Name: 3 "Numbers" by Metal Blade Records in Progzone
Duration: 4 min 39 s
Description: 3's "Numbers" from "The Ghost You Gave to Me".

another god damned castle of sound built by 3... this band deserves to be WAY more famous than they are.

i love that it sounds like old 3 mixed with new 3

This album is my favorite yet; amazing, progressive, dynamic, and catchy!

i don't like the effect on voice, but good ideas

Progzone

The Enemy Inside

Dream Theater - The Enemy Inside

Dream Theater

Dream Theater - Along For The Ride

Arch / Matheos "Stained Glass Sky" (Edit) from the album "Sympathetic Resonance"

Arch / Matheos "Stained Glass Sky" (Edit)

Dead Heat "Perpetual Punishment" from the album "Process of Elimination"

Dead Heat "Perpetual Punishment"

Dead Heat "By My Will" from the album "Process of Elimination"

Dead Heat "By My Will"

Cognitive "People = Shit"

3's "Numbers" from "The Ghost You Gave to Me".

3 "Numbers"

Tuesday The Sky "The Nearest Exit May Be Behind You" from the album "Indoor Enthusiast"

Tuesday The Sky "The Nearest Exit May Be Behind You"

"The Architect of Flesh" - This track reveals the full extent of Crowe’s curse. Through the Codex Umbralis, his body becomes more than a vessel—it is remade as a living temple for the entity. Each scar, each wound, each murder was not random but part of a grand design: the construction of a gateway through flesh itself. The lyrics shift between Crowe’s horrified awareness and the entity’s triumphant proclamation, with Abberline beginning to realize that his partner’s body has been transformed into the ritual’s foundation. The tragedy deepens: Crowe is no longer simply possessed, but restructured, his humanity overwritten into architecture for something that wants to step fully into the world.

[Intro]
[CROWE]
Through time's deep cracks, the syllables creep,
Older than stars, in shadows they sleep.
Tongues forged in ash, etched deep in stone,
I form their shapes—but not alone.

[Verse 1]
[CROWE]
My veins they ink the script unseen,
My skin’s the parchment where gods convene.
Dreams carve diagrams in red,
Ancient glyphs where blood has bled.

I thought the words could give me sight,
Instead they claimed my shape outright.
The marrow twists, the tendons bind,
A temple raised from flesh and mind.

[Pre-Chorus]
[CROWE]
I thought I searched, but I was found,
A vessel forged, a soul now bound.
The Codex spoke, the lines were sown—
It carved a frame that’s not my own.

[Chorus]
[CROWE]
The architect of flesh claims and binds,
My blood the blueprint, my bones the lines.
The architect of flesh, design complete,
Through me it builds what can’t be beat.

[ENTITY]
Flesh is mine… design complete…

[Post-Chorus]
[CROWE]
Carved in marrow… etched in breath…
Life remade… through living death.

[Verse 2]
[CROWE]
Its script carved deep in bone and vein,
An edifice built through sacred pain.
My heart tolls like a chapel’s bell,
My skull the doorway, my ribs the shell.

It spoke in tongues my lips betrayed,
Each vow a stone the temple laid.
I was the seeker, now I’m clay—
Shaped by hands that won’t decay.

[Pre-Chorus]
[CROWE]
I thought I searched, but I was found,
A vessel forged, a soul now bound.
The Codex claimed, the patterns pressed—
It made my body manifest.

[Chorus (Variation)]
[CROWE]
The architect of flesh, no will, no choice,
My frame the altar, my throat its voice.
The architect of flesh, design fulfilled,
The door now opens, the blood is spilled.

[ENTITY]
Blood is spilled! Flesh is mine!

[Bridge]
[ABBERLINE] “What curse is this?”
[ENTITY] (Your partner’s skin)

[ABBERLINE] “He bleeds, he breaks—”
[ENTITY] (He builds, he makes.)

[ABBERLINE] “This path consumes!”
[ENTITY] (Through him I bloom!)

[ABBERLINE] “His soul, undone—”
[ENTITY] (The work begun!)

[Breakdown
[ENTITY]
Not man, not god—but what survives,
A temple built from living lives.
No silence left, no voice, no rest—
Only the Codex, carved in flesh.

[Final Chorus]
[CROWE]
The architect of flesh—I can’t resist,
Each breath a stone, each wound its fist.
The architect of flesh—design aligned,
Through me it builds, through me confined.

[ENTITY]
Through you confined… design aligned!

