published by Just Isn't Music.
Copyright Eglo Records 2013

Wires

Mada Kokoni Iru Original Soundtrack Recomposed

Particle

F44 / DOUBT

Mesh - the platform for exploring the intersection between music, art, and
science. 

For label enquiries please contact rosy@thewildseeds.com

Founded by London-based artist and electronic producer Max Cooper, 
Mesh isn’t a typical record label, more an avenue to pursue ideas and 
collaborations with creative people who are pushing the boundaries of their
disciplines.