Name: Job for a Cowboy "Sun of Nihility" by Metal Blade Records
Duration: 5 min 33 s
Description: Job for a Cowboy "Sun of Nihility" from the album "Sun Eater"

C'est foufou quand même comme morceau ça ^^

They're getting so much better with every album. Its incredible. I thought it wouldn't be possible after Gloom EP. But then Demonocracy came and was even better and now this? I mean come on this is just straight genius man. Keep on going just like that guys!

Listen to my amazing rap songs on my page

One of my ALL TIME FAVORITE JFAC songs!!! And honestly.... just one of my favorite songs in fuckin general! It is insanely fuckin badass, besutiful, and heavy... i listen to it constantly, and on repeat, and do NOT ever get tired if it! Jus moreinluv

ALTERBEAST - Flesh Bound Text

Job for a Cowboy "Sun of Nihility" from the album "Sun Eater"

Job for a Cowboy "Sun of Nihility"

Album: Tyrant
Release
EU: 14.11.2014
UK: 17.11.2014
NA: 18.11.2014

AVERSIONS CROWN - The Glass Sentient

"Eating the Visions of God" from Job for a Cowboy's "Sun Eater" album.

Job for a Cowboy "Eating The Visions Of God"

Dallas, Texas-based avant/tech death metal trio, BARING TEETH, is preparing for the long-awaited follow-up to their 2011 debut album, Atrophy, with the mangling Ghost Chorus Among Old Ruins confirmed to drop via Willowtip Records in late November.

Previously known as Soviet, BARING TEETH is an act formed by three musicians having collectively spent time playing in a plethora of acts including Cleric, Between The Buried And Me, Broadcast Sea and others. Following their initial demo, Willowtip signed the band for the 2011 release of their debut album, Atrophy. Ghost Chorus Among Old Ruins shows BARING TEETH sharpening its attack, the unsettled aggression of previous material heightened to a manic, primal belligerence. Immersive, hypnotic, and haunting, the album melds seemingly opposing characteristics — streamlined songwriting and dizzying technicality, ambience and brute force, density and angularity, order and chaos — into a fully realized, cohesive listening experience. Without sacrificing originality, the groundwork of Meshuggah and Gorguts gives in to modern and gritty dissonance where one may at times be reminded of everything from the technical intensity of The Dillinger Escape Plan and Flourishing, to the ominous realms of Deathspell Omega and Ulcerate. Comparative compliments aside, the band’s music continually applies and releases tension, while continually spiraling into a tension-infused amalgamation of chaotic but ultimately natural and captivating experimental death metal.

Recorded by Alex Bhore (This Will Destroy You) at Elmwood Recording, mixed by Keith Souza and Seth Manchester at Machines With Magnets (The Body, Battles, Daughters), and mastered by Alan Douches (The Dillinger Escape Plan, Converge, Swans), Ghost Chorus Among Old Ruins takes the extremes of BARING TEETH’s debut to new levels while showcasing a singular vision: no compromise, no respite.

Willowtip Records will release Ghost Chorus Among Old Ruins on November 25th. For now, the album’s cover art by Calvin Sprague and preorders are posted at: http://www.willowtip.com/releases/details/baring-teeth-ghost-chorus-among-old-ruins.aspx.

BARING TEETH:
Scott Addison – bass/vocals
Jason Roe – drums
Andrew Hawkins – guitars/vocals

Ghost Chorus Among Old Ruins Track Listng:
1. An Illusion Of Multiple Voices
2. Mountain
3. Visitant
4. The Great Unwashed
5. Terra Nullius
6. Dripping Sun
7. The Unwilling
8. Ghost Chorus Among Old Ruins

Stand by for review copies of Ghost Chorus Among Old Ruins. For coverage of BARING TEETH, worldwide, please contact liz@earsplitcompound.com.

http://www.baringteethmetal.com
http://www.facebook.com/baringteeth
http://www.twitter.com/baringteeth
http://www.willowtip.com
http://www.facebook.com/willowtip
http://www.willowtip.bandcamp.com
http://www.twitter.com/Willowtip

BARING TEETH - Ghost Chorus Among Old Ruins

Sky Will Shed A Tear

What do you guys think, too heavy or would you like to see more like this? Leave a comment!

Deadpool (Demo)

From the 2015 album One with morbidity, the opus misanthropy.

One with morbidity, the opus misanthropy.

Odious Worship Of Annihilation

Californian Death Metal sickheads RUDE are back with the second album named „Remnants...“. Nobody less than the mighty artist Dan Seagrave is responsible for the amazing coverartwork. Well known mostly from the early '90s artwork-masterpieces of Entombed, Morbid Angel, Malevolent Creation, Suffocation, Dismember and tons more...he's still one of the greatest artists worldwide.

On „Remnants...“ the band present 9 brandnew filthy and authentic classic Death Metal songs still in the vein of Pestilence, Morbid Angel or Nocturnus. No drum-trigger, no bombast, no bullshit...just DEATH METAL to the bone.
„Remnants...“ will be released together with the new WOUND album on January 20th. 2017 by FDA Rekotz/ Soulfood Music on CD, Digital Download and strictly limited deluxe Digipaks. The vinyl version follows later together with a big surprise for the European fans.

Track listing:

01. Torrent To the Past
02. House Of Dust
03. Blood Sucker
04. Interpretations Of The Ultimate Finality
05. Remnants...
06. Fracturing The Gates Of Truth
07. Sanctuary
08. ReBoot
09. Children Of Atom

RUDE online:
https://www.facebook.com/Rude-391039200987363

RUDE - Torrent To The Past

taken from the new ANCST album "Ghosts Of The Timeless Void" - out now on Lifeforce Records.

ghosts of the timeless void

Ghosts Of The Timeless Void

ANCST - Dying Embers

OFFICE FIRE

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Job for a Cowboy "Sun of Nihility"

Metal Blade Records

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