[Extended Outro]
[CROWE]
These hands were mine… (no longer mine…)
This breath was mine… (lost to design…)
This life was mine… (crossed the line…)
The temple stands… and I’m confined.

[ENTITY]
“Zorath’nim… Mor’thak keleth…”

Heartbeat slows, silence.


The Architect of Flesh

"Echoes in the Fog" - The climax of Abberline’s journey. Guided by Crowe’s final ciphered messages, Abberline discovers the ritual to sever the entity’s grip: the vessel must die, and another must bear the curse. In a derelict church drowned in fog, Abberline faces Crowe, who flickers between monstrous host and pleading friend. With the pendant shielding him, Abberline drives the ritual blade home, granting Crowe release while binding the Codex’s curse into himself. As Crowe whispers his final thanks, the veil shudders and closes, but whispers still linger in the fog. Abberline, marked and forever changed, steps into the night as both detective and vessel—the hunter and the haunted.


[Intro]
The veil hangs torn, the city bleeds,
The Codex whispers ancient creeds.
A voice of man, a god disguised—
The final truth revealed to my eyes.

[Lyrical Intro]
The cipher led, the path was shown,
Through blood and ash, through flesh and bone.
One vow remains, the blade must fall,
To break the chain, to end it all.

[Verse 1]
I found his words in walls of stone,
Each line inscribed, yet not his own.
A faded photo, shadows weep,
His family’s secrets buried deep.
The pendant glows, the knife is near,
The fog resounds with what I fear.
His eyes reveal a fractured soul,
A man undone, no longer whole.

[Chorus – soaring cleans with gothic choir]
Echoes in the fog—his voice remains,
A soul in torment, bound by chains.
Echoes in the fog—his plea, his name,
I end the rite, I bear the flame.

[Interlude
So bind the flesh, so break the seal,
The Codex burns, the wound won’t heal.
So mark the skin, so call the night,
The host must fall to end the rite.

[Verse 2]
“Do it!—free me now,
The god has claimed what I allow.
These hands are not my own to guide,
The shadow waits, it will not hide.
Strike deep, my friend, the stars converge,
The knife the key, the blood the surge.
The fog will howl, the Codex feed—
Through me it reigns, through me it bleeds.”

[Pre-Chorus]
I hold the blade, my hand will shake.
(You must strike true—for both our sakes.)
The veil resists, the Codex cries—
(This is the end—its grip denies!)

[Chorus]
Echoes in the fog—the bond I sever,
One man redeemed, one cursed forever.
Echoes in the fog—the soul is freed,
The god recoils, yet clings to me.

[Bridge]
Zorath’nim! (unbind the chain!)
Mor’thak keleth! (death-words remain!)
Corpus fractum! (the flesh must die!)
Anima mea! (the soul will rise!)

[Breakdown]
Strike! The gate resounds!
Fall! The host unbound!
Burn! The Codex sears!
Bind! I bear its fears!

[Final Chorus]
Echoes in the fog—his voice departs,
The night still binds, it grips my heart.
Echoes in the fog—her blood, his plea,
One soul set free, one curse on me.

[Extended Outro]
“Thank you, Frederick…”
“Forgive me, friend…”
The pendant burns, the Codex brands,
Its scripture carved into my hands.

The fog recedes but not for long,
Its whispers weave an endless song.
I step alone, the night my shroud,
A vessel born, the curse a vowed.

Tenebris aeternum… (eternal dark)
Domine Umbra… (lord of shadow)
Anima fracta… (broken soul)
VINCIT UMBRA! (THE SHADOW WINS!)

[Outro]
I walk these streets where silence weeps,
I am the vessel the Codex keeps.
Echoes in the fog—they call, they bind…
I hunt the dark… yet it is mine.

Ahhhh... ahhhh... ahhhhhh...
Ohhhh... ohhhh... ohhhhhh...
Mmmmm... mmmmm... mmmmmmm...

Echoes in the Fog

Feeling a slightly different style lately. Hope you enjoy.

Find more like this below.
https://open.spotify.com/artist/0MdXpBjjp7ztNbcaGeCPNv

Make It Bleed

Rafael Maurell Dehumanized

I woke up in static, eyes like glass on fire,  
No halo, no mercy — just a code rewired.  
They talk like prophets, but they sound like spam,  
Selling virtue for dopamine — goddamn.  

Out My Way

these killas, thee killa

Between the Buried and Me's "Astral Body" from "The Parallax II: Future Sequence".

Between the Buried and Me "Astral Body"

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

3 "Numbers"

Metal Blade Records

